Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 201 творби на Емил Бернар в нашия каталог
Накратко
От всички оригинали, оставени от Емил Бернар, най-известният е Iron Bridges at Asnières (1887), който се намира в колекцията на MoMA - Музеят на модерното изкуство, Ню Йорк. След тях непосредствено следват Portrait of Marie Lemasson (1892) и Self-Portrait 1918 (1919). Нашият каталог съдържа 201 произведения на Емил Бернар; галерията е съхранила 100-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
The Harvest by Émile Bernard depicts a rural scene centered on agricultural labor. Within a field that slopes upward toward the top of the frame, several figures engage in the process of harvesting grain. Two figures are shown bending over the crop, while a third figure stands facing forward. The scene captures a moment of manual work in a landscape characterized by trees and harvested grain.
Portrait du père Tanguy1887 · Kunstmuseum Basel
12
Victorine Lelopin1891 · Ackland Art Museum
13
The Wave1892 · Ackland Art Museum
14
The Salon1890 · Даласски музей на изкуствата
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · Музеят на изкуствата в Хюстън
19
Self-Portrait as a Troubadour1892 · Национален музей на западното изкуство
20
The Annunciation1890 · Музей Тисен-Борнемица
21
Inside a Shop in Pont-Aven1887 · Музей Тисен-Борнемица
22
The Artist's Grandmother1887 · Музей на изкуствата във Бостън
23
Woman Sitting in a Field: Brittany1890 · Музеят Ван Гог
24
Symbolic Self-Portrait1891 · Музей д’Орсе
25
Portrait of my sister Madeleine1888 · Musée Toulouse-Lautrec
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · Музей за изкуствата в Реим
32
Bathing Men1904 · Musée d'Unterlinden
33
Breton Women in a Ferry Boat1900 · San Diego Museum of Art
34
Toilet of Venus1911 · Музей за изкуствата в Реим
35
Woman's Head1920 · Harvard Art Museums
36
Melancholy1935 · Musée d'Art Moderne de la Ville de Paris
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Музеят Ван Гог
38
Breton Women1940 · Musée d'Art Moderne de la Ville de Paris
39
Self-Portrait1888 · Barnes Foundation
40
Board decorated with tendrils and flowers1906 · Музеят Ван Гог
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · Музеят Ван Гог
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with SeaweedIndianapolis Museum of Art
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · Wallraf-Richartz-Museum
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · Музеят Ван Гог
52
Boy sitting in the grass1886 · Музеят Ван Гог
53
Woman Walking on the Banks of the Aven1890 · Музеят на изкуствата в Хюстън
54
The Cliffs at Le Pouldu1887 · Музей Тисен-Борнемица
55
Still Life with Fruit1890 · Art Institute of Chicago
56
House Among Trees: Pont-Aven1888 · Музеят Ван Гог
57
Vase with Flowers and Cup1887 · Музеят Ван Гог
58
Landscape at Pont-Aven1889 · Музеят Ван Гог
59
Still Life with Flowers1887 · Музей Нортън Саймън
60
Brittany Landscape1888 · Музей Нортън Саймън
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · Tokyo Fuji Art Museum
74
Jeune Fille Sur La Colline1904 · Fine Arts Museums of San Francisco
75
Parisian WomanНационален музей на западното изкуство
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of lovePortland Museum of Art
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-AvenДаласски музей на изкуствата
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Емил Бернар | Картини от този списък |
|---|---|---|---|
 Музеят Ван Гог |
Амстердам | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Хастенпарк | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Музей Тисен-Борнемица |
Мадрид | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Кьолн | 3 | Loving Couple, Houses in Pont-Aven |
 Даласски музей на изкуствата |
Дълас | 3 | The Salon, Bridge at Pont-Aven |
 Музей за изкуствата в Реим |
Реймс | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Iron Bridges at Asnières (1887), MoMA - Музеят на модерното изкуство, Ню Йорк. Следват Portrait of Marie Lemasson (1892) и Self-Portrait 1918 (1919).
19 години: Iron Bridges at Asnières е от 1887 г., а Емил Бернар е роден/а в 1868.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple и The Harvest at Saint-Briac. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 201 произведения на Емил Бернар, датирани от 1885 до 1940.
Предимно в Музеят Ван Гог (Амстердам), Musée de Pont-Aven (Хастенпарк) и Музей Тисен-Борнемица (Мадрид). В горната таблица с музеи са изброени всички тях.
В 1880s: 29 от 100 произведенията на тази страница са създадени тогава, като Iron Bridges at Asnières са сред тях.
На тази страница най-старата е Funeral palls 1 (1885), а най-новата е Breton Women (1940).
Women (12), People (7) и Woman (4), разпределени в 100 произведения на тази страница.
Oil On Canvas, за 9 от 100 произведения на тази страница.
Post-impressionist synthetism, судейки по оригиналите на тази страница.
Self-Portrait 1918, Woman Sitting in a Field: Brittany и Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941): Музеят Ван Гог, Амстердам притежава 10 от произведенията на тази страница.
