Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 68 творби на Уошингтън Алстън в нашия каталог
Накратко
Self-Portrait (1799) е картината на Уошингтън Алстън, която привлича най-много погледи; оригиналът се намира в Harvard Art Museums, Кеймбридж. След това погледът се насочва към Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) и Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811). Сред 68 произведения на Уошингтън Алстън в нашия каталог, тези 68 са най-известните – всяко от тях е уникален оригинал, представен с годината на създаване, музея и причината за неговата вечност.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
Washington Allston’s Portrait of Captain A.H. Pray of the Boston Fusiliers is a delicate and intimate miniature portrait of a young man. The composition employs a close-up, three-quarter view of the subject's head and shoulders, with the figure positioned slightly off-center. This arrangement creates a sense of immediacy, drawing the viewer into a private encounter with the sitter. The focus remains fixed entirely on the subject's expressive blue eyes and…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
The oil painting The Poor Author and the Rich Bookseller by Washington Allston depicts a dramatic interaction between three men within a sparse, dimly lit interior. The composition utilizes a triangular arrangement of the figures to guide the eye through the scene. This arrangement is supported by the receding lines of the floorboards and a doorway that leads toward a brightly lit window in the background. The subject matter suggests…
In this intimate oil portrait, Washington Allston captures William Ellery Channing, a man who occupied a significant place in the social and intellectual circles of the early nineteenth century. Painted about 1811, the work offers a quiet study of the subject's character. The connection between the painter and the sitter was deeply personal, as Channing was the brother of the artist's wife, Ann Channing. This familial bond likely contributed to…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") is an oil painting by the American painter and poet Washington Allston. Created in 1809, the work captures a dramatic moment of narrative tension. The scene focuses on the complex interactions between the central figures within a classical architectural setting.
The oil painting titled Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew captures a moment of sudden, violent movement. Washington Allston rendered this dramatic narrative work about 1809. The canvas holds a scene of friction and sudden gesture, frozen in the stillness of oil and pigment.
The artwork is titled First study for "Christ Healing the Sick" and was created by the artist Washington Allston. This specific piece functions as a preparatory study, a preliminary version intended to work out the composition and tonal values for a larger religious work. The work is a monochromatic, sepia-toned drawing or wash study, likely executed using ink, bistre, or sepia wash on paper.
In this intimate oil portrait, we find ourselves in the presence of a young man caught in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a private thought or a distant memory. There is a quietude here that feels almost heavy, a stillness that invites the viewer to lean in and observe the subtle…
Diana on a Chase1805 · Harvard Art Museums
12
Study for "Jason Returning to Demand His Father's Kingdom"1807 · Harvard Art Museums
13
Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · Художествена галерия на Йейлския университет
14
Beatrice1819 · Музей на изкуствата във Бостън
15
Donna Mencia in the Robber's Cavern1815 · Музей на изкуствата във Бостън
16
Head of a Jew1817 · Музей на изкуствата във Бостън
17
Study for Belshazzar's Feast1817 · Музей на изкуствата във Бостън
18
Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · Harvard Art Museums
19
Rebecca at the Well1816 · Harvard Art Museums
20![A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) на Уошингтън Алстън](/media/artworks/images-thumb/ff/46/ff46c6226208aa3441d2d9ba42ab2d29.jpg)
A Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · Метрополитън Музей на изкуствата
21
A Tuscan Girl1831 · New Britain Museum of American Art
22
Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · Harvard Art Museums
23
Ideal Head1835 · Rhode Island School of Design Museum of Art
24
The Sisters1816 · Harvard Art Museums
25
Elijah Fed by the Ravens1818 · Музей на изкуствата във Бостън
26
A Landscape after Sunset1819 · Национална галерия на изкуствата
27
Moonlit Landscape1819 · Музей на изкуствата във Бостън
28
The Rising of a Thunderstorm at Sea1804 · Музей на изкуствата във Бостън
29
Italian Shepard BoyДетройтският институт за изкуства
30
Rising of a Thunderstorm at Sea1804 · Музей на изкуствата във Бостън
31
Landscape with a Lake1804 · Музей на изкуствата във Бостън
32
Jacob's Dream1817 · Petworth House
33
Hermina and Helena1815
34
Miriam the Prophetess1821
35
Italian Landscape1814 · Toledo Museum of Art
