Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 112 творби на Самюъл Джон Пилъу в нашия каталог
Накратко
От всички оригинални произведения, оставени от Самюъл Джон Пилъу, най-известната е Street Scene, France (1910). След тях непосредствено следват Margaret Peploe (1911) и The Lobster (1903). Нашият каталог съдържа 112 произведения на Самюъл Джон Пилъу; галерията е съхранила 100-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
In this 1911 oil on panel, Samuel Peploe turns his attention to Margaret Peploe. The portrait captures a woman in a moment of quiet reflection, her gaze directed away from the viewer toward something unseen to the side. There is a certain stillness in her pensive expression that invites a closer look at the subtle nuances of her character.
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Evening, North Berwick is a work by Samuel Peploe, executed about 1903. The artist, born in Edinburgh, United Kingdom, was a significant figure in early 20th-century British art. Peploe's career spanned several decades until his death in 1935.
In this work, titled Tulips and Fruit, we encounter a significant example of the skill of Samuel Peploe. Painted in 1919, the piece reflects the artist's established presence within the early twentieth-century British art scene. Peploe, a Scottish Master of Colour and Light, brought a specific sensibility to his arrangements, focusing on the way light interacts with form and hue.
In this 1911 work titled Self-Portrait, the artist Samuel Peploe gazes back from the canvas, capturing a moment of quiet introspection. The subject is a man with a mustache, his features emerging from a dark, indistinct background. He holds a pipe in his mouth, a small detail that grounds the figure in a sense of personal habit and stillness. The portrait focuses on the man's face and torso, presenting a…
In this intimate oil portrait, titled Boy Reading (Portrait Of The Artist's Son, Willie), the viewer finds themselves drawn into a private, quiet moment. The subject is Willie, the son of the artist Samuel Peploe. There is a sense of stillness in the way the young boy is captured, lost entirely in the pages of his book. The connection between the painter and the subject feels deeply personal, as if…
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
In Portrait of the Artist's Wife, Samuel Peploe centers the composition on a woman depicted from the waist up. The subject occupies most of the frame, creating an immediate sense of proximity. This frontal view establishes an intimate connection between the sitter and the viewer, as the figure dominates the visual field against a receding, shadowy space.
In Mrs. Peploe, Samuel Peploe captures a quiet moment within an interior setting. The subject sits upon a couch, her presence anchoring the scene. While the composition feels central, the woman is positioned slightly off-center, a choice that introduces a subtle sense of movement to her seated pose. This slight asymmetry draws the eye across the frame, following the soft lines of her figure against the domestic backdrop. The arrangement…
Perthshire landscape (Blair Fettie)1935 · Art Gallery of New South Wales
12
Samuel John Peploe, 1871 - 1935. Artist (Self-portrait)1911 · Национална галерия на Шотландия
13
Kirkcudbright1919
14
Still life: apples and jar1912 · Art Gallery of New South Wales
15
Still LIfe with Pink and Red Roses in a Chinese Vase1920
16
Étaples1906 · Шотландска национална галерия за модерно изкуство
17
The Green Blouse1904 · Шотландска национална галерия за модерно изкуство
18
Still life with pears and wineglass1915 · Art Gallery of South Australia
19
The Harbor at Cassis
20
Still Life of Red Tulips in a Chinese Vase
21
Peonies1902 · Шотландска национална галерия за модерно изкуство
22
Flowers in a Green Vase1920
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Tulips1912
24
Tulips and Cup1912
25
Waves1903 · Шотландска национална галерия за модерно изкуство
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North Berwick1903 · Шотландска национална галерия за модерно изкуство
27
Rocks at Barra1903 · Шотландска национална галерия за модерно изкуство
28
Barra1903 · Шотландска национална галерия за модерно изкуство
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Barra1903 · Шотландска национална галерия за модерно изкуство
30
Still Life, Painter's Materials1900
31
Souvenir1905
32
Street in Comrie1902
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The Cart, Comrie1900
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Comrie1900
35
Jeffrey's Brewery, Edinburgh1900
36
Still LIfe with Coffee Pot1905
37
North Berwick1903
38
Man Laughing (Tom Morris)1902 · Шотландска национална галерия за модерно изкуство
39
Jeannie Blyth1905
40
Roses in a Blue and White Vase, Black Background1904
41
Flowers against a Dark Background1899
42
Boats at Royan1910 · Шотландска национална галерия за модерно изкуство
43
Game of Tennis, Luxembourg Gardens1906 · Шотландска национална галерия за модерно изкуство
44
On the French Coast1907 · Шотландска национална галерия за модерно изкуство
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Veules-les-Roses1910
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Paris-Plage1907
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Girl in White1907
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Girl in White1907
49
Lady in a White Dress1906
50
Ile de Bréhat1911 · Шотландска национална галерия за модерно изкуство
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Nannie1908 · University of Dundee
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The Luxembourg Gardens1910
