Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 51 творби на Константин Мюниер в нашия каталог
Накратко
Според избора на галерията най-известната картина на Константин Мюниер е Holy-Water Font (1854), чийто оригинал се намира в Кралски музей за изящни изкуства Антверпен, Антверпен. Women Working in a Glass Factory (1878) и Return of the Miners (1850) допълват трио, което всяко око разпознава. От 51 произведения на Константин Мюниер в нашия каталог, галерията представя 51 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Return of the Miners by Constantin Meunier presents a group of laborers moving through an industrial landscape. The figures are positioned in the foreground, walking toward the right side of the frame. These workers, specifically miners, are depicted amidst a setting characterized by the presence of distant smokestacks and rooftops. The scene captures the physical reality of the working class during the Industrial Revolution, focusing on the specific lives of…
The Pithead is an oil painting by Constantin Meunier, created about 1850. The work depicts a scene of heavy industrial labor, focusing on the physical toil of the working class. A single male figure occupies the foreground, positioned slightly off-center and moving toward the viewer. His expression is strained, and his heavy clothing reflects the grit of his environment. The composition centers on this individual amidst a setting of industrial…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
The oil painting titled Saint Stephen emerges from the shadows of history, a somber creation by the Belgian artist Constantin Meunier. This work, rendered on canvas, captures a moment of profound stillness. It exists as a quiet meditation on sacrifice, appearing to have been produced about 1867. The figure lies caught in a perpetual state of repose, a subject that demands a slow, steady gaze to truly witness.
The canvas holds a heavy, dark air. In the lower left, a group of figures huddles together, their bodies pressed into a tight, desperate knot. They are shadows among shadows. A man’s white shirt catches a stray, pale light, cutting through the gloom like a sharp intake of breath. Above them, the world is breaking. A turbulent landscape stretches toward the upper right, where the sky is bruised and thick…
In this oil painting, Constantin Meunier presents a solitary young man caught in a moment of quiet stillness. The figure sits alone, his posture suggesting a heavy sense of exhaustion or perhaps a deep, inward contemplation. He appears to be an organ grinder, a man whose life is defined by the labor of his trade and the solitude that often accompanies it. The scene feels intimate, pulling the viewer into…
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
The oil painting titled Tobacco Factory, Seville, was created by the Belgian artist Constantin Meunier in 1883. This work captures a specific moment of industry within a vast, stone-arched space. The canvas holds the heavy atmosphere of a working hall, where light falls upon the figures of women engaged in their daily labor.
The Flood of Leuven in 18911896
12
Whaler1902 · Finnish National Gallery
13
Portrait of the Artist Gustave Poirier1900 · Museum of Fine Arts Ghent (MSK)
14
De buildrager, (1898)
15
Steel Foundry1850 · Кралски музей за изящни изкуства Антверпен
16
Unloading a Sailing Ship1878 · Кралски музей за изящни изкуства Антверпен
17
The removal of the cracked melting pot1885 · Кралските музеи на изкуствата в Белгия
18
Cigar Makers in Sevilla1882 · Кралски музей за изящни изкуства Антверпен
19
Mining Area1882 · Кралски музей за изящни изкуства Антверпен
20
In the Black Country1893 · Музей д’Орсе
21
Calvary1900 · Museum of Fine Arts Ghent (MSK)
22
Collier with Safety LampКралски музей за изящни изкуства Антверпен
23
Man at the PressКралските музеи на изкуствата в Белгия
24
The bust of a dockerOldenburg State Museum for Art and Cultural History
25
Buste d'emmanuel chabrier
26
The Porter1887 · Staatliche Kunsthalle Karlsruhe
27
In a Salt Refinery at RupelmondeКралските музеи на изкуствата в Белгия
28
RupelmondeКралски музей за изящни изкуства Антверпен
