Portrét Domenichino

Obrazy autora Domenichino: 94 nejznámějších díel podle pohledu galerie

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 94 děl umělce Domenichino v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Domenichino obrazem Pope Paul V (1618), jehož originál je vystaven v Statens Museum for Kunst v obci Kodaň. Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) a Landscape with Moses and the Burning Bush (1610) doplňují trio, které každé oko okamžitě pozná. Z 94 děl umělce Domenichino v našem katalogu představuje galerie níže 94 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1581 – 1641, Bologna Baroque Nejvíce děl: National Gallery

Top 10 obrazů umělce Domenichino v naší galerii

1
Pope Paul V (1618) od Domenichino

Pope Paul V

1618 · Oil · Statens Museum for Kunst, Kodaň

A single light source strikes from the upper left, carving the face of Pope Paul V out of a heavy, ink-black void. He sits in a three-quarter pose, a figure of immense gravity anchored by the structural lines of a high-backed chair. The light catches the crisp linen of his rochet and the soft, matte surface of his skin, while the rest of his form dissolves into deep shadows. There…

2
Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) od Domenichino

Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta

1622 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

The air at La Storta feels heavy with the weight of the unseen. In this moment, the earthly landscape of green hills and brown earth falls away, replaced by a vertical rupture in reality. Below, Saint Ignatius of Loyola kneels in the quietude of the landscape, his dark, somber habit absorbing the shadows of the world. His arms are crossed tightly over his chest, a gesture of profound surrender, as…

3
Landscape with Moses and the Burning Bush (1610) od Domenichino

Landscape with Moses and the Burning Bush

1610 · Oil On Copper · Metropolitan Museum of Art, New York

In the delicate expanse of this oil on copper masterpiece, Domenichino invites us into a moment of profound spiritual revelation. Landscape with Moses and the Burning Bush is not merely a depiction of a biblical event; it is a window into a timeless, classical world where the divine intersects with the earthly. The scene captures the pivotal instant from the Book of Exodus, where Moses encounters the miraculous bush that…

4
The lapidation of Saint Stephen (1605) od Domenichino

The lapidation of Saint Stephen

1605 · Oil On Copper · Musée Condé, Chantilly

The lapidation of Saint Stephen is a religious art painting that captures a moment of profound sacrifice. The work depicts Saint Stephen, the central figure of this sacred narrative. It was painted by the Bolognese artist Domenichino, a figure who helped define the expressive power of the Baroque era. The scene focuses on the heavy, physical reality of the saint's martyrdom.

5
Apparition of the Angels to Saint Jerome (1601) od Domenichino

Apparition of the Angels to Saint Jerome

1601 · Oil On Canvas · Museo del Prado, Madrid

The oil painting presents a religious vision organized along a strong diagonal axis. In the lower right, the figure of Saint Jerome ascends toward the celestial figures positioned in the upper left. The saint is depicted with muscular anatomy, his torso illuminated by a divine light source emanating from the upper left. He is draped in deep crimson fabric that contrasts with the muted, earthy browns and blues of the…

6
Madonna and Child with St. John (1605) od Domenichino

Madonna and Child with St. John

1605 · Oil On Canvas

In this 1605 oil on canvas, we find ourselves drawn into an intimate, pyramidal arrangement that defines the High Renaissance and Baroque sensibilities. The composition centers on the Virgin Mary and the Christ Child, accompanied by the infant St. John. There is a profound sense of closeness here, as if the viewer has been invited into a private, sacred moment. The lighting is handled with a deliberate chiaroscuro effect; a…

7
Landscape with a Hermit (1605) od Domenichino

Landscape with a Hermit

1605 · Oil

Landscape with a Hermit is a serene and classical landscape painting executed in the Baroque style. The composition is carefully balanced, utilizing large trees on the left and right to frame a central view that recedes toward distant mountains. The scene depicts a tranquil natural setting where a small waterfall cascades into a pool, surrounded by a variety of deciduous trees. In the lower right foreground, a group of human…

8
The Rapture of St. Paul (1606) od Domenichino

The Rapture of St. Paul

1606 · Oil On Copper

In this oil on copper work, we witness a profound spiritual transition. The composition centers on the figure of Paul the Apostle, caught in a moment of intense religious ecstasy. His body is oriented diagonally, pulling the eye upward toward a luminous, cloud-filled sky. He is draped in a deep forest green tunic and a crimson red cloak that billows around him, suggesting a sudden, forceful movement. Small cherubic figures,…

