Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 141 творби на Леон Бона в нашия каталог
In short
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876) is the Леон Бона painting that draws the most eyes. After it, the eye goes to Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) and Self-portrait (1918) (1918). Among the 141 works of Леон Бона in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single light source carves the face of Isaac Dignus Fransen van de Putte from a heavy, ink-black void. He sits with a rigid, vertical posture, his presence defined by the sharp contrast between a pale, starched collar and the deep shadows of his frock coat. The light catches the high ridge of his forehead and the steady gaze of a man accustomed to the gravity of statecraft. There is…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
The room holds its breath as an elderly gentleman sits anchored in his chair. He is John Taylor Johnston, and the weight of his years settles around him in soft, muted tones. Light drifts in from the left, a gentle illumination that carves his features out of the surrounding shadows. It catches the silver of his beard and the subtle folds of his dark suit, lending a tangible volume to…
The Portrait of the count of Montalivet is an oil on canvas work by the French painter Léon Bonnat. It captures the likeness of Camille Bachasson, comte de Montalivet, a man who lived from 1801 to 1880. The painting was executed in 1878.
Léon Bonnat executed this oil on canvas in 1883, capturing the likeness of Levi Parsons Morton. The portrait presents the sitter in a formal, three-quarter length pose, establishing a sense of authority through a structured silhouette and a dark, atmospheric background. The composition focuses entirely on the subject, utilizing a directional light source from the upper left to define the facial features and hands against deep shadows.
The painter Ceferino Araujo Sánchez1864 · Музей Прадо
12
Self-Portrait1896 · Национална галерия в Прага
13
Self-portrait / Portrait of a young Man1855 · Музей д’Орсе
14
Portrait of Louise Lienhard1850
15
Self-portrait at the age of 171850 · Musée Bonnat-Helleu
16
Portrait of Marie Bonnat, the artist's sister1851 · Musée Bonnat-Helleu
17
Young woman doing charity at the entrance to the chapel of San Sebastián Hospital in Cordoba1863 · Goya Museum
18
Portrait of Jean Léglise, Merchant, Mayor of Saint-Martin-de-Seignanx1868 · Cleveland Museum of Art
19
The victim1870 · Национален музей за изкуства в Буенос Айрес
20
An Arab Sheik1870 · Walters Art Museum
21
Begging scene1865 · Musée Bonnat-Helleu
22
Portrait of an unidentified woman1868 · Музей Карнавале
23
Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice1869 · Petit Palais
24
Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak1866 · Petit Palais
25
An oriental barbershop1872 · Пушкински държавен музей на изкуството
26
Adolphe Thiers1876
27
Portrait of Marguerite Franchetti1875 · Musée Bonnat-Helleu
28
Victor Hugo on his deathbed1885 · Musée Victor Hugo
29
Louisa Lee Schuyler1879 · New York Historical Society
30
Precious Moments1880 · Museum of Fine Arts, St. Petersburg, Florida, USA
31
Portrait of George Aloysius Lucas1885 · Walters Art Museum
32
Portrait de Monseigneur Félix-Arsène Billard1883
33
Italian Girl1880 · Munson-Williams-Proctor Arts Institute
34
Don't cry1879 · Музей „Орсе“
35
George Lee Schuyler (1811-1890)1883 · New York Historical Society
36
Portrait of Madame Georges Ehrler1880 · Petit Palais
37
John Taylor Johnston (1820 1893)1880 · Метрополитън Музей на изкуствата
38
Interior of the Sistine Chapel1880
39
Ernest Renan1892
40
Anna L. R. S. Morton1884 · National Portrait Gallery
41
Portrait of Henry Field1896 · Art Institute of Chicago
42
Portrait of Auguste Cain1889 · Petit Palais
43
Portrait of Henri Harpignies1889 · Petit Palais
44
Job1888
45
Portrait of Aimilia Salvagou1894 · Национална галерия
46
Henry Lillie Pierce1895 · Музей на изкуствата във Бостън
47
George Martin Lane (1823-1897)1894 · Harvard Art Museums
48
Portrait of Prince Viacheslav Tenishev1896 · Държавен музей „Ермитаж“
49
The broken pitcher (version with ciocie)1900
50
The broken pitcher (barefoot version)1900
51
A little accident1900
52
Portrait de Madame Dubernet by Léon Bonnat1899 · Petit Palais
53
An Egyptian Peasant Woman and Her Child1869 · Метрополитън Музей на изкуствата
54
Portrait of Charles Ephrussi1906
55
Portrait of Georges Cain (1853-1919), painter and literary man1909 · Музей Карнавале
56
Christ on the CrossPetit Palais
