Накратко
От всички оригинали, оставени от Rienk Keijert, най-известният е Allegory on the City of Leeuwarden (1742), който се намира в колекцията на Fries Museum, Льоуарден. След тях непосредствено следват Portrait of an Unknown Man (1737) и Portrait of Antonia Cornelisdr. Schrevelius (1750). Нашият каталог съдържа 14 произведения на Rienk Keijert; галерията е съхранила 14-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.
Топ 10-те картини на Rienk Keijert: изборът на галерията
Изборът на Rienk Keijert продължава, от 11 до 14
Музеите, в които се съхраняват оригиналите на Rienk Keijert
2 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Rienk Keijert | Картини от този списък |
|---|---|---|---|
| Льоуарден | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius | |
| Варшава | 1 | Athena and Odysseus |
Rienk Keijert десетилетие по десетилетие: оригиналът, който дефинира всяко от тях
Произведения по десетилетия
Изберете десетилетие, за да видите оригиналната творба, която го определя.
Portrait of Antonia Cornelisdr. Schrevelius
Въпроси на колекционерите относно картините на Rienk Keijert
С кое произведение е най-известен Rienk Keijert?Разкрийте отговора
Allegory on the City of Leeuwarden (1742), Fries Museum, Льоуарден. Следват Portrait of an Unknown Man (1737) и Portrait of Antonia Cornelisdr. Schrevelius (1750).
На каква възраст е бил Rienk Keijert, когато е създадена Allegory on the City of Leeuwarden?Разкрийте отговора
33 години: Allegory on the City of Leeuwarden е от 1742 г., а Rienk Keijert е роден/а в 1709.
Кои са десетте най-известни картини на Rienk Keijert?Разкрийте отговора
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus и Solomon Worshipping the False Gods. Класацията по-горе показва годината и музея за всяко от тях.
Колко картини е оставил Rienk Keijert?Разкрийте отговора
В нашия каталог са представени 14 произведения на Rienk Keijert, датирани от 1737 до 1773.
В кои музеи са изложени шедьоврите на Rienk Keijert?Разкрийте отговора
Предимно в Fries Museum (Льоуарден) и Национален музей във Варшава (Варшава). В горната таблица с музеи са изброени всички тях.
В кои години Rienk Keijert е създал най-известните си произведения?Разкрийте отговора
В 1750s: 6 от 14 произведенията на тази страница са създадени тогава, като Portrait of Antonia Cornelisdr. Schrevelius са сред тях.
Кои са първата и последната известни оригинални творби на Rienk Keijert?Разкрийте отговора
На тази страница най-старата е Portrait of an Unknown Man (1737), а най-новата е Portrait of Adolf IJpey (1773).
Кои произведения на Rienk Keijert се съхраняват в Fries Museum?Разкрийте отговора
Allegory on the City of Leeuwarden, Portrait of an Unknown Man и Portrait of Antonia Cornelisdr. Schrevelius: Fries Museum, Льоуарден притежава 13 от произведенията на тази страница.
Rienk Keijert: живот и творчество
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.