9
Susanna in her Bath (1611) od Domenichino

Susanna in her Bath

1611 · Oil On Canvas · Bavarské státní sbírky malby, Mnichov

In Susanna in her Bath by Domenichino, a dramatic biblical scene unfolds with sudden intensity. The narrative centers on the story of Susanna and the Elders, a moment where the quietude of a private ritual is shattered by an unexpected intrusion. This tension transforms a simple act of cleansing into a profound struggle, as the subject matter captures purity being threatened by lust. The air feels heavy with the weight…

10
Martyrdom of Saint Peter of Verona (1620) od Domenichino

Martyrdom of Saint Peter of Verona

1620 · Oil On Canvas · Pinacoteca Nazionale di Bologna, Bologna

In this composition from about 1620, Domenichino organizes the scene around a central struggle between an assailant and two figures draped in white robes. The tension is driven by highly dynamic lines, following the diagonal thrust of a raised sword and the sprawling limbs of the falling figures. A strong light source illuminates this central action from the upper left, casting deep shadows that define the physical struggle. This use…

Obrazy autora Domenichino, seřazeny od 11 do 94

11The Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot (1620) od DomenichinoThe Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot1620 12Death of Saint Cecilia (1613) od DomenichinoDeath of Saint Cecilia1613 13Saint Cecilia in Glory (1613) od DomenichinoSaint Cecilia in Glory1613 14The Angel Crowns St. Cecilia and Valerian (1613) od DomenichinoThe Angel Crowns St. Cecilia and Valerian1613 15Landscape with Bathers (1615) od DomenichinoLandscape with Bathers1615 · Rhode Island School of Design Museum of Art 16Portrait of Cardinal Borghese (1618) od DomenichinoPortrait of Cardinal Borghese1618 · Statens Museum for Kunst 17Madonna and Child with St. Francis (1621) od DomenichinoMadonna and Child with St. Francis1621 18Rinaldo and Armida (1617) od DomenichinoRinaldo and Armida1617 19Landscape with Hercules and Acheloüs (1621) od DomenichinoLandscape with Hercules and Acheloüs1621 20Saint Mary Magdalene (1625) od DomenichinoSaint Mary Magdalene1625 · National Gallery of Ireland 21The Martyrdom of Saint Andrew (1630) od DomenichinoThe Martyrdom of Saint Andrew1630 · Sant'Andrea della Valle 22Double wreath surrounding a medaillion with the triumph of love (1626) od DomenichinoDouble wreath surrounding a medaillion with the triumph of love1626 23Presentation of Virgin Mary (1624) od DomenichinoPresentation of Virgin Mary1624 24The Way to Calvary (1610) od DomenichinoThe Way to Calvary1610 · J. Paul Getty Museum 25A Sibyl (1622) od DomenichinoA Sibyl1622 · Wallace Collection 26Saint Jerome (1618) od DomenichinoSaint Jerome1618 · Statens Museum for Kunst 27Landscape with a Fortified Town (1634) od DomenichinoLandscape with a Fortified Town1634 · National Gallery 28Adam and Eve od DomenichinoAdam and EveMusée de Grenoble 29The Rebuke of Adam and Eve (1626) od DomenichinoThe Rebuke of Adam and Eve1626 · National Gallery of Art 30King David Playing the Harp (1619) od DomenichinoKing David Playing the Harp1619 · Opera House 31Landscape with St John baptising (1615) od DomenichinoLandscape with St John baptising1615 · Fitzwilliam Museum 32Portrait of a Young Girl (1639) od DomenichinoPortrait of a Young Girl1639 · Národní muzea Liverpoolu 33St. John (1641) od DomenichinoSt. John1641 · The Polish Museum in Rapperswil 34Sainte Marie-Madeleine od DomenichinoSainte Marie-Madeleine 35Diana and her Nymphs (detail) od DomenichinoDiana and her Nymphs (detail) 36Martyrdom of Saint Sebastian od DomenichinoMartyrdom of Saint Sebastian 37The Coronation of the Virgin od DomenichinoThe Coronation of the VirginStatens Museum for Kunst 38S Sebastian od DomenichinoS SebastianGemäldegalerie Alte Meister 39River landscape with Boatmen and Fisherman, an elegant couple walking by the shore od DomenichinoRiver landscape with Boatmen and Fisherman, an elegant couple walking by the shore 40Portrait of the building master Vincenzo Scamozzi od DomenichinoPortrait of the building master Vincenzo ScamozziGemäldegalerie 41Christ Surrounded by Saints od DomenichinoChrist Surrounded by Saints 42Virginio Cesarini od DomenichinoVirginio Cesarini 43Temperance od DomenichinoTemperance 44Head of a Bearded Man od DomenichinoHead of a Bearded Man 45Erminia among