Портрет на Lance Calkin

31-те най-известни картини на Lance Calkin, селекция от галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 39 творби на Lance Calkin в нашия каталог

Накратко

От всички оригинали, оставени от Lance Calkin, най-известният е Sir John Tenniel (1820–1914) (1902), който се намира в колекцията на Британска библиотека, Лондон. След тях непосредствено следват Joseph Sim Earle (1839–1912) (1884) и Dr John Hughlings Jackson (1895). Нашият каталог съдържа 39 произведения на Lance Calkin; галерията е съхранила 31-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1859 – 1936, London Най-много творби: Национална портретна галерия

Топ 10-те картини на Lance Calkin: изборът на галерията

1
Sir John Tenniel (1820–1914) (1902) от Lance Calkin

Sir John Tenniel (1820–1914)

1902 · Oil On Canvas · Британска библиотека, Лондон

An elderly gentleman sits in a centered, formal pose, his presence commanding the frame through a quiet, somber gravity. He is captured in a moment of profound thought, with one hand resting against his chin in a gesture of wisdom or deep reflection. The lighting is dramatic, emerging from an unseen source above and to the left to cast heavy shadows across his features and hands. This chiaroscuro effect emphasizes…

3
Dr John Hughlings Jackson (1895) от Lance Calkin

Dr John Hughlings Jackson

In this portrait of Dr John Hughlings Jackson, Lance Calkin captures the likeness of a man whose intellectual presence is felt through a quiet, steady gaze. Created about 1895, the work presents the English neurologist with a sense of formal dignity. The subject, born at Providence Green, Green Hammerton, near Harrogate, Yorkshire, is depicted with the gravity suited to his professional standing. He was the youngest son of Samuel Jackson…

4
King George V (1914) от Lance Calkin

King George V

In this 1914 oil portrait, Lance Calkin captures the presence of King George V. The subject meets the viewer with a steady, calm gaze that seems to hold the weight of a changing era. There is a profound sense of dignity in the way the monarch is presented, a quality that defines the character of the man within the frame. The portrait offers a glimpse into a moment of quiet…

5
Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886) (1888) от Lance Calkin

Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

In this portrait of Reverend E. F. Witts, we encounter a man defined by his station and the gravity of his vocation. Painted in 1888, the work captures the Rector of Upper Slaughter during the final years of his life. There is a certain stillness here, a sense of a life lived within the structured rhythms of the Victorian church. The subject is presented in a three-quarter profile, his gaze…

6
Edward VII (1841–1910) от Lance Calkin

Edward VII (1841–1910)

Oil · Doncaster Mansion House, Doncaster

In this portrait, we encounter Edward VII, the King of England from 1901 to 1910, captured in a moment of profound stillness. He is seated, his presence commanding the space through a quiet, regal composure rather than through overt movement. In his right hand, he holds a scepter, a direct symbol of his authority and the continuity of the British monarchy. A crown rests upon his head, grounding the image…

7
John Feeney (1906) от Lance Calkin

John Feeney

1906 · Oil On Canvas · Birmingham Museums And Art Gallery, Бирмингам

In this 1906 oil on canvas, Lance Calkin captures the presence of John Feeney. The subject sits before us, a man whose life is deeply woven into the fabric of Birmingham. As a prominent newspaper proprietor and a dedicated philanthropist, Feeney carries a certain weight in his gaze. He is a figure of influence, someone whose decisions shaped the local landscape and whose generosity would eventually leave a lasting mark…

8
John Reynolds (1826–1919) (1881) от Lance Calkin

John Reynolds (1826–1919)

In this 1881 portrait, we find ourselves in the presence of John Reynolds, a man whose life spanned the transition from the early nineteenth century into the modern era. He sits in a chair, his hands clasped in a gesture of stillness, looking away from the viewer toward something unseen in the distance. There is a certain weight to his posture, the kind that comes from a life of intellect…

10
David Powell (1840–1897), Governor of the Bank of England (1892–1895) (1892) от Lance Calkin

David Powell (1840–1897), Governor of the Bank of England (1892–1895)

1892 · Oil

The painting depicts a man seated in a chair, his hands resting in a crossed position. He possesses a beard and a mustache, features that define his facial structure. He is dressed in a formal suit and tie, consistent with the attire of a gentleman from the late nineteenth century. The subject is positioned centrally, occupying much of the frame. In the composition, two birds are visible: one is situated…

Изборът на Lance Calkin продължава, от 11 до 31

Знаменитите картини на Lance Calkin, период по период

Темите, които привличат погледа на Lance Calkin

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Lance Calkin

8 музея, които притежават най-голям брой от картините на тази страница.