36
Ship in a Squall1827 · Harvard Art Museums
37
Landscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · Музей на изкуствата във Бостън
38
Landscape Composition1834 · Harvard Art Museums
39
The Angel Releasing St. Peter from PrisonМузей на изкуствата във Бостън
40
Romantic Landscape
41
HEAD OF A JEWНационална портретна галерия на Швеция
42
Moses and the Serpent
43
Benjamin Lynde, Sr
44
Saul and the Witch of Endor
45
Italian Shepherd Boy1819 · Детройтският институт за изкуства
46
Dr. John King1814 · Fine Arts Museums of San Francisco
47
Italian Landscape1828 · Детройтският институт за изкуства
48
An American LandscapeНационална галерия в Ирландия
49
Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts
50
Storm Rising at Sea
51
Christ Healing the SickWorcester Art Museum
52
The Spanish Girl in Reverie
53
Classical Landscape
54
Samuel WilliamsCleveland Museum of Art
55
Jason Returning to Demand his Father's KingdomLowe Gallery
56
Landscape With A Lake
57
The Tippler
58
David Playing before Saul
59
Belshazzar's FeatДетройтският институт за изкуства
60
Samuel Taylor ColeridgeНационална портретна галерия
61
The Opening of the Casket
62
Angel Releasing St. Peter from Prison
63
Meeting of Lear and Cordelia
64
Coast Scene on the Mediterranean
65
Hermia and HelenaSmithsonian American Art Museum
66
Юриел стоящ на Слънцето1817 · Mugar Memorial Library
67
The Flight of Florimell1819 · Детройтският институт за изкуства
68
The Spanish Girl in Reverie1831 · Метрополитън Музей на изкуствата
#3 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha
#7 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
#8 Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew
#13 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe
#15 Donna Mencia in the Robber's Cavern
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Уошингтън Алстън | Картини от този списък |
|---|---|---|---|
 Музей на изкуствата във Бостън |
Бостън | 14 | The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait |
 Harvard Art Museums |
Кеймбридж | 11 | Self-Portrait, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834) |
 Детройтският институт за изкуства |
Детройт | 5 | Italian Shepard Boy, Italian Shepherd Boy, Italian Landscape |
 Rhode Island School of Design Museum of Art |
Провиденциас | 2 | Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head |
 Pennsylvania Academy of Fine Arts |
Филаделфия | 2 | Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' |
 Метрополитън Музей на изкуствата |
Ню Йорк | 2 | A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, The Spanish Girl in Reverie |
 Philadelphia Museum of Art |
Филаделфия | 1 | Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") |
 Художествена галерия на Йейлския университет |
Ню Хейвън | 1 | Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
In this work, titled Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, Washington Allston presents a somber biblical scene set within a dimly lit, architectural interior. The composition centers on two figures positioned amidst stone arches and a dark, recessed space. On the left, the prophet Jeremiah is depicted in a commanding yet distressed pose, his gaze directed upward as if receiving divine revelation. He…
In A Tuscan Girl, Washington Allston positions a single female figure centrally within a three-quarter length pose. Seated amidst dense foliage, the subject is illuminated by a soft, directional light striking from the upper left. This lighting highlights her face, shoulder, and chest, while a chiaroscuro effect casts the surrounding landscape into deep, shadowy tones. The woman's attire provides a sharp chromatic contrast to the dark background, featuring a red…
Self-Portrait (1799), Harvard Art Museums, Кеймбридж. Следват Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) и Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811).
20 години: Self-Portrait е от 1799 г., а Уошингтън Алстън е роден/а в 1779.
Self-Portrait, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" и Samuel Taylor Coleridge (1772-1834). Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 68 произведения на Уошингтън Алстън, датирани от 1796 до 1835.
Предимно в Музей на изкуствата във Бостън (Бостън), Harvard Art Museums (Кеймбридж) и Детройтският институт за изкуства (Детройт). В горната таблица с музеи са изброени всички тях.
В 1810s: 22 от 68 произведенията на тази страница са създадени тогава, като Dead Man Restored to Life by Touching the Bones of the Prophet Elisha са сред тях.
На тази страница най-старата е Portrait of Captain A.H. Pray of the Boston Fusiliers (1796), а най-новата е Ideal Head (1835).
Man (16), Woman (9) и Portrait (8), разпределени в 68 произведения на тази страница.
Oil On Canvas, за 18 от 68 произведения на тази страница.
Romantic landscape painting, судейки по оригиналите на тази страница.
The Poor Author and the Rich Bookseller, William Ellery Channing и Self Portrait: Музей на изкуствата във Бостън, Бостън притежава 14 от произведенията на тази страница.