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On the Seine1907
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Ile de Bréhat1911
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Pink Roses, Chinese Vase1916
56
In Port, Cassis1913
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A Still LIfe of Roses, Oranges and Lemon1916
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Laggan Farm Buildings near Dalbeattie1916
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Kirkcudbright, Street Corner1917
60
Flowers and Fruit (also known as Flowers and Fruit on a Japanese Background)1915
61
Tulips - The Blue Jug1919 · Шотландска национална галерия за модерно изкуство
62![Roses [verso: Portrait of a Woman] (1920) на Самюъл Джон Пилъу](/media/artworks/images-thumb/76/d0/76d0be6be0ff9ca06190f51d086b5ee1.jpg)
Roses [verso: Portrait of a Woman]1920 · Шотландска национална галерия за модерно изкуство
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Douglas Hall, Dumfries1918 · Art Gallery of New South Wales
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Cathedral Rock, Iona1920
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Still Life with Roses, Oranges and Apples1920
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Green Sea, Iona1920
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Dish with Apples (also known as The Ginger Jar)1918
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Still LIfe, Roses and Book1920
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Iona1923 · Шотландска национална галерия за модерно изкуство
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Aspidistra1927
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Chops1927
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Still Life With Roses1924
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Iona, Pink Rocks1927
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Landscape, Cassis1924
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Blue Sea, Iona1927
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Iona, Grey Day1927
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The Ginger Jar1926
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Landscape at Cassis1924 · Шотландска национална галерия за модерно изкуство
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Studio Interior1929
80
Tulips In A Brown Jar1933
81
Landscape1932
82
Stormy Weather, Iona1929
83
River1932
84
Iona Study1929 · Шотландска национална галерия за модерно изкуство
85
Landscape1932
86
The Green Jar1930
87
Interior with Japanese Print1916
88
Still LIfe with Statuette and Books1920
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Fruit and FlowersIndianapolis Museum of Art
90
Still Life with Melon and Apples
91
Still Life - Roses And Apples
92
Still Life With Tulips And Fan
93
A Perthshire Road
94
Pink Roses
95
The White Strand, Iona
96
Woman with Long Hair
97
Figures on a Beach
98
Kirkcudbright
99
Female Nude with PitcherUniversity of Edinburgh Fine Art Collection
100
Flowers in a Silver Jug
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
7 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Самюъл Джон Пилъу | Картини от този списък |
|---|---|---|---|
 Шотландска национална галерия за модерно изкуство |
Единбург | 20 | Self-Portrait, Portrait of the Artist's Wife, Étaples |
 Art Gallery of New South Wales |
Сидни | 3 | Perthshire landscape (Blair Fettie), Still life: apples and jar, Douglas Hall, Dumfries |
 Национална галерия на Шотландия |
Единбург | 1 | Samuel John Peploe, 1871 - 1935. Artist (Self-portrait) |
 Art Gallery of South Australia |
Аделайд | 1 | Still life with pears and wineglass |
 University of Dundee |
Dundee | 1 | Nannie |
 Indianapolis Museum of Art |
Индианаполис | 1 | Fruit and Flowers |
 University of Edinburgh Fine Art Collection |
Edinburgh | 1 | Female Nude with Pitcher |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
To gaze upon Samuel John Peploe’s Still Life with Pink and Red Roses in a Chinese Vase is to step directly into the vibrant, sun-drenched palette of early 20th-century Scottish artistry. This painting, executed in 1920, transcends the mere depiction of flowers and fruit; it is a carefully orchestrated meditation on beauty, transience, and the enduring power of color. Peploe, a master who navigated the currents of Post-Impressionism while retaining…
Street Scene, France (1910). Следващите са Margaret Peploe (1911) и The Lobster (1903).
39 години: Street Scene, France е от 1910 г., а Самюъл Джон Пилъу е роден/а в 1871.
Street Scene, France, Margaret Peploe, The Lobster, Evening, North Berwick, Tulips and Fruit, Self-Portrait, Boy Reading (Portrait Of The Artist's Son, Willie), Gypsy, Portrait of the Artist's Wife и Mrs. Peploe. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 112 произведения на Самюъл Джон Пилъу, датирани от 1899 до 1935.
Предимно в Шотландска национална галерия за модерно изкуство (Единбург), Art Gallery of New South Wales (Сидни) и Национална галерия на Шотландия (Единбург). В горната таблица с музеи са изброени всички тях.
В 1900s: 33 от 100 произведенията на тази страница са създадени тогава, като The Lobster са сред тях.
На тази страница най-старата е Gypsy (1899), а най-новата е Perthshire landscape (Blair Fettie) (1935).
Still life (7), Flowers (7) и Woman (4), разпределени в 100 произведения на тази страница.
Oil On Canvas, за 14 от 100 произведения на тази страница.
Post-impressionism, судейки по оригиналите на тази страница.
Self-Portrait, Portrait of the Artist's Wife и Étaples: Шотландска национална галерия за модерно изкуство, Единбург притежава 20 от произведенията на тази страница.