the Shepherds od DomenichinoErminia among the Shepherds 46Portrait of Cardinal Agucchi od DomenichinoPortrait of Cardinal Agucchi 47Adam and Eve 1 od DomenichinoAdam and Eve 1 48Madonna and Child with St Petronius and St John the Baptist od DomenichinoMadonna and Child with St Petronius and St John the Baptist 49The Cumaean Sibyl od DomenichinoThe Cumaean Sibyl 50Landscape with the Flight into Egypt od DomenichinoLandscape with the Flight into EgyptAllen Memorial Art Museum 51Funeral of an emperor od DomenichinoFuneral of an emperor 52Saint Agnes od DomenichinoSaint AgnesRoyal Collection 53Portrait of a Young Man od DomenichinoPortrait of a Young Man 54Landscape with the Flight into Egypt 1 od DomenichinoLandscape with the Flight into Egypt 1 55Apollo killing the Cyclops od DomenichinoApollo killing the CyclopsNational Gallery 56Abraham Leading Isaac to Sacrifice od DomenichinoAbraham Leading Isaac to Sacrifice 57The Transformation of Cyparissus od DomenichinoThe Transformation of CyparissusNational Gallery 58A Triumphal Arch of Allegories od DomenichinoA Triumphal Arch of AllegoriesMuseo del Prado 59Landscape with a Child Overturning Wine od DomenichinoLandscape with a Child Overturning Wine 60Adam and Eve od DomenichinoAdam and Eve 61Appearence of the Angels to St. Gerome od DomenichinoAppearence of the Angels to St. Gerome 62St Cecilia before the Judge od DomenichinoSt Cecilia before the Judge 63Timoclea Captive Brought before Alexander od DomenichinoTimoclea Captive Brought before Alexander 64The Rest on the Flight into Egypt od DomenichinoThe Rest on the Flight into Egypt 65Portrait of Virginio Cesarini od DomenichinoPortrait of Virginio Cesarini 66The Sacrifice of Isaac od DomenichinoThe Sacrifice of Isaac 67Mercury stealing the Herds of Admetus od DomenichinoMercury stealing the Herds of AdmetusNational Gallery 68Landscape with Moses and the Burning Bush od DomenichinoLandscape with Moses and the Burning BushMuseum Boijmans Van Beuningen 69Abraham Leading Isaac to Sacrifice (1602) od DomenichinoAbraham Leading Isaac to Sacrifice1602 · Kimbell Art Museum 70Landscape od DomenichinoLandscape 71Landscape with Erminia and the Shepherds od DomenichinoLandscape with Erminia and the Shepherds 72The Repose of Venus od DomenichinoThe Repose of Venus 73Diana and her Nymphs (detail)2 od DomenichinoDiana and her Nymphs (detail)2 74The Assumption of Mary Magdalene into Heaven od DomenichinoThe Assumption of Mary Magdalene into Heaven 75Apollo pursuing Daphne od DomenichinoApollo pursuing DaphneNational Gallery 76The Flaying of Marsyas od DomenichinoThe Flaying of MarsyasNational Gallery 77The Vision of Saint Jerome od DomenichinoThe Vision of Saint JeromeNational Gallery 78Apollo slaying Coronis od DomenichinoApollo slaying CoronisNational Gallery 79Apollo and Neptune advising Laomedon od DomenichinoApollo and Neptune advising LaomedonNational Gallery 80Casino Aurora, Rome. Ground floor. Landscape Room, general view od DomenichinoCasino Aurora, Rome. Ground floor. Landscape Room, general viewArchivio Boncompagni Ludovisi 81The Judgement of Midas od DomenichinoThe Judgement of MidasNational Gallery 82Saint George killing the Dragon od DomenichinoSaint George killing the DragonNational Gallery 83Landscape with Tobias laying hold of the Fish od DomenichinoLandscape with Tobias laying hold of the FishNational Gallery 84Adoration of the Shepherds (1607) od DomenichinoAdoration of the Shepherds1607 · Scottish National Gallery 85Communion of Saint Jerome (1614) od DomenichinoCommunion of Saint Jerome1614 · Vatikánské muzea 86Cumaean Sibyl (1610) od DomenichinoCumaean Sibyl1610 · Kapitolská muzea 87Diana and her Nymphs od DomenichinoDiana and her NymphsGalleria Borghese 88Portrait of Monsignor Giovanni Battista Agucchi od DomenichinoPortrait of Monsignor Giovanni Battista AgucchiYork Art Gallery 89frescos in the dome of the royal chapel of San Gennaro (1525) od Domenichinofrescos in the dome of the royal chapel of San Gennaro1525 90Saint John the Evangelist od DomenichinoSaint John the EvangelistNational Gallery 91St Cecilia od DomenichinoSt Cecilia 92The Sacrifice of Abraham (1627) od DomenichinoThe Sacrifice of Abraham1627 · Museo del Prado 93Landscape with Ford od DomenichinoLandscape with FordGalleria Doria Pamphilj 94Mary Magdalene Taken up to Heaven od DomenichinoMary Magdalene Taken up to HeavenStátní Ermitáž

