Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 107 творби на Палма Векио в нашия каталог
In short
To the gallery's eye, Палма Векио's most famous painting is Madonna and Child (1515), whose original hangs in the Държавен музей „Ермитаж“, Санкт Петербург. Portrait of a Man (1512) and Judith (1525) complete the trio every eye recognises. Of the 107 works by Палма Векио in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.
To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful hand of Palma Vecchio. This work, dating from 1515, transcends mere portraiture; it is an eloquent meditation on maternal love, divine connection, and the profound mystery of creation. The composition centers on the Virgin Mary, portrayed with a tender intimacy as she…
The air in the painting feels heavy with the scent of damp earth and hay. In a rural landscape of rolling hills and distant, pale buildings, a small light gathers around the Holy Family. Mary holds the infant Jesus close, her form a soft curve against the shadows. Beside them, Joseph stands as a steady presence. A shepherd boy kneels in the dirt, his posture a study in humility before…
The air feels heavy, thick with the scent of velvet and the silent weight of an impending end. Lucretia sits before us, her pale skin luminous against a backdrop of deep, swallowing shadows. A sharp, diagonal line of a dagger presses against her chest, creating a point of tension that vibrates through the stillness. Her reddish-blonde hair flows in soft, organic waves, framing a face caught in a moment of…
In this 1520 portrait, we are met with a man whose steady gaze bridges the distance between his era and our own. He is positioned slightly off-center, a choice that lends a sense of naturalism to his posture, as if he has just paused in thought to acknowledge our presence. The composition is a medium close-up, focusing our attention on the quiet dignity of his features. His long, flowing brown…
A single light source enters from the upper left, carving a face out of the heavy darkness. This is the world of Palma Vecchio, where deep browns and muted greens emerge from a nearly black background. The man, identified as John the Baptist, looks directly at the viewer with a piercing, steady gaze. His reddish-brown hair falls in soft, organic waves around a face marked by contemplation. A thin, dark…
An elderly man sits within a heavy shadow. His face, etched by time, turns toward an unseen light from the upper left. A thick, white beard flows over a deep green tunic. Over one shoulder, a red cloak rests with the weight of heavy wool. The skin of his hands and brow catches the glow, pulling him out from the dark, atmospheric background.
In this 1514 oil on panel, we find ourselves drawn into a private, outdoor moment of the Holy Family. The composition is intimate, centered on a man holding a child while a woman stands nearby, her hands resting upon a vase. This arrangement creates a sense of domesticity within a sacred context. The background, filled with the soft presence of trees, suggests a natural setting that allows the figures to…
The portrait presents a young woman in a strict profile view, her head and shoulders occupying the majority of the frame. She is positioned against a dark, circular backdrop that creates a halo-like effect around her silhouette. The subject's skin is rendered in warm, fleshy tones, transitioning through soft shadows that define the structure of her face and neck. This technique, known as sfumato, allows for a gradual blending of…
The Fall of Man: Eve offers the apple to Adam1511 · Herzog Anton Ulrich Museum
12
John the Baptist1528 · Kunsthistorisches Museum
13
Saint Sebastian1527 · Kunsthistorisches Museum
14
The Raising of Lazarus1514 · Philadelphia Museum of Art
15
The Three Sisters1520 · Gemäldegalerie Alte Meister
16
Mary with the Child, John the Baptist and Saint Catherine1515 · Държавни изкуства Дрезден
17
Saint Magdalene1504 · Баварски държавни списъци с произведения на изкуството
18
Mary with Child and Saints Roch and Aurea1514 · Баварски държавни списъци с произведения на изкуството
19
The Triumph of Caesar1510 · Lowe Gallery
20
Madonna and Child with the Infant Saint John and a Bishop Saint1510 · Музей на изкуствата (Будапеща)
21
Daphnis1514 · Баварски държавни списъци с произведения на изкуството
22
Allegory1510 · Philadelphia Museum of Art
23
Venus and Cupid1511 · Statens Museum for Kunst
24
The Holy Family1515 · Gemäldegalerie
25
The Virgin and Child1502 · Gemäldegalerie
26
The Holy Family1514 · Национален музей в Краков
27
Two Nymphs at Rest1525 · Städel Museum
28
The Holy Family with a Female Saint and Saint Francis of Assisi1520 · Музей на изкуствата (Будапеща)
29
Madonna and Child with Sts Joseph and Magdalene1525 · Kunsthistorisches Museum
30
Visitation1522 · Kunsthistorisches Museum
31
Saint Roch1527 · Kunsthistorisches Museum
32
