Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 46 творби на Sydney Hodges в нашия каталог
Накратко
Според избора на галерията най-известната картина на Sydney Hodges е James Tennant (1863), чийто оригинал се намира в King's College London, London. James Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865) (1866) и Samuel Hey (1873) допълват трио, което всяко око разпознава. От 46 произведения на Sydney Hodges в нашия каталог, галерията представя 46 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
The room feels heavy with a stillness that seems to press against the very edges of the canvas. A man sits alone, his figure anchored to a chair at a table draped in a deep red cloth. He is dressed in the formal attire of 1863, a suit and tie that speak of a specific social gravity, yet his posture suggests a mind far from the immediate surroundings. His hands…
James Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865) is a formal portrait executed by Sydney Hodges. The sitter, a former mayor of Penryn, is presented with the dignity associated with his civic leadership. This work was created about 1866.
In this 1873 portrait, we find ourselves in the quiet, private space of an elderly gentleman named Samuel Hey. He is seated in a richly upholstered armchair, his figure filling much of the frame in a way that suggests a settled, permanent authority. There is a certain gravity to his posture, a stillness that comes from a life lived with purpose. The lighting, arriving from the upper left, carves his…
An elderly gentleman sits anchored in a high-backed chair, his presence filling the quiet space of the canvas. He is a man of substance, draped in the heavy, dark fabrics of the late nineteenth century. His hands rest upon a cane, a tactile connection to the physical world that grounds his seated form. The light is a soft, diffused glow, catching the ridges of his brow and the texture of…
An older gentleman sits at a desk, his presence commanding the frame through a traditional, academic composition. The portrait captures a moment of quiet authority, utilizing a dark, indistinct background to push the subject into the viewer's immediate space. Light falls sharply across his features, carving out the contours of his face and the texture of his attire with dramatic contrast. This chiaroscuro effect lends a somber weight to the…
In this 1887 oil portrait, we encounter Theophilus Redwood, a man whose presence commands a quiet, scholarly respect. The subject is presented in a formal studio style, his face and upper body emerging from a deep, impenetrable black background. This choice of lighting creates a dramatic chiaroscuro effect, casting strong shadows that define the deep lines of his skin and the texture of his full white beard. There is a…
In this 1894 portrait, we find ourselves in the presence of General Joseph Edwin Thackwell, a man whose very posture commands the space around him. He is seated in a plush, upholstered chair, his presence anchored by a sense of quiet, settled power. The composition is centered, drawing the eye immediately to the intricate details of his military regalia and the weathered, dignified lines of his face. There is a…
This oil on canvas painting depicts Alderman Charles Blades, JP. The subject is presented in a formal manner, wearing a suit and a chain around his neck. He is positioned in front of a chair, appearing as a distinguished figure.
A heavy chain rests against the dark fabric of a formal suit, its metallic links catching a quiet light. Henry Cooper sits anchored in a chair, a man defined by the gravity of his station. He wears a cape that drapes over his shoulders, adding a layer of ceremonial weight to his posture. Beside him, a book rests on a table, its presence suggesting a life governed by law and…
This portrait is a product of the academic realism that defined the mid-19th century. The artist, Joseph Sydney Willis Hodges, demonstrates the technical rigor expected of a trained hand, focusing on the psychological depth of the individual rather than mere likeness. There is a sense of historical weight in the way the light catches the edges of the rolled scroll and the folds of the red cloth. The work does…
Edward Vivian (1808–1893), MA, JP, Founder Member and First Treasurer Torquay Natural History Society1856
12
Henry Cranmer March Phillipps, Esq. (1793–1880), JP1865 · Torquay Town Hall
13
Henry Philpotts (1778–1869), Bishop of Exeter, Controversialist1866
14
Mrs Henry Wood (1814–1887)1875 · Worcester Guildhall
15
William Thompson in Mayoral Chain1877 · Towneley Hall Art Gallery - Museum
16
Right Honourable Sir James Fergusson (1832–1907), 6th Bt of Kilkerran, GCSI, KCMG, CIE1875 · County Buildings
17
Robert Edward (1742–1801), 9th Lord Petre of Writtle1885 · The Library And Museum of Freemasonry
18
Benjamin Disraeli (1874–1880), MP1882 · Maidstone Museum - Bentlif Art Gallery
19
William Brown1882 · Leeds General Infirmary
20
Claudius Galen Wheelhouse (1826–1909)1884 · Leeds General Infirmary
21
John Darnton Luccock, Mayor (1845 1864)1884 · Leeds Civic Hall
22
Sir P. Protheroe Smith (1810–1882)1881
23
Philip Prothero Smith, Mayor (1871–1875 1878)1881 · Truro City Council Municipal Buildings
24
Reverend Henry Robert Reynolds, DD (1825–1896), President of Cheshunt College1882
25
Reverend H. R. Reynolds, DD1888 · Cheshunt Foundation
26
William Nevill (1826–1915), Marquess of Abergavenny1887 · Tunbridge Wells Museum And Art Gallery
27
John Alan Rolls (1837–1912), 1st Baron Llangattock1888
28
Reverend W. Relton (1816–1893), Vicar of St Mary's Church, Ealing (1853–1886)1886
29
Sir Andrew Clark (1826–1893), Bt (after Frank Holl)1889 · Barts And The London Queen Mary School of Medicine And Dentistry