57
Jules Grévy1880
58
Head of a White Horse1850 · Национална галерия на Шотландия
59
Kneeling girl in prayer (study for ^quot;Pilgrims at the Foot of the Statue of Saint Peter in Saint Peter's Church in Rome^quot;)1864
60
An Egyptian Peasant Woman and Her Child1869
61
An Egyptian Peasant Woman and Her Child1870
62
Fountain by the Cathedral of St. Peter in Rome1868 · Държавен музей „Ермитаж“
63
Madame Pasca1874 · Музей д’Орсе
64
Italian Woman with Child1872 · Musée Bonnat-Helleu
65
Léon Gambetta1875 · Музей д’Орсе
66
Mary Sears (later Mrs. Francis Shaw)1878 · Музей на изкуствата във Бостън
67
Henry White1882 · Национална галерия на изкуствата
68
Jean Gigoux1880 · Musée Des Beaux
69
In the Mountains1879 · Държавен музей „Ермитаж“
70
Sketch for the Salon des Arts at the Hôtel de Ville in Paris: The glorification of Art1888 · Petit Palais
71
French priest Pierre Bienvenu Noailles1889
72
Joseph Dreyfus1890
73
Idylle1890 · Musée Bonnat-Helleu
74
Pasteur and his granddaughter Camille Vallery-Radot1886 · Musée Pasteur
75
The Hand of Antoine-Louis Barye1897 · Walters Art Museum
76
Eagle and Rabbit1897
77
Portrait du docteur Adrien Doyon
78
Portrait de Joseph Reinach (1856 1921)Musée d'Art Moderne et Contemporain de Strasbourg
79
JULES GREVY, PRESIDENT DE LA REPUBLIQUE (1807 1891)
80
LEON GAMBETTA (1838 1892)
81
ALEXANDRE DUMAS FILS (1824 1895)Музей д’Орсе
82
LOUIS ADOLPHE THIERS, PRESIDENT DE LA REPUBLIQUE (1797 1877)
83
MADAME PASCA
84
ISAAC PEREIRE (1806 1880)
85
Victor Hugo (1802 1885)Musée Victor Hugo
86
Le cardinal Charles Lavigerie, archevêque d'Alger (1825 1892)Музей д’Орсе
87
BERNIER LOUISМузей Конде
88
Autoportrait
89
JOSEPH DREYFUSМузей д’Орсе
90
Portrait de Monsieur CernuschiMusée Cernuschi
91
Maître Edouard Pascal
92
PORTRAIT DE L'ARTISTEМузей д’Орсе
93
LA MARQUISE FEYDEAU DE BROUМузей д’Орсе
94
Portrait de Louis Hector Leroux
95
Portrait de M. Daniel Guestier
96
Portrait du Vicomte Both de Tauzia
97
Madame Maurice Pascal et son chien Tiny
98
PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880)Музей Конде
99
MADAME BONNAT
100
PORTRAIT DE L'ARTISTE AU CHAPEAUМузей д’Орсе
The four subjects that come back most often in these originals, each with its finest example.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Леон Бона | Картини от този списък |
|---|---|---|---|
 Музей д’Орсе |
Париж | 15 | Portrait of a woman, Portrait of the count of Montalivet, Self-portrait / Portrait of a young Man |
 Petit Palais |
Париж | 8 | Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice, Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak, Portrait of Madame Georges Ehrler |
 Musée Bonnat-Helleu |
Bayonne | 7 | Self-portrait at the age of 17, Portrait of Marie Bonnat, the artist's sister, Begging scene |
 Walters Art Museum |
Балтимор | 6 | An Arab Sheik, Portrait of George Aloysius Lucas, The Hand of Antoine-Louis Barye |
 Държавен музей „Ермитаж“ |
Санкт Петербург | 4 | Portrait of Prince Viacheslav Tenishev, Fountain by the Cathedral of St. Peter in Rome, In the Mountains |
 Музей Прадо |
Мадрид | 3 | Self-portrait (1918), Fruela II of Asturias (king of Asturias from 910 to 925), The painter Ceferino Araujo Sánchez |
 Метрополитън Музей на изкуствата |
Ню Йорк | 3 | John Taylor Johnston (1820 1893), An Egyptian Peasant Woman and Her Child |
 Музей Конде |
Шантили | 3 | BERNIER LOUIS, PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880) |
Pick a decade to see the original that defines it.
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
This oil on canvas portrait, executed in 1864, presents a close-up view of Ceferino Araujo Sánchez. The subject is a man with a dark beard and mustache, positioned centrally within the frame. His gaze is directed slightly downward, creating a sense of quiet introspection. The lighting is directional, originating from the upper left, which casts the right side of his face and the background into deep shadow. This technique produces…
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a weary and contemplative expression. His face is marked by the textures of age, with light originating from the upper left to cast shadows across the right side of his features, defining the forehead, cheekbone, and skin texture. A stark white beard and…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876). Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) and Self-portrait (1918) (1918) come next.
43 years old: Jacob Wrestling with the Angel (also known as La Lutte de Jacob) dates from 1876, and Леон Бона was born in 1833.
