Накратко
От всички оригинали, оставени от Педро Франсиско Даура И Гарсия, най-известният е Peasant Woman (1927), който се намира в колекцията на Georgia Museum of Art, Атина. След тях непосредствено следват Clock (1929) и White Head, Fruit (1929). Нашият каталог съдържа 158 произведения на Педро Франсиско Даура И Гарсия; галерията е съхранила 100-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.
Топ 10-те картини на Педро Франсиско Даура И Гарсия: изборът на галерията
Изборът на Педро Франсиско Даура И Гарсия продължава, от 11 до 100
Музеите, в които се съхраняват оригиналите на Педро Франсиско Даура И Гарсия
Музеят, който притежава най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Педро Франсиско Даура И Гарсия | Картини от този списък |
|---|---|---|---|
| Атина | 131 | Peasant Woman, Clock, White Head, Fruit |
Педро Франсиско Даура И Гарсия десетилетие по десетилетие: оригиналът, който дефинира всяко от тях
Произведения по десетилетия
Изберете десетилетие, за да видите оригиналната творба, която го определя.
Въпроси на колекционерите относно картините на Педро Франсиско Даура И Гарсия
С кое произведение е най-известен Педро Франсиско Даура И Гарсия?Разкрийте отговора
Peasant Woman (1927), Georgia Museum of Art, Атина. Следват Clock (1929) и White Head, Fruit (1929).
На каква възраст е бил Педро Франсиско Даура И Гарсия, когато е създадена Peasant Woman?Разкрийте отговора
31 години: Peasant Woman е от 1927 г., а Педро Франсиско Даура И Гарсия е роден/а в 1896.
Кои са десетте най-известни картини на Педро Франсиско Даура И Гарсия?Разкрийте отговора
Peasant Woman, Clock, White Head, Fruit, Female Head, Farmyard with Chickens, Quercy Autumn, Village with Yellow Tree, Place du Carol, Tank Battle и The 0 Hour. Класацията по-горе показва годината и музея за всяко от тях.
Колко картини е оставил Педро Франсиско Даура И Гарсия?Разкрийте отговора
В нашия каталог са представени 158 произведения на Педро Франсиско Даура И Гарсия, датирани от 1908 до 1971.
В кои музеи са изложени шедьоврите на Педро Франсиско Даура И Гарсия?Разкрийте отговора
Предимно в Georgia Museum of Art (Атина). В горната таблица с музеи са изброени всички тях.
В кои години Педро Франсиско Даура И Гарсия е създал най-известните си произведения?Разкрийте отговора
В 1940s: 24 от 100 произведенията на тази страница са създадени тогава, като Woods са сред тях.
Кои са първата и последната известни оригинални творби на Педро Франсиско Даура И Гарсия?Разкрийте отговора
На тази страница най-старата е Fruit Boats in Harbor (1908), а най-новата е Nativity (1971).
Кои произведения на Педро Франсиско Даура И Гарсия се съхраняват в Georgia Museum of Art?Разкрийте отговора
Peasant Woman, Clock и White Head, Fruit: Georgia Museum of Art, Атина притежава 100 от произведенията на тази страница.
Педро Франсиско Даура И Гарсия: живот и творчество
The Visionary Synthesis of Pierre Daura
Born in the sun-drenched landscape of Minorca, Spain, on February 21, 1896, Pedro Francisco Daura y García—known more widely by his French name, Pierre Daura—was an artist whose life and work served as a profound bridge between the classical traditions of Europe and the burgeoning abstractions of the modern era. His journey began in the vibrant cultural heart of Barcelona, where he studied at the prestigious La Llotja Academy of Fine Arts. It was here, under the tutelage of masters such as José Ruiz y Blasco, that Daura developed a rigorous technical foundation. This early training instilled in him a deep respect for the structural integrity of form and the nuanced play of light, elements that would remain foundational even as his style drifted toward the avant-garde.
The trajectory of Daura’s life was irrevocably altered by his move to Paris in 1914. Immersed in the intellectual ferment of the French capital, he worked as an assistant to the Post-Impressionist Émile Bernard, absorbing the stylistic shifts that were redefining Western art. This period of immersion led him to become a vital participant in one of the most significant movements of the early 20th century: the Cercle et Carré (Circle and Square) collective. Alongside luminaries such as Wassily Kandinsky, Jean Arp, and Piet Mondrian, Daura explored the possibilities of geometric abstraction. His involvement with this group was not merely a stylistic choice but a philosophical commitment to finding order and rhythm through mathematical precision and structural harmony.
A Tapestry of Movement and Memory
Daura’s artistic evolution is characterized by a remarkable ability to weave together disparate influences, ranging from the meticulous observation of nature to the intellectual rigors of abstraction. His work often reflects a fascination with the concept of petite perceptions—the idea that the smallest sensory details contribute to a larger, unified consciousness. This philosophical depth allowed him to create landscapes and still lifes that felt both grounded in reality and elevated by a subtle, geometric underlying structure. Whether through the vibrant colors of his early experiments or the more muted, evocative tones of his later years, Daura’s hand was always guided by an attempt to capture the essence of his subject rather than just its surface appearance.
The turbulence of the 20th century left an indelible mark on his oeuvre. During the Spanish Civil War, Daura demonstrated a profound commitment to his roots, joining the Republican militia to fight against General Francisco Franco’s forces. This period of conflict introduced a raw, visceral dimension to his work, as he documented the human cost of war through poignant scenes and portraits. Following the hardships of the war and the subsequent move to France, Daura eventually found himself in the United States in 1939. Settling in the Blue Ridge Mountains of Virginia, his art underwent a new transformation, blending his European modernist sensibilities with the rugged, pastoral beauty of American regionalism.
Legacy and Enduring Significance
The legacy of Pierre Daura is one of resilience and synthesis. His ability to navigate between the worlds of Post-Impressionism and Abstract Expressionism allowed him to create a body of work that remains timelessly relevant. His later years in Virginia saw him capturing the quiet dignity of farm life and the sweeping vistas of the Appalachians, proving that his mastery of light and texture was as effective in the American landscape as it had been in the Mediterranean or the streets of Paris.
Today, Daura is celebrated not only as a pivotal figure in Catalan art history but as a truly international modernist. His contributions are preserved in significant collections, most notably through the Daura Center at the Georgia Museum of Art, which holds an extensive archive of his life and work. Through his paintings, sculptures, and prints, Daura continues to invite viewers into a world where the boundaries between the seen and the felt are beautifully blurred, reminding us of the enduring power of art to find harmony amidst chaos.







