období

pohyb

1. Woman sitting in an armchair — Pablo Picasso, 1912
2. Cassis. The view from the window. — Pyotr Konchalovský, 1913
3. Cassis. Sea. — Pyotr Konchalovský, 1913
4. Siena — Pyotr Konchalovský, 1912
5. Landscape at Ferte Soud Jouarre — Roger de La Fresnaye, 1911
6. Violin — Pablo Picasso, 1912

nálada

témata

1. Mallorca, house — leo gestel
2. Siena — Pyotr Konchalovský, 1912
3. Siena — Pyotr Konchalovský, 1912
4. Cassis. The view from the window. — Pyotr Konchalovský, 1913
5. Siena — Pyotr Konchalovský, 1912
6. Landscape at Ferte Soud Jouarre — Roger de La Fresnaye, 1911
7. The Beautiful Village — Maurice de Vlaminck, 1911
8. L'Estaque — Georges Braque, 1906

klíčová slova

tón

hlavní barva

1. Cassis. Sea. — Pyotr Konchalovský, 1913
2. Cassis. The view from the window. — Pyotr Konchalovský, 1913
3. Mallorca, house — leo gestel
4. Cagnes Sur Mer — William H. Johnson
5. Building. Secession Building in Vienna, Austria — Josef Maria Olbrich
6. Siena — Pyotr Konchalovský, 1912
7. Violin — Pablo Picasso, 1912
8. Study of a Ruined Building — Alfred Munnings
9. Siena — Pyotr Konchalovský, 1912
10. Woman sitting in an armchair — Pablo Picasso, 1912
11. Woman with guitar and piano — Pablo Picasso, 1911
12. Cassis - — John Duncan Fergusson
13. Siena — Pyotr Konchalovský, 1912
14. The Beautiful Village — Maurice de Vlaminck, 1911
15. L'Estaque — Georges Braque, 1906
16. East garden on the north – east side of building 4 and on the south – east side of building 3 — Michel Marot, 1972
17. Discovery and Building — Carol M. Highsmith, 2010
18. Fields at Bellevue — Paul Cézanne, 1895
19. Louveira Building — João Batista Vilanova Artigas
20. Landscape at Ferte Soud Jouarre — Roger de La Fresnaye, 1911
21. The Secession Building in Vienna, Austria — Josef Maria Olbrich
22. Exterior Old Merensky Building — Universiteit Van Pretoria Museums, 2016

ostatní

1. Monumental building with decorative panels, side and sketch of front of a building with towers — antonio sant'elia, 1912
2. Building of the Secession, Sketch for the second draft — Josef Maria Olbrich, 1897