30
Right Honourable Richard Assheton Cross (1823–1914)1891 · The Shire Hall
31
Admiral Arthur William Acland Hood (1824–1901), Baron Hood of Avalon1891 · National Maritime Museum
32
James Grierson (1827–1887), General Manager, Great Western Railway (1863–1887)1888
33
Her Majesty Queen Victoria (1819–1901)1898
34
Cornelius M. Foden1893 · Towneley Hall Art Gallery - Museum
35
Henry Houlding1900 · Towneley Hall Art Gallery - Museum
36
Charles Townsend Murdoch (1837–1898), MP1900 · Reading Museum - Town Hall
37
Rear-Admiral Sir James Hope (1808-1881)National Maritime Museum
38
Lord Winmarleigh (1802–1892)The Shire Hall
39
Rear Admiral Sir James Hope (1808–1881)
40
John Coutts (1699–1750), Lord Provost of Edinburgh (1743–1744) (after Allan Ramsay)
41
TorquayTorre Abbey Historic House And Gardens
42
Archibald Campbell Tait (1811–1882), Archbishop of Canterbury
43
Sir Charles Wheatstone
44
Davies Gilbert (1767–1840), PRS, MP (copy of Henry Howard)
45
James Smith Turner (1832–1904), MRCS, LDSRoyal Society of Medicine
46Charles Chadwick1873 · Leeds General Infirmary
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музей | Град | Творения на Sydney Hodges | Картини от този списък |
|---|---|---|---|
 Leeds General Infirmary |
Лийдс | 4 | Samuel Hey, William Brown, Claudius Galen Wheelhouse (1826–1909) |
 The Shire Hall |
Lancaster | 3 | Right Honourable Matthew Talbot Baines, QC, MP, Right Honourable Richard Assheton Cross (1823–1914), Lord Winmarleigh (1802–1892) |
 Towneley Hall Art Gallery - Museum |
Бърнли | 3 | William Thompson in Mayoral Chain, Cornelius M. Foden, Henry Houlding |
 National Maritime Museum |
Лондон | 2 | Admiral Arthur William Acland Hood (1824–1901), Baron Hood of Avalon, Rear-Admiral Sir James Hope (1808-1881) |
 King's College London |
London | 1 | James Tennant |
 Musée Victor Hugo |
Пари | 1 | Theophilus Redwood (1806–1892), First Professor of Pharmacy at the Pharmaceutical Society School |
 Lancaster Town Hall |
Lancaster | 1 | Alderman Charles Blades, JP |
 Torquay Town Hall |
Torquay | 1 | Henry Cranmer March Phillipps, Esq. (1793–1880), JP |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
A heavy chain rests against the dark fabric of a formal suit, its metallic links catching a quiet light. Henry Cooper sits anchored in a chair, a man defined by the gravity of his station. He wears a cape that drapes over his shoulders, adding a layer of ceremonial weight to his posture. Beside him, a book rests on a table, its presence suggesting a life governed by law and…
The room feels heavy with a stillness that seems to press against the very edges of the canvas. A man sits alone, his figure anchored to a chair at a table draped in a deep red cloth. He is dressed in the formal attire of 1863, a suit and tie that speak of a specific social gravity, yet his posture suggests a mind far from the immediate surroundings. His hands…
In this 1873 portrait, we find ourselves in the quiet, private space of an elderly gentleman named Samuel Hey. He is seated in a richly upholstered armchair, his figure filling much of the frame in a way that suggests a settled, permanent authority. There is a certain gravity to his posture, a stillness that comes from a life lived with purpose. The lighting, arriving from the upper left, carves his…
An elderly gentleman sits anchored in a high-backed chair, his presence filling the quiet space of the canvas. He is a man of substance, draped in the heavy, dark fabrics of the late nineteenth century. His hands rest upon a cane, a tactile connection to the physical world that grounds his seated form. The light is a soft, diffused glow, catching the ridges of his brow and the texture of…
An older gentleman sits at a desk, his presence commanding the frame through a traditional, academic composition. The portrait captures a moment of quiet authority, utilizing a dark, indistinct background to push the subject into the viewer's immediate space. Light falls sharply across his features, carving out the contours of his face and the texture of his attire with dramatic contrast. This chiaroscuro effect lends a somber weight to the…
James Tennant (1863), King's College London, London. Следват James Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865) (1866) и Samuel Hey (1873).
34 години: James Tennant е от 1863 г., а Sydney Hodges е роден/а в 1829.
James Tennant, James Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865), Samuel Hey, Sir John Russell Reynolds (1828–1896), Bt, Right Honourable Matthew Talbot Baines, QC, MP, Theophilus Redwood (1806–1892), First Professor of Pharmacy at the Pharmaceutical Society School, General Joseph Edwin Thackwell (1813–1900), CB, Alderman Charles Blades, JP, Henry Cooper, Mayor of Canterbury и W. M. Tweedy. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 46 произведения на Sydney Hodges, датирани от 1856 до 1900.
Предимно в Leeds General Infirmary (Лийдс), The Shire Hall (Lancaster) и Towneley Hall Art Gallery - Museum (Бърнли). В горната таблица с музеи са изброени всички тях.
В 1880s: 16 от 46 произведенията на тази страница са създадени тогава, като Sir John Russell Reynolds (1828–1896), Bt са сред тях.
На тази страница най-старата е Henry Cooper, Mayor of Canterbury (1856), а най-новата е Henry Houlding (1900).
Man (24), Suit (18) и Chair (14), разпределени в 46 произведения на тази страница.
Oil On Canvas, за 31 от 46 произведения на тази страница.
Academic realism, судейки по оригиналите на тази страница.
Samuel Hey, William Brown и Claudius Galen Wheelhouse (1826–1909): Leeds General Infirmary, Лийдс притежава 4 от произведенията на тази страница.
