Портрет на Stefan Buban

Картини на Stefan Buban: 7-те най-известни, през погледа на галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 10 творби на Stefan Buban в нашия каталог

Накратко

Според избора на галерията най-известната картина на Stefan Buban е Near Spišská Nová Ves (1970), чийто оригинал се намира в Tatra Gallery, Попрад. Native Zemplín (1981) и Zemplín Fields (1981) допълват трио, което всяко око разпознава. От 10 произведения на Stefan Buban в нашия каталог, галерията представя 7 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.

1932 – 2026, Pavlovce nad Uhom Най-много творби: Vychodoslovenské Galéria

Топ 10 карти на Stefan Buban в галерията

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Near Spišská Nová Ves на Stefan Buban

Near Spišská Nová Ves

· Tatra Gallery, Попрад

In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…

Музеите, в които се съхраняват оригиналите на Stefan Buban

3 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Stefan Buban Картини от този списък
Vychodoslovenské Galéria, KošiceVychodoslovenské Galéria Košice 4 Native Zemplín, Zemplín Fields, Peaceful Landscape
Tatra Gallery, ПопрадTatra Gallery Попрад 2 Near Spišská Nová Ves, Near Spišská Nová Ves
Gallery of Spis Artists, Спишска Нова ВесGallery of Spis Artists Спишска Нова Вес 1 Winter in Podlince

Stefan Buban, емблематичните картини на всяка година

18 години от изкуството на Stefan Buban, от 1970 до 1987: галерията ги проследява година по година чрез най-известните им оригинални творби.

Работи по години

Изберете година, за да разгледате оригиналите.

Картините на Stefan Buban: отговорите на галерията

Коя картина на Stefan Buban е най-известната от всички?Разкрийте отговора

Near Spišská Nová Ves (1970), Tatra Gallery, Попрад. Следват Native Zemplín (1981) и Zemplín Fields (1981).

На каква възраст беше Stefan Buban, когато завърши Near Spišská Nová Ves?Разкрийте отговора

38 години: Near Spišská Nová Ves е от 1970 г., а Stefan Buban е роден/а в 1932.

Колко произведения е създал Stefan Buban?Разкрийте отговора

В нашия каталог са представени 10 произведения на Stefan Buban, датирани от 1970 до 1987.

Къде са изложени най-известните оригинали на Stefan Buban?Разкрийте отговора

Предимно в Vychodoslovenské Galéria (Košice), Tatra Gallery (Попрад) и Gallery of Spis Artists (Спишска Нова Вес). В горната таблица с музеи са изброени всички тях.

Кога Stefan Buban създава най-известните си картини?Разкрийте отговора

В 1981: 3 от 7 произведенията на тази страница са създадени тогава, като Native Zemplín са сред тях.

Кои са най-ранните и най-късните известни творби на Stefan Buban?Разкрийте отговора

На тази страница най-старата е Near Spišská Nová Ves (1970), а най-новата е Let Us Not Allow! (1987).

Кои оригинални творби на Stefan Buban притежава Vychodoslovenské Galéria?Разкрийте отговора

Native Zemplín, Zemplín Fields и Peaceful Landscape: Vychodoslovenské Galéria, Košice притежава 4 от произведенията на тази страница.

Stefan Buban: художникът

A Life Shaped by Color and Landscape

Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.

His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.

Evolution of Style and Technique

The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.

His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.

Recognition and Global Reach

Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.

Throughout his career, he received several notable honors that reflected his standing in the international art community:

  • The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
  • The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
  • A silver medal from the Salon in Cannes in 2006.
  • The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.

His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.