Slavná díla Domenichino podle jednotlivých období

Motivy, které zaujaly Domenichino

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Domenichino

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Domenichino Obrazy z tohoto seznamu
National Gallery, LondýnNational Gallery Londýn 13 Landscape with a Fortified Town, Apollo killing the Cyclops, The Transformation of Cyparissus
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 4 Pope Paul V, Portrait of Cardinal Borghese, Saint Jerome
Museo del Prado, MadridMuseo del Prado Madrid 3 Apparition of the Angels to Saint Jerome, A Triumphal Arch of Allegories, The Sacrifice of Abraham
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Landscape with Moses and the Burning Bush
Musée Condé, ChantillyMusée Condé Chantilly 1 The lapidation of Saint Stephen
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 1 Susanna in her Bath
Pinacoteca Nazionale di Bologna, BolognaPinacoteca Nazionale di Bologna Bologna 1 Martyrdom of Saint Peter of Verona

Domenichino, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Domenichino: odpovědi galerie

Který obraz autora Domenichino je nejslavnější ze všech?Odhalit odpověď

Pope Paul V (1618), Statens Museum for Kunst, Kodaň. Následují Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) a Landscape with Moses and the Burning Bush (1610).

Kolik let bylo Domenichino, když dokončil/a Pope Paul V?Odhalit odpověď

37 let: dílo Pope Paul V pochází z roku 1618 a Domenichino se narodil/a v roce 1581.

Kterých 10 nejlepších obrazů má Domenichino?Odhalit odpověď

Pope Paul V, Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta, Landscape with Moses and the Burning Bush, The lapidation of Saint Stephen, Apparition of the Angels to Saint Jerome, Madonna and Child with St. John, Landscape with a Hermit, The Rapture of St. Paul, Susanna in her Bath a Martyrdom of Saint Peter of Verona. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Domenichino?Odhalit odpověď

Náš katalog obsahuje 94 děl umělce Domenichino z let 1601 až 1641.

Kde jsou vystavena nejznámější originály umělce Domenichino?Odhalit odpověď

Většinou v National Gallery (Londýn), Statens Museum for Kunst (Kodaň) a Museo del Prado (Madrid). V tabulce muzeí výše jsou vypsány všechny.

Kdy Domenichino vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1610s: 15 z celkem 94 děl na této stránce vzniklo právě tehdy, z toho Pope Paul V z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Domenichino?Odhalit odpověď

Na této stránce je nejstarší dílo z Apparition of the Angels to Saint Jerome (1601) a nejnovější z St. John (1641).

Kterým tématům se Domenichino věnoval(a) nejčastěji?Odhalit odpověď

Landscape (14), Man (10) a Clouds (10) napříč 94 díly na této stránce.

V jaké technice tvořil(a) Domenichino nejčastěji?Odhalit odpověď

Oil On Canvas, u 17 z 94 děl na této stránce.

S jakým směrem je spojen(a) Domenichino?Odhalit odpověď

Baroque, podle originálů na této stránce.

Jaká originální díla Domenichino má v obsluze National Gallery?Odhalit odpověď

Landscape with a Fortified Town, Apollo killing the Cyclops a The Transformation of Cyparissus: muzeum National Gallery, Londýn má v obsluze 13 děl z této stránky.

Domenichino: umělec

Domenichino (Domenico Zampieri): A Bolognese Baroque Visionary

Domenichino, born Domenico Zampieri in Bologna around 1581, stands as a cornerstone of Bolognese Baroque art – a movement characterized by dramatic contrasts of light and shadow, opulent ornamentation, and an idealized depiction of human emotion. His formative years were steeped in the artistic fervor of his time, absorbing the legacy of Raphael and Michelangelo while simultaneously forging his own distinctive style that would solidify his reputation as one of Bologna’s foremost painters. Though biographical details remain somewhat sparse, scholarly research suggests he honed his skills under Raffaele Spagnuolo, a master of tenebrism – a technique championed by Caravaggio – which profoundly impacted Domenichino's artistic approach.

Early Career & Apprenticeship

Domenichino began his artistic journey as an apprentice to Spagnuolo, immersing himself in the expressive power of chiaroscuro and mastering the art of conveying profound psychological depth through masterful brushwork. This formative experience instilled in him a deep understanding of how light could sculpt form and evoke emotion—a principle that would permeate his entire oeuvre. He diligently studied Spagnuolo’s techniques, meticulously observing how he utilized tenebrism to heighten dramatic tension and create illusions of depth within his canvases.

Carracci Workshop Influence

Domenichino's association with Caravaggio's studio proved pivotal; he absorbed Caravaggio’s revolutionary realism and dramatic theatricality, adapting these principles to his own compositions. Like Caravaggio, Domenichino championed the use of naturalistic observation as a basis for artistic representation—a stance that distinguished him from many of his contemporaries who favored idealized forms and decorative embellishments. He embraced Caravaggio's bold chiaroscuro contrasts, skillfully manipulating light and dark to create powerful visual effects and imbue his figures with palpable vitality.

Rome & Patronage

By the mid-1620s, Domenichino relocated to Rome, securing commissions from influential patrons like Cardinal Scipione Borghese and Palazzo Farnese, where he created monumental frescoes that showcased his unparalleled skill in capturing grandeur and emotion. These ambitious projects demanded meticulous planning and execution—a testament to Domenichino’s dedication to craftmanship and artistic excellence. He skillfully navigated the complexities of papal patronage, demonstrating both sensitivity to aesthetic ideals and shrewd professionalism. His frescoes at Palazzo Farnese – particularly *A Virgin with a Unicorn*– remain iconic examples of Baroque monumental painting, embodying the grandeur and spiritual fervor of the era.

Stylistic Characteristics & Artistic Technique

Domenichino’s artistic style is instantly recognizable for its refined elegance and masterful execution. Unlike the turbulent dynamism of Caravaggio, Domenichino favored a more measured pace, prioritizing clarity of form and harmonious color palettes. However, he retained Caravaggio's commitment to dramatic lighting – tenebrism – skillfully manipulating light and dark to heighten emotional impact and sculpt figures with breathtaking realism. His brushwork was characterized by meticulous detail and subtle gradations of tone, creating surfaces that shimmered with luminosity and conveyed an astonishing sense of depth. He excelled in portraying both mythological subjects and religious scenes, consistently demonstrating a profound understanding of classical ideals and humanist sensibilities.
  • Tenebrism: Domenichino skillfully employed tenebrism to create dramatic contrasts between light and dark, emphasizing emotional intensity and sculptural form.
  • Color Palette: His color palettes were restrained yet luminous, favoring muted hues that complemented the overall mood of his paintings.
  • Brushwork & Texture: Domenichino’s meticulous brushwork achieved remarkable textural effects, conveying a palpable sense of physicality and realism.

Notable Works & Achievements

Domenichino's artistic output spanned across numerous prestigious commissions, leaving an indelible mark on the Baroque landscape. Among his most celebrated achievements are the frescoes adorning Palazzo Farnese in Rome – specifically the Sala di Amore e Psiche and the Sala dei Giganti – which exemplify his mastery of monumental painting and embody the humanist ideals of the era. His depictions of Apollo killing the Cyclops and Mary Magdalene Taken up to Heaven stand as testaments to his ability to convey mythological narratives with profound psychological insight and artistic virtuosity. Furthermore, Domenichino’s contribution to the San Domenico Museum in Orvieto is noteworthy for its depiction of Saint Thomas Aquinas, showcasing his talent for capturing spiritual contemplation and conveying solemn beauty.

Legacy & Historical Significance

Domenichino's influence extended far beyond his immediate contemporaries, shaping the artistic sensibilities of subsequent generations. He helped to establish Bolognese Baroque as a dominant force in European art, elevating it to new heights of sophistication and expressive power. His unwavering dedication to classical ideals combined with Caravaggio’s revolutionary realism resulted in an artistic style that continues to inspire admiration and scholarly study today. Domenichino's legacy resides not only in his magnificent artworks but also in his role as a pivotal figure in the development of Baroque painting – a movement that profoundly impacted the visual culture of its time and beyond.