29
Pupil in the SnowКралски музей за изящни изкуства Антверпен
30
An Old BridgeКралски музей за изящни изкуства Антверпен
31
The Blue TavernКралски музей за изящни изкуства Антверпен
32
Abandoned shaftКралските музеи на изкуствата в Белгия
33
Black Country – BorinageКралските музеи на изкуствата в Белгия
34
Le faucheur
35
The sower, (1890)
36
Monument Au Travail (Bruxelles)
37
Monument Au Travail (Detail) (2)
38
Monument Au Travail (Detail) (7)
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Monument Au Travail (Detail)
40
Monument Au Travail (Detail) (5)
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Monument Au Travail (Detail) (3)
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Monument Au Travail (Detail) (4)
43
Der huttenarbeiter, (1890)
44
Der hafenarbeiter (2)
45
Der hafenarbeiter
46
Cheval a L'abreuvoir, (1899)
47
The sower, (2) (1890)
48
Monument Au Travail (Detail) (6)
49
Triptych of the Mine1902 · Кралските музеи на изкуствата в Белгия
50
The hiercheuse1887 · Кралските музеи на изкуствата в Белгия
51
Removal of a Broken Crucible1884 · Кралските музеи на изкуствата в Белгия
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
7 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Константин Мюниер | Картини от този списък |
|---|---|---|---|
 Кралски музей за изящни изкуства Антверпен |
Антверпен | 14 | Holy-Water Font, Return of the Miners, The Pithead |
 Кралските музеи на изкуствата в Белгия |
Брюксел | 10 | Women Working in a Glass Factory, Tobacco Factory, Seville, The removal of the cracked melting pot |
 Museum of Fine Arts Ghent (MSK) |
Гент | 4 | Saint Stephen as a Martyr, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Portrait of the Artist Gustave Poirier |
 Finnish National Gallery |
Хелзинки | 1 | Whaler |
 Музей д’Орсе |
Париж | 1 | In the Black Country |
 Oldenburg State Museum for Art and Cultural History |
Oldenburg | 1 | The bust of a docker |
 Staatliche Kunsthalle Karlsruhe |
Карлсруе | 1 | The Porter |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
Constantin Meunier painted The Flood of Leuven in 1891 about 1896. The work captures a catastrophic flood in a town, likely Leuven, under a heavy, storm-laden sky. It focuses on the human struggle against nature, documenting the devastating impact of rising waters on a community.
The heavy atmosphere of manual labor settles over the viewer in Whaler, a work by the Belgian artist Constantin Meunier. Created about 1902, the painting captures a moment of intense physical exertion. The subject focuses on the life of a whaler, a figure defined by the grit and strain of a demanding existence. This piece finds its home within the collection of the Finnish National Gallery.
Holy-Water Font (1854), Кралски музей за изящни изкуства Антверпен, Антверпен. Следват Women Working in a Glass Factory (1878) и Return of the Miners (1850).
23 години: Holy-Water Font е от 1854 г., а Константин Мюниер е роден/а в 1831.
Holy-Water Font, Women Working in a Glass Factory, Return of the Miners, The Pithead, Saint Stephen as a Martyr, Saint Stephen, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Organ Grinder, Two women at the Tobacco Factory in Seville и Tobacco Factory, Seville. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 51 произведения на Константин Мюниер, датирани от 1850 до 1902.
Предимно в Кралски музей за изящни изкуства Антверпен (Антверпен), Кралските музеи на изкуствата в Белгия (Брюксел) и Museum of Fine Arts Ghent (MSK) (Гент). В горната таблица с музеи са изброени всички тях.
В 1880s: 8 от 51 произведенията на тази страница са създадени тогава, като Two women at the Tobacco Factory in Seville са сред тях.
На тази страница най-старата е Return of the Miners (1850), а най-новата е Whaler (1902).
Man (7), Shadows (6) и People (5), разпределени в 51 произведения на тази страница.
Oil On Canvas, за 9 от 51 произведения на тази страница.
Social realism, судейки по оригиналите на тази страница.
Holy-Water Font, Return of the Miners и The Pithead: Кралски музей за изящни изкуства Антверпен, Антверпен притежава 14 от произведенията на тази страница.
