Накратко
За галерията най-известната картина на Lawrence Weiner е Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) и A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) допълват трио, което всяко око разпознава. От 11 произведения на Lawrence Weiner в нашия каталог, галерията представя 11 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
Топ 10 карти на Lawrence Weiner в галерията
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Картини на Lawrence Weiner, класирани от 11 до 11
Музеите, в които се съхраняват оригиналите на Lawrence Weiner
3 музея, които притежават най-голям брой от картините на тази страница.
| Музей | Град | Творения на Lawrence Weiner | Картини от този списък |
|---|---|---|---|
| Порто | 1 | The Level of Water | |
| Чикаго | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Барселона | 1 | Some Objects of Desire |
Lawrence Weiner, по една емблематична картина на десетилетие
Произведения по десетилетия
Изберете десетилетие, за да видите оригиналната творба, която го определя.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Wind and the Willows What's Our Hero To Do
Картините на Lawrence Weiner: отговорите на галерията
Коя картина на Lawrence Weiner е най-известната от всички?Разкрийте отговора
Turf, Stake and String from S.M.S. No. 5 (1968). Следващите са Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) и A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968).
На каква възраст беше Lawrence Weiner, когато завърши Turf, Stake and String from S.M.S. No. 5?Разкрийте отговора
26 години: Turf, Stake and String from S.M.S. No. 5 е от 1968 г., а Lawrence Weiner е роден/а в 1942.
Кои са 10-те най-добри картини на Lawrence Weiner?Разкрийте отговора
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By и Wind and the Willows What's Our Hero To Do. Класацията по-горе показва годината и музея за всяко от тях.
Колко произведения е създал Lawrence Weiner?Разкрийте отговора
В нашия каталог са представени 11 произведения на Lawrence Weiner, датирани от 1968 до 2004.
Къде са изложени най-известните оригинали на Lawrence Weiner?Разкрийте отговора
Предимно в Фондация Серралвес (Порто), Art Institute of Chicago (Чикаго) и Museu d'Art Contemporani (Барселона). В горната таблица с музеи са изброени всички тях.
Кога Lawrence Weiner създава най-известните си картини?Разкрийте отговора
В 1970s: 3 от 11 произведенията на тази страница са създадени тогава, като The Level of Water са сред тях.
Кои са най-ранните и най-късните известни творби на Lawrence Weiner?Разкрийте отговора
На тази страница най-старата е Turf, Stake and String from S.M.S. No. 5 (1968), а най-новата е Some Objects of Desire (2004).
Lawrence Weiner: художникът
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: