Portrét Agnolo Gaddi

52 nejslavnějších obrazů autora Agnolo Gaddi, výběr z galerie

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 52 děl umělce Agnolo Gaddi v našem katalogu

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Z všech originálů, které Agnolo Gaddi zanechal, je nejslavnější The Last Supper (1395), který se nachází ve sbírce Lindenau-Museum, Altengau. Hned za ním následují Discovery of the True Cross (detail) (1380) a Discovery of the True Cross (1380). Náš katalog obsahuje 52 děl umělce Agnolo Gaddi; galerie si zachovala 52 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1350 – 1396, Florencie Gothic art Nejvíce děl: Bazilika svatého Kříže (Florencie)

10 nejlepších obrazů umělce Agnolo Gaddi: výběr galerie

1
The Last Supper (1395) od Agnolo Gaddi

The Last Supper

1395 · Tempera On Panel · Lindenau-Museum, Altengau

The Last Supper by Agnolo Gaddi: A Florentine Moment Frozen in Time A Window into 14th Century Florence Created in 1395, "The Last Supper" by Agnolo Gaddi offers a rare and poignant glimpse into the artistic landscape of Florence during its golden age. Executed as a tempera on panel, this artwork transcends mere representation; it’s a tangible connection to a pivotal moment in Christian history – the final meal shared…

2
Discovery of the True Cross (detail) (1380) od Agnolo Gaddi

Discovery of the True Cross (detail)

1380 · Acrylic On Canvas · Bazilika svatého Kříže (Florencie), Florence

The fresco fragment, "Discovery of the True Cross" (detail), attributed to Agnolo Gaddi and executed around 1380 in Florence, offers a captivating glimpse into the heart of late Gothic religious art. More than just a depiction of a pivotal biblical event – the miraculous uncovering of Christ’s cross – it's a vibrant tableau brimming with narrative complexity, technical mastery, and profound symbolic resonance. Located within the Santa Croce church, this…

3
Discovery of the True Cross (1380) od Agnolo Gaddi

Discovery of the True Cross

1380 · Oil On Canvas · Bazilika svatého Kříže (Florencie), Florence

Within the echoing halls of Santa Croce in Florence, a vibrant testament to faith and artistic genius awaits – Agnolo Gaddi’s fresco cycle, most notably “The Discovery of the True Cross.” Completed around 1380, this monumental work isn't merely a depiction of a biblical event; it’s an immersive narrative, a carefully constructed drama rendered in the rich hues and dynamic compositions characteristic of the Florentine Gothic style. Gaddi, a pivotal…

4
The Coronation of the Virgin with Six Angels (1370) od Agnolo Gaddi

The Coronation of the Virgin with Six Angels

1370 · Tempera On Panel · National Gallery of Art, Washington

Gold leaf dominates the vision, a shimmering, non-material space that denies the weight of the earth. Within this luminous void, the Virgin Mary and Christ sit side-by-side upon a throne of clouds and patterned cloth. He reaches out to place a crown upon her head, a gesture of quiet triumph. Below them, six angels gather in two clusters of three, their presence a rhythmic accompaniment to the sacred ceremony. The…

5
Saint Sylvester and the Dragon (1380) od Agnolo Gaddi

Saint Sylvester and the Dragon

1380 · Tempera On Panel · Philadelphia Museum of Art, Philadelphia

In Saint Sylvester and the Dragon, Agnolo Gaddi captures a moment of profound spiritual confrontation. The scene unfolds around the central figure of Saint Sylvester, who stands amidst a gathering of onlookers and witnesses. A dragon, a creature of shadow and menace, enters the space to challenge the sanctity of the saint. This encounter creates a tension that pulls the viewer into the immediate drama of the encounter.

6
Virgin with child (1379) od Agnolo Gaddi

Virgin with child

1379 · Tempera On Panel · Národní muzeum krásných umění, Buenos Aires

This vertical tempera and gold leaf painting on wood depicts the Virgin Mary seated and holding the Christ Child on her lap. The central figure is draped in a dark blue mantle that occupies the center of the panel. The Christ Child possesses a pale complexion and wears a light-colored tunic, positioned to face slightly toward the viewer. Surrounding these figures, several angels occupy the space: two are situated above…

7
Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr (1375) od Agnolo Gaddi

Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr

1375 · Tempera On Panel · Gemäldegalerie, Berlín

The sacred panel titled Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr is a work by Agnolo Gaddi. Created about 1375, this devotional object functions as a sacra conversazione. The Virgin Mary holds the Christ Child at the center of a celestial gathering. She is flanked by a silent assembly of holy figures, including St. John the Baptist, St. Francis, St. Anthony,…

8
The Calvary (1382) od Agnolo Gaddi

The Calvary

1382 · Tempera On Panel · Musée du Petit Palais, Avignon

The Calvary by Agnolo Gaddi captures a moment of profound stillness. Created in 1382, this late Gothic tempera painting on wood panel presents the Crucifixion of Christ. The central figure is fixed upon a wooden cross, a vertical anchor within a gabled frame. Gold leaf forms the background, casting a steady, unmoving light across the scene. It is a quiet, sacred geometry of wood and pigment.

9
Saints Julian, James, and Michael (1390) od Agnolo Gaddi

Saints Julian, James, and Michael

1390 · Tempera On Panel · Yale University Art Gallery, New Haven

In this work, Agnolo Gaddi presents Saints Julian, James, and Michael. The figures emerge from a gold ground, their presence fixed in a quiet, holy stillness. Each saint carries the weight of their own identity through specific attributes. A sword, a book, and a staff define their sacred roles within the composition. These objects act as anchors for the viewer, grounding the spiritual figures in the tangible language of devotion.

10
St. Nicholas of Bari with a donor (1394) od Agnolo Gaddi

St. Nicholas of Bari with a donor

1394 · Tempera On Panel · Bavarské státní sbírky malby, Mnichov

In this late 14th-century tempera painting on a poplar wood panel, a monumental figure of St. Nicholas of Bari occupies the majority of the vertical space. He is depicted in full episcopal regalia, wearing a mitre and a pink cope that falls in heavy, rhythmic folds. His posture is upright, reinforced by the vertical line of the crozier he holds in one hand and a book in the other. Below…