Jacob Wrestling with the Angel (also known as La Lutte de Jacob), Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74), Self-portrait (1918), ADAM ET EVE TROUVANT LE CORPS D'ABEL, Portrait of a woman, Fruela II of Asturias (king of Asturias from 910 to 925), John Taylor Johnston (1820–1893), Portrait of the count of Montalivet, Levi Parsons Morton и The Martyrdom of Saint Denis (also known as Martyr de Saint Denis). The ranking above gives each one's year and museum.
Our catalog holds 141 works by Леон Бона, dated from 1850 to 1918.
Mostly in Музей д’Орсе (Париж), Petit Palais (Париж) и Musée Bonnat-Helleu (Bayonne). The museum table above lists them all.
In 1880s: 22 of the 100 works on this page were made then, Portrait of a woman among them.
On this page, the earliest is Portrait of Louise Lienhard (1850) and the latest Self-portrait (1918) (1918).
Man (10), Portrait (6) и Dark background (5), across the 100 works on this page.
Oil On Canvas, for 13 of the 100 works on this page.
Academic realism и Realism, judging by the originals on this page.
Portrait of a woman, Portrait of the count of Montalivet и Self-portrait / Portrait of a young Man: the Музей д’Орсе, Париж holds 11 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
Историята на Леон Бонна започва в Байон, Франция, през 1833 г., но съдбата му придобива съвсем нов, вълнуващ образец, когато през 1846 г. семейството му се премества в Мадрид. Там баща му открива книжарница, която се превръща в истинска котва за художественото развитие на младия талант. Помагайки в магазина, той с отдаденост копира гравюри на старите майстори, което разпалва в него дълбока страст към рисуването и полага основите на неговата бъдеща кариера. След първоначалното си обучение под ръководството на Мадразо в Мадрид, той се връща в Париж, за да търси съвършенство.
В Париж Бонна се стреми към още по-голяма прецизност, черпейки вдъхновение от видни исторически живописци като Пол Деларош и Леон Коние. Въпреки няколко опита, той не успява веднага да бъде приет в престижната École des Beaux-Arts чрез конкурса Prix de Rome. Въпреки това, стипендия от Байон му отваря вратите на Рим за три години (1858–60) – преживяване, което променя коренно неговото художествено виждане. През този период той сключва приятелства с велики творци като Едгар Дега, Гюстав Моро и скулптора Анри Шапю. Стилът на Бонна е дълбоко пропинат от влиянието на испанските майстори – особено Веласкес и Хосе де Рибера – както и от творци като Тициан и Ван Дайк, чиито шедьоври той изучава с почти религиозен трепет в музея Прадо.
Бонна бързо се утвърждава като водещ портретист в Париж, като постоянно получава престижни поръчки. Неговите портрети отразяват влиянието на неговите обожавани испански предшественици, характеризиращи се с реализъм, драматична игра на светлина и дълбочина на психологическото състояние на героя. Той изследва и религиозни теми, както и жанрови картини, изобразващи италиански селяни, а понякога се насочва и към ориенталистки сцени. Творчеството на Бонна е белязано от суров натурализъм и липса на прекомерна повърхностна завършеност – качества, които се хвалят от критици като Теофил Готие, който го противопоставя благоприятно на по-гладката и полирана техника на Бугеро.
През кариерата си Бонна постига изключително признание, получавайки Медала за заслуги в Париж през 1869 г. и получавайки титлата „Гранд офицер“ на френския „Парижска легион на честта“. През 1882 г. той става професор в École des Beaux-Arts, където менторства множество амбициозни артисти, включително легендарните Джон Сингър Саржент, Тулуаз-Лотрек и Гюстав Кайбот. По-късно, през 1905 г., той заема поста директор на Академията, наследявайки Пол Дюбоа. Философията на Бонна като преподавател акцентира върху простотата, общия ефект и строгите умения за рисуване. Сред най-значимите му произведения са религиозните картини, като „Христос на кръста“, „Йов“ и „Св. Винсент, заемащ мястото на двама галерни роби“.
Леон Бонна заема уникално място в арт света на своето време, служейки като мост между академичната живопис и възникващото импресионистично движение. Като член на Института, той притежава административна власт над Академията и École des Beaux-Arts. Въпреки тази привързаност към традиционните институции, той подкрепя независими артисти като Едгар Дега, Огюст Роден и дори защитава творческите предложения на Гюстав Курбе пред Салона. В знак на благодарност към подкрепата, която е получил в ранните си години, Бонна основава Музея „Бонна“ в родния си град Байон, който съхранява изключителна колекция от рисунки на старите майстори заедно с неговите собствени произведения. Неговото наследство продължава да живее чрез неговите картини, неговата влиятелна педагогическа дейност и музея, който е създал, съхранявайки художественото наследство за бъдещите поколения.
