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Картини на Lukas Kirner: 6-те най-известни, през погледа на галерията
Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 6 творби на Lukas Kirner в нашия каталог
Накратко
Според избора на галерията най-известната картина на Lukas Kirner е Self-portrait (1821), чийто оригинал се намира в Augustiner Museum, Фрайбург. Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) и Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) допълват трио, което всяко око разпознава. От 6 произведения на Lukas Kirner в нашия каталог, галерията представя 6 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
1794 – 1851, Furtwangen im Schwarzwald
Най-много творби: Augustiner Museum
Топ 10 карти на Lukas Kirner в галерията
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Музеите, в които се съхраняват оригиналите на Lukas Kirner
Музеят, който притежава най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Lukas Kirner | Картини от този списък |
|---|---|---|---|
 Augustiner Museum |
Фрайбург | 6 | Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner, Creszentia Kirner, née Knöpfle, the Artist’s Wife |
Lukas Kirner, по една емблематична картина на десетилетие
Произведения по десетилетия
Изберете десетилетие, за да видите оригиналната творба, която го определя.
Картините на Lukas Kirner: отговорите на галерията
Коя картина на Lukas Kirner е най-известната от всички?Разкрийте отговора
Self-portrait (1821), Augustiner Museum, Фрайбург. Следват Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) и Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820).
На каква възраст беше Lukas Kirner, когато завърши Self-portrait?Разкрийте отговора
27 години: Self-portrait е от 1821 г., а Lukas Kirner е роден/а в 1794.
Колко произведения е създал Lukas Kirner?Разкрийте отговора
В нашия каталог са представени 6 произведения на Lukas Kirner, датирани от 1820 до 1851.
Къде са изложени най-известните оригинали на Lukas Kirner?Разкрийте отговора
Предимно в Augustiner Museum (Фрайбург). В горната таблица с музеи са изброени всички тях.
Кога Lukas Kirner създава най-известните си картини?Разкрийте отговора
В 1820s: 3 от 6 произведенията на тази страница са създадени тогава, като Self-portrait са сред тях.
Кои са най-ранните и най-късните известни творби на Lukas Kirner?Разкрийте отговора
На тази страница най-старата е Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820), а най-новата е Portrait of Frau Wenz (1851).
Кои оригинални творби на Lukas Kirner притежава Augustiner Museum?Разкрийте отговора
Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner и Creszentia Kirner, née Knöpfle, the Artist’s Wife: Augustiner Museum, Фрайбург притежава 6 от произведенията на тази страница.
Lukas Kirner: художникът
A life shaped by the Black Forest
Lukas Kirner began his days in Furtwangen im Schwarzwald, a place defined by the steady rhythm of clock manufacturing. He was born into a family where hands were accustomed to fine, precise work; his father, Johann Kirner, worked as a shoemaker, and he himself spent early years learning the delicate craft of painting clock faces. This background in watchmaker painting left a mark on how he approached a canvas. There was a certain patience required for such small, intricate surfaces, a habit that carried over into his later work with oil and color.
His path moved from the mechanical precision of the Black Forest to the Royal Higher Art School in Augsburg. By 1825, he had moved to Günzburg, Bavaria, alongside his wife, Crescentia Knöpfle. While his brother, Johann Baptist Kirner, sought different paths through Munich and Italy, Lukas remained deeply connected to the people of his home region. He found himself painting the faces of those who lived among the trees and hills—merchants, industrialists, and families of farmers.
The quiet study of a face
The work itself often focused on the individual. In his portraits, there is a reliance on chiaroscuro, using the interplay of light and shadow to pull a figure out from the darkness. He did not seek to decorate a room so much as to capture a presence. His brushwork applied color with a meticulousness that mirrored his early training. When he painted his wife, Crescentia, or his sister Karoline, the attention to detail was not merely about clothing or jewelry, but about the way light rested on a cheek or a brow.
His style sat within the Romantic movement, though it felt more grounded than the grander, more dramatic expressions of that era. He preferred an emphasis on emotion and individuality through subtle means. A portrait of a young man with whiskers or a depiction of two brothers shows a focus on the person in front of him. The use of light was never loud; it was a tool used to highlight specific features, creating a sense of depth and quiet introspection.
Legacy in paint
Lukas Kirner’s time in the art world was marked by these steady commissions. His ability to represent both the local peasantry and those with higher social standing, such as Princess Amélie, allowed his work to bridge different layers of society. Some of his paintings found their way into the Augustinermuseum in Freiburg, where they remain part of a permanent collection.
He returned to Furtwangen, the town of his birth, where he passed away in 1851. The traces of his life are found in the specific subjects he chose to immortalize:
- Crescentia Kirner, née Knöpfle, his wife
- Portrait of Two Children (Two Brothers), from 1842
- Self-portrait, created around 1821 or 1830
- Jakob Ganter, painted in Neukirch in 1827