Portrait of a young woman with bare chest1525 · Gemäldegalerie
33
Mars, Venus and Cupid1520
34
Lamentation Over the Dead Christ1580 · Art Museum
35
Tarquinius and Lucretia1590 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
36
Young Woman in Green Dress1513 · Kunsthistorisches Museum
37
Sacred Conversation (detail)1525 · Gallerie dell'Accademia di Venezia
38
The Holy Family with Saint Catherine1513 · Държавни изкуства Дрезден
39
Christ and the Woman Taken in Adultery1510 · Държавен музей „Ермитаж“
40
Christ and the adulteress1528 · Музеи Капитолийски
41
Portrait of Paola Priuli1527 · Fondazione Querini Stampalia
42
Young Woman in a Blue Dress, with Fan1514 · Kunsthistorisches Museum
43
Sacred Conversation1522 · Kunsthistorisches Museum
44
Sacra Conversazione1516
45
Portrait of a Poet1516
46
Sacred Conversation (detail)1525 · Gallerie dell'Accademia di Venezia
47
Polyptych of St Barbara (central panel)1524 · Santa Maria Formosa
48
A Blonde Woman1520
49
Portrait of Francesco Querini1527 · Fondazione Querini Stampalia
50
Polyptych of St Barbara1524 · Santa Maria Formosa
51
Virgin and Child with St John the Baptist and Mary Magdalene1525 · Palazzo Bianco
52
Virgin and Child with Saints John the Baptist, Peter and a Female Saint1526 · Glasgow Museums Resource Centre
53
Sacred Conversation1525 · Gallerie dell'Accademia di Venezia
54
De heilige familieRijksmuseum
55
Portrait of a Young WomanМузей на изкуствата (Будапеща)
56
Portrait of a GirlМузей на изкуствата (Будапеща)
57
The Virgin and Child with St FrancisStatens Museum for Kunst
58
Mary with the Child and four Saints in front of a LandscapeGemäldegalerie
59
Judith
60
La Sagrada Familia, con Santos
61
La Adoración de los pastores
62
St Mark
63
Madonna y niño con los Comisarios
64
La Resurrection de Lazare
65
St John the Baptist
66
Venus in a Landscape1520 · Courtauld Gallery
67
A Blonde WomanНационална галерия
68
A Blonde Woman1520 · Национална галерия
69
Mary with the Child, Saint Elizabeth, Zechariah and the Infant JohnGemäldegalerie
70
Holy Family
71
Adoration
72
Portrait of a Man
73
A blonde woman
74
Sacred conversation
75
Portrait of a Young ManМузей на изкуствата (Будапеща)
76
Portrait of a Poet
77
Saint George and a Female SaintНационална галерия
78
Madonna and Child with Saints and Donor
79
Christ at the ColumnCampion Hall
80
Portrait of a Young WomanМузей на изкуствата (Будапеща)
81
Temperance
82
Portrait of a Young ManМузей на изкуствата (Будапеща)
83
The Three Sisters (detail)Gemäldegalerie
84
Portrait of a Woman (La Bella)1518 · Музей Тисен-Борнемица
85
Venus1520 · Gemäldegalerie
86
Adoration of the Shepherds with a Doonor1523 · Лувър
87
Judith with the Head of Holofernes1523 · Галерия Уфици
88
The Holy Family with Mary Magdalene and the infant saint John1520 · Галерия Уфици
89
The Martyrium of Saint Peter1526
90
Salvator Mundi1519 · Музей за изкуствата в Страсбург
91
Madonna and Child with Saints1517 · Accademia Carrara
92
Trittico di sant'Elena1520 · Pinacoteca di Brera
93
Saints Mark, George and Nicholas free Venice from the Demons (Sea Storm)1528 · Gallerie dell'Accademia di Venezia
94
Assumption of Mary1512 · Gallerie dell'Accademia di Venezia
95
Adoration of the Magi with Saint HelenaPinacoteca di Brera
96
Madonna and Child with Donors
97
Holy Family with Saints Catherine of Alexandria and John the BaptistGallerie dell'Accademia di Venezia
98
La Vierge, l'Enfant Jésus, Saint Pierre, Saint Jérôme et un donateur - Musée Condé1508 · Музей Конде
99
Portrait of a Woman1512 · Музей за изкуства от красотата в Лион
100
The Virgin and Child with Saints Catherine of Alexandria and John the Baptist1527 · Кралска колекция
The four subjects that come back most often in these originals, each with its finest example.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Палма Векио | Картини от този списък |
|---|---|---|---|
 Kunsthistorisches Museum |
Виена | 13 | Lucretia, John the Baptist, John the Evangelist |
 Музей на изкуствата (Будапеща) |
Будапещ | 7 | Madonna and Child with the Infant Saint John and a Bishop Saint, The Holy Family with a Female Saint and Saint Francis of Assisi, Portrait of a Young Woman |
 Gallerie dell'Accademia di Venezia |
Венеция | 6 | Sacred Conversation (detail), Sacred Conversation (detail), Sacred Conversation |
 Gemäldegalerie |
Берлин | 5 | The Holy Family, The Virgin and Child, Portrait of a young woman with bare chest |
 Национална галерия |
Лондон | 4 | A Blonde Woman, A Blonde Woman, Saint George and a Female Saint |
 Държавен музей „Ермитаж“ |
Санкт Петербург | 3 | Madonna and Child, Portrait of a Man, Christ and the Woman Taken in Adultery |
 Галерия Уфици |
Флоренция | 3 | Judith, Judith with the Head of Holofernes, The Holy Family with Mary Magdalene and the infant saint John |
 Philadelphia Museum of Art |
Филаделфия | 3 | Portrait of a Gentleman, The Raising of Lazarus, Allegory |
Pick a decade to see the original that defines it.