Музей Град Творения на Lance Calkin Картини от този списък
Национална портретна галерия, ЛондонНационална портретна галерия Лондон 2 King George V, Arthur Wellesley Peel, 1st Viscount Peel
Doncaster Mansion House, DoncasterDoncaster Mansion House Doncaster 2 Edward VII (1841–1910), Edward VII
Nottingham Castle Museum And Art Gallery, НотингъмNottingham Castle Museum And Art Gallery Нотингъм 2 The Patchwork Quilt, Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)
Reading Museum - Town Hall, РейдингReading Museum - Town Hall Рейдинг 2 William Berkeley Monck (1842–1905), Owen Ridley (1838–1915)
City of Westminster Archives Centre, ЛондонCity of Westminster Archives Centre Лондон 2 Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911), Councillor Frank G. Rye, Mayor of Westminster (1922–1923)
Британска библиотека, ЛондонБританска библиотека Лондон 1 Sir John Tenniel (1820–1914)
Barts And The London Queen Mary School of Medicine And Dentistry, LondonBarts And The London Queen Mary School of Medicine And Dentistry London 1 Dr John Hughlings Jackson
The Captain Christie Crawfurd English Civil War Collection, Stow-BoroThe Captain Christie Crawfurd English Civil War Collection Stow-Boro 1 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

Lance Calkin десетилетие по десетилетие: оригиналът, който дефинира всяко от тях

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Въпроси на колекционерите относно картините на Lance Calkin

С кое произведение е най-известен Lance Calkin?Разкрийте отговора

Sir John Tenniel (1820–1914) (1902), Британска библиотека, Лондон. Следват Joseph Sim Earle (1839–1912) (1884) и Dr John Hughlings Jackson (1895).

На каква възраст е бил Lance Calkin, когато е създадена Sir John Tenniel (1820–1914)?Разкрийте отговора

43 години: Sir John Tenniel (1820–1914) е от 1902 г., а Lance Calkin е роден/а в 1859.

Кои са десетте най-известни картини на Lance Calkin?Разкрийте отговора

Sir John Tenniel (1820–1914), Joseph Sim Earle (1839–1912), Dr John Hughlings Jackson, King George V, Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), Edward VII (1841–1910), John Feeney, John Reynolds (1826–1919), The Patchwork Quilt и David Powell (1840–1897), Governor of the Bank of England (1892–1895). Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил Lance Calkin?Разкрийте отговора

В нашия каталог са представени 39 произведения на Lance Calkin, датирани от 1881 до 1924.

В кои музеи са изложени шедьоврите на Lance Calkin?Разкрийте отговора

Предимно в Национална портретна галерия (Лондон), Doncaster Mansion House (Doncaster) и Nottingham Castle Museum And Art Gallery (Нотингъм). В горната таблица с музеи са изброени всички тях.

В кои години Lance Calkin е създал най-известните си произведения?Разкрийте отговора

В 1880s: 6 от 31 произведенията на тази страница са създадени тогава, като Joseph Sim Earle (1839–1912) са сред тях.

Кои са първата и последната известни оригинални творби на Lance Calkin?Разкрийте отговора

На тази страница най-старата е John Reynolds (1826–1919) (1881), а най-новата е Councillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924).

Кои теми избира най-често Lance Calkin?Разкрийте отговора

Man (8), Beard (5) и Chair (5), разпределени в 31 произведения на тази страница.

Коя техника използва най-често Lance Calkin?Разкрийте отговора

Oil On Canvas, за 6 от 31 произведения на тази страница.

Кои произведения на Lance Calkin се съхраняват в Национална портретна галерия?Разкрийте отговора

King George V и Arthur Wellesley Peel, 1st Viscount Peel: Национална портретна галерия, Лондон притежава 2 от произведенията на тази страница.

Lance Calkin: живот и творчество

The Quiet Dignity of a Victorian Master

In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

A Legacy Captured in Oil and Ink

The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

  • The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.
  • Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.
  • John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.
  • The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.
  • Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

Historical Significance and Enduring Influence

Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.