Výběr umělce Agnolo Gaddi pokračuje, od 11 do 52

11Saint Nicholas and the storm (1394) od Agnolo GaddiSaint Nicholas and the storm1394 · Bavarské státní sbírky malby 12Stories of St. Nicholas. Saint Nicholas presenting Gifts to Three Pool girls (1394) od Agnolo GaddiStories of St. Nicholas. Saint Nicholas presenting Gifts to Three Pool girls1394 · Bavarské státní sbírky malby 13Storie di san giuliano (1394) od Agnolo GaddiStorie di san giuliano1394 · Bavarské státní sbírky malby 14Saint Julian killing his parents (1394) od Agnolo GaddiSaint Julian killing his parents1394 · Alte Pinakothek 15St. Julian (1393) od Agnolo GaddiSt. Julian1393 · Bavarské státní sbírky malby 16Sts. Mary Magdalene, Benedict, Bernard of Clairveaux and Catherine of Alexandria (1380) od Agnolo GaddiSts. Mary Magdalene, Benedict, Bernard of Clairveaux and Catherine of Alexandria1380 · Indianapolis Museum of Art 17The Crucifixion with the Virgin and Saint John (1380) od Agnolo GaddiThe Crucifixion with the Virgin and Saint John1380 · Muzeum umění v Bostonu 18Angel of the Annunciation, Christ the Redeemer, Virgin Annunciate (1390) od Agnolo GaddiAngel of the Annunciation, Christ the Redeemer, Virgin Annunciate1390 19Triptych (1388) od Agnolo GaddiTriptych1388 · Gemäldegalerie 20Madonna and Child, Four Angels (1400) od Agnolo GaddiMadonna and Child, Four Angels1400 21Triumph Krucifixního Výšeňového Zvítězství (1380) od Agnolo GaddiTriumph Krucifixního Výšeňového Zvítězství1380 · Bazilika svatého Kříže (Florencie) 22Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel] (1387) od Agnolo GaddiSaint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel]1387 · National Gallery of Art 23The Triumph of the Cross (detail) (1380) od Agnolo GaddiThe Triumph of the Cross (detail)1380 · Bazilika svatého Kříže (Florencie) 24Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel] (1387) od Agnolo GaddiMadonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel]1387 · National Gallery of Art 25Madonna and Child with St John the Evangelist, St John the Baptist, St James of Compostela and St Nicholas of Bari (1390) od Agnolo GaddiMadonna and Child with St John the Evangelist, St John the Baptist, St James of Compostela and St Nicholas of Bari1390 · National Gallery of Victoria 26Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel] od Agnolo GaddiSaint Andrew and Saint Benedict with the Archangel Gabriel [left panel]National Gallery of Art 27SS. bishop, Petrus, Paulus and a diacon od Agnolo GaddiSS. bishop, Petrus, Paulus and a diaconGemäldegalerie 28The marriage of St. Catherine od Agnolo GaddiThe marriage of St. CatherineGemäldegalerie 29Madonna with Child (fragment) od Agnolo GaddiMadonna with Child (fragment)Museum of Mural Painting 30La Vierge de l'Humilité parmi les anges od Agnolo GaddiLa Vierge de l'Humilité parmi les anges 31Madonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels [entire triptych] (1387) od Agnolo GaddiMadonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels [entire triptych]1387 32The Triumph of the Cross (detail) (1380) od Agnolo GaddiThe Triumph of the Cross (detail)1380 · Bazilika svatého Kříže (Florencie) 33Coronation of the Virgin (1380) od Agnolo GaddiCoronation of the Virgin1380 · National Gallery 34The Triumph of the Cross (detail) (1380) od Agnolo GaddiThe Triumph of the Cross (detail)1380 · Bazilika svatého Kříže (Florencie) 35The Last Supper (detail) (1395) od Agnolo GaddiThe Last Supper (detail)1395 · Lindenau-Museum 36The Triumph of the Cross od Agnolo GaddiThe Triumph of the Cross 37Madonna of Humility with adoring angels od Agnolo GaddiMadonna of Humility with adoring angelsCourtauld Gallery 38Saint Benoît et saint Pierre od Agnolo GaddiSaint Benoît et saint Pierre 39The Coronation of the Virgin od Agnolo GaddiThe Coronation of the VirginNational Gallery 40La Vierge et l'Enfant parmi les anges od Agnolo GaddiLa Vierge et l'Enfant parmi les anges 41La Vierge et l'Enfant parmi les anges, avec saint Benoît, saint Pierre, saint Jean-Baptiste et saint Miniato od Agnolo GaddiLa Vierge et l'Enfant parmi les anges, avec saint Benoît, saint Pierre, saint Jean-Baptiste et saint Miniato 42Saint Jean-Baptiste et saint Miniato od Agnolo GaddiSaint Jean-Baptiste et saint Miniato 43The Annunciation to the Shepherds od Agnolo GaddiThe Annunciation to the Shepherds 44Presentation of Mary in the Temple od Agnolo GaddiPresentation of Mary in the Temple 45Crucifixion 1 od Agnolo GaddiCrucifixion 1 46The Madonna of Humility with Saint Catherine and Saint John the Baptist od Agnolo GaddiThe Madonna of Humility with Saint Catherine and Saint John the Baptist 47Madonna con la Bambino, San Giovanni Evangelista, San Jacopo e San Nicola di Bari od Agnolo GaddiMadonna con la Bambino, San Giovanni Evangelista, San Jacopo e San Nicola di Bari 48Presentation Of Christ In The Temple od Agnolo GaddiPresentation Of Christ In The Temple 49View of the Interior od Agnolo GaddiView of the InteriorBazilika svatého Kříže (Florencie) 50Madonna and Child Enthroned with Saints (1375) od Agnolo GaddiMadonna and Child Enthroned with Saints1375 · Galleria Nazionale 51The Trinity od Agnolo GaddiThe TrinityMetropolitan Museum of Art 52Crucifixion (1390) od Agnolo GaddiCrucifixion1390 · Galleria degli Uffizi

Slavná díla Agnolo Gaddi podle jednotlivých období

Motivy, které zaujaly Agnolo Gaddi

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Agnolo Gaddi

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Agnolo Gaddi Obrazy z tohoto seznamu
Bazilika svatého Kříže (Florencie), FlorenceBazilika svatého Kříže (Florencie) Florence 7 Discovery of the True Cross (detail), Discovery of the True Cross, Triumph Krucifixního Výšeňového Zvítězství
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 5 St. Nicholas of Bari with a donor, Saint Nicholas and the storm, Stories of St. Nicholas. Saint Nicholas presenting Gifts to Three Pool girls
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 The Coronation of the Virgin with Six Angels, Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel], Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel]
Gemäldegalerie, BerlínGemäldegalerie Berlín 4 Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr, Triptych, SS. bishop, Petrus, Paulus and a diacon
Lindenau-Museum, AltengauLindenau-Museum Altengau 2 The Last Supper, The Last Supper (detail)
National Gallery, LondýnNational Gallery Londýn 2 Coronation of the Virgin, The Coronation of the Virgin
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Saint Sylvester and the Dragon
Národní muzeum krásných umění, Buenos AiresNárodní muzeum krásných umění Buenos Aires 1 Virgin with child

Agnolo Gaddi dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Agnolo Gaddi

Kterým dílem je Agnolo Gaddi nejznámější?Odhalit odpověď

The Last Supper (1395), Lindenau-Museum, Altengau. Následují Discovery of the True Cross (detail) (1380) a Discovery of the True Cross (1380).

Kolik let bylo Agnolo Gaddi, když bylo vytvořeno dílo The Last Supper?Odhalit odpověď

45 let: dílo The Last Supper pochází z roku 1395 a Agnolo Gaddi se narodil/a v roce 1350.

Kterých deset nejslavnějších obrazů má Agnolo Gaddi?Odhalit odpověď

The Last Supper, Discovery of the True Cross (detail), Discovery of the True Cross, The Coronation of the Virgin with Six Angels, Saint Sylvester and the Dragon, Virgin with child, Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr, The Calvary, Saints Julian, James, and Michael a St. Nicholas of Bari with a donor. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Agnolo Gaddi?Odhalit odpověď

Náš katalog obsahuje 52 děl umělce Agnolo Gaddi z let 1370 až 1395.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Agnolo Gaddi?Odhalit odpověď

Většinou v Bazilika svatého Kříže (Florencie) (Florence), Bavarské státní sbírky malby (Mnichov) a National Gallery of Art (Washington). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Agnolo Gaddi svá nejznámější díla?Odhalit odpověď

V období 1380s: 15 z celkem 52 děl na této stránce vzniklo právě tehdy, z toho Discovery of the True Cross (detail) z nich.

Jaká jsou první a poslední slavná originální díla umělce Agnolo Gaddi?Odhalit odpověď

Na této stránce je nejstarší dílo z The Coronation of the Virgin with Six Angels (1370) a nejnovější z The Last Supper (1395).

Jaká témata si Agnolo Gaddi vybíral nejčastěji?Odhalit odpověď

Gold background (16), Religious (12) a Woman (10) napříč 52 díly na této stránce.

Kterou techniku používal(a) Agnolo Gaddi nejčastěji?Odhalit odpověď

Tempera On Panel, u 21 z 52 děl na této stránce.

K kterému uměleckému směru patří Agnolo Gaddi?Odhalit odpověď

Gothic art a Early renaissance, podle originálů na této stránce.

Která díla umělce Agnolo Gaddi jsou vystavena v Bazilika svatého Kříže (Florencie)?Odhalit odpověď

Discovery of the True Cross (detail), Discovery of the True Cross a Triumph Krucifixního Výšeňového Zvítězství: muzeum Bazilika svatého Kříže (Florencie), Florence má v obsluze 7 děl z této stránky.

Agnolo Gaddi: život a dílo

Agnolo Gaddi: Florentine Painter and the Last Echoes of Giotto

Agnolo Gaddi (c. 1350 – 1396) stands as a singular figure in the artistic panorama of Florence during the fourteenth century—a descendant of Giotto di Bondone whose legacy he skillfully absorbed, transforming it into something uniquely his own. He wasn’t merely an imitator; rather, Gaddi was a conduit between the solemn grandeur of Gothic art and the nascent optimism of the Early Renaissance, securing his place as one of the final masters to embody the spirit of Giotto's revolutionary vision. While biographical details remain scarce compared to contemporaries like Brunelleschi or Michelangelo—a frustrating limitation for historians eager to reconstruct his life’s trajectory—the surviving evidence paints a portrait of a man deeply rooted in the vibrant commercial and artistic milieu of Florence, a city pulsating with innovation and ambition.

The Shadow of Giotto: Artistic Formation and Early Influences

Agnolo's artistic journey began under the tutelage of Taddeo Gaddi, his father—himself a devoted pupil of Giotto di Bondone. This familial connection immediately established him within the epicenter of Florentine artistic fervor—a movement that had irrevocably shattered the stylistic conventions of its predecessors and embraced naturalism as a guiding principle. Giotto’s frescoes in Assisi and Padua served as an indelible inspiration, shaping Gaddi's formative years and instilling in him a profound appreciation for expressive emotion and narrative clarity. The monumental figures rendered with palpable humanity—a hallmark of Giotto’s style—found their reflection in Gaddi’s earliest works, demonstrating his instinctive grasp of the revolutionary aesthetic championed by Giotto. However, Gaddi swiftly distinguished himself from his father's teacher, subtly elevating Giotto’s stylistic concerns through a more refined elegance and meticulous attention to detail. The Gothic tradition – characterized by dramatic lighting effects, richly textured fabrics, and an overarching preoccupation with opulent beauty – permeated Gaddi’s artistic sensibility, shaping the visual vocabulary of his early paintings.

A Synthesis of Tradition: Style and Technique

Where Giotto favored a robust simplicity—a deliberate rejection of elaborate ornamentation—Gaddi embraced complexity, incorporating intricate patterns and textures that mirrored the burgeoning sophistication of Florentine society. This stylistic divergence wasn’t merely superficial; it represented a fundamental shift in artistic priorities—a move away from the austere grandeur of Gothic art toward the humanist ideals emerging from Rome. Gaddi's mastery of fresco technique—inherited directly from Taddeo Gaddi—allowed him to execute monumental works with unparalleled precision and expressive power. His palette favored muted hues, reflecting the prevailing aesthetic sensibilities of his time, yet he skillfully employed color gradients and subtle shading effects to imbue his paintings with a luminous quality that captivated viewers. The *Madonna Enthroned with Saints*, begun around 1375 and housed in Parma’s Galleria Nazionale—a masterpiece showcasing Gaddi's meticulous attention to detail— exemplifies this stylistic fusion, demonstrating his ability to synthesize Giotto’s expressive dynamism with Gothic elegance.

Notable Commissions and Artistic Achievements

Agnolo Gaddi’s prolific output spanned a remarkable range of artistic endeavors—from monumental frescoes in Santa Croce to intricate altarpieces commissioned by prominent Florentine families. The *Legend of the True Cross* cycle adorning the Cappella Baroncelli—one of Santa Croce's most celebrated achievements—stands as testament to his narrative prowess and compositional skill. Each panel depicts a pivotal episode from the biblical tale with breathtaking realism and emotional depth, capturing the solemn grandeur of religious iconography while simultaneously conveying profound human emotion. Similarly impressive is Gaddi’s contribution to the decoration of Santa Maria del Carmine—specifically the Chancel frescoes—which showcase his mastery of color and texture. These works represent not merely decorative embellishments but powerful visual narratives that illuminate key moments in Christian history. Furthermore, Gaddi's involvement in designing trefoils for the Loggia dei Lanzi—a commission reflecting Florence’s civic pride—demonstrates his versatility as an artist extending beyond painting into architectural ornamentation.

Legacy and Influence: Shaping the Renaissance Horizon

Agnolo Gaddi’s artistic legacy extends far beyond his individual masterpieces—he served as a crucial link between Giotto's revolutionary style and the burgeoning humanist ideals of the Early Renaissance. He fostered the transmission of Giotto’s aesthetic principles to subsequent generations of Florentine artists, preparing the ground for innovations championed by Lorenzo Monaco and Gherardo Starnina. Giorgio Vasari recognized Gaddi’s significance in *Lives of the Most Excellent Painters*, Sculptors, and Architects*, solidifying his place within the canon of Italian art history as a pivotal figure—a craftsman who skillfully navigated the artistic transition between Gothic solemnity and Renaissance humanism. Though overshadowed by more flamboyant contemporaries, Agnolo Gaddi remains an enduring symbol of Florentine artistic excellence—a testament to the transformative power of tradition combined with unwavering creative vision.