To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful hand of Palma Vecchio. This work, dating from 1515, transcends mere portraiture; it is an eloquent meditation on maternal love, divine connection, and the profound mystery of creation. The composition centers on the Virgin Mary, portrayed with a tender intimacy as she…
Madonna and Child (1515), Държавен музей „Ермитаж“, Санкт Петербург. Portrait of a Man (1512) and Judith (1525) come next.
35 years old: Madonna and Child dates from 1515, and Палма Векио was born in 1480.
Madonna and Child, Portrait of a Man, Judith, The Adoration of the Shepherds with a Donor, Lucretia, Portrait of a Gentleman, John the Baptist, John the Evangelist, The Holy Family with St Mary Magdalen и Young Woman in Profile. The ranking above gives each one's year and museum.
Our catalog holds 107 works by Палма Векио, dated from 1502 to 1528.
Mostly in Kunsthistorisches Museum (Виена), Музей на изкуствата (Будапеща) (Будапещ) и Gallerie dell'Accademia di Venezia (Венеция). The museum table above lists them all.
In 1520s: 37 of the 100 works on this page were made then, Judith among them.
On this page, the earliest is The Virgin and Child (1502) and the latest John the Evangelist (1528).
Woman (17), Man (15) и Landscape (13), across the 100 works on this page.
Oil On Canvas, for 15 of the 100 works on this page.
High renaissance, judging by the originals on this page.
Lucretia, John the Baptist и John the Evangelist: the Kunsthistorisches Museum, Виена holds 12 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
Джакопо Негрети, познат на историята като Палма Векио – „Палма Старши“ – се появява в художествения пейзаж на Венеция в началото на XVI век като ключова фигура, която служи като мост между Високия Ренесанс и засягащите към маньеризма стилове. Роден около 1480 г. в Серина Алта, близо до Бергамо, неговият творчески път се разгръща изцяло в сърцето на жизнената Република Венеция – град, който вече е погълнат от художествени иновации. Въпреки че документалните записи за неговото първоначално обучение са оскъдни, се вярва, че той може би е започнал своя път под покровителството на Андреа Превитали, преди да се насочи към революционните подходи на Джовани Белини и, в крайна сметка, към завладяващите светове, създадени от Джорджоне и Тициан. Появата на Палма във Венеция съвпада с период на интензивна художествена конкуренция; заедно с Лоренцо Лото, той бързо се утвърждава като изключителен талант, поглъщайки уроците на своите предшественици, докато същевременно пролага своя собствен, самобитен път.
Първите етапи от кариерата на Палма Векио разкриват яден на рефината техника и просветления стил на Джовани Белини. Въпреки това, именно революционните творби на Джорджоне – с тяхната поетична атмосфера и енигматични повествования – истински разпалват неговото артистично въображение. Той бързо приема използването на цвета, светлината и композицията от страна на Джорджоне, вдъхващ на собствените му картини подобно чувство за лирическа красота. Но Палма не е бил просто имитатор; той притежаваше уникален дар за изобразяване на човешката форма с чувствена грация и завладяващ реализъм, които го отличаваха от всички останали. Докато Тициан изгряваше на преден план, Палма продължаваше да се развива, демонстрирайки забележителна способност да синтезира разнообразни влияния в един хармоничен и убедителен визуален език. Този период бележи появата на две основни теми в неговото творчество: sacra conversazione, или сцените на „света беседа“, и полуфигурирални портрети на идеализирани жени, за които често се предполага, че са изображения на прочутите венециански куртизанки.
