Портрет на Joseph Badger

32-те най-известни картини на Joseph Badger, селекция от галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 32 творби на Joseph Badger в нашия каталог

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От всички оригинали, оставени от Joseph Badger, най-известният е Portrait of Sarah Larrabee Edes (1760), който се намира в колекцията на Los Angeles County Museum of Art, Лос Анджелис. След тях непосредствено следват Little Girl Holding Flowers (attributed to Joseph Badger) (1755) и Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746). Нашият каталог съдържа 32 произведения на Joseph Badger; галерията е съхранила 32-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1708 – 1765, Charlestown Най-много творби: Музей на изкуствата във Бостън

Топ 10-те картини на Joseph Badger: изборът на галерията

1
Portrait of Sarah Larrabee Edes (1760) на Joseph Badger

Portrait of Sarah Larrabee Edes

1760 · Oil On Canvas · Los Angeles County Museum of Art, Лос Анджелис

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Изборът на Joseph Badger продължава, от 11 до 32

11Captain Isaac Foster (1755) на Joseph BadgerCaptain Isaac Foster1755 · Национална галерия на изкуствата 12Eleanor Wyer Foster (Mrs. Isaac Foster) (1755) на Joseph BadgerEleanor Wyer Foster (Mrs. Isaac Foster)1755 · Национална галерия на изкуствата 13Sarah Badger Noyes (1747-1788) (1762) на Joseph BadgerSarah Badger Noyes (1747-1788)1762 · Даласски музей на изкуствата 14Mrs. Nathaniel Loring (1760) на Joseph BadgerMrs. Nathaniel Loring1760 · Дейтон Арти Институт 15Portrait of Mrs. Thomas Shippard (1758) на Joseph BadgerPortrait of Mrs. Thomas Shippard1758 · Пеabody Essex Музей 16Jeremiah Belknap (1758) на Joseph BadgerJeremiah Belknap1758 · Cleveland Museum of Art 17Portrait of Mary Croswell (1730-1830?) (1763) на Joseph BadgerPortrait of Mary Croswell (1730-1830?)1763 · Minneapolis Institute of Art 18Portrait of Abigail Gowen (1759-1850) (1763) на Joseph BadgerPortrait of Abigail Gowen (1759-1850)1763 · Minneapolis Institute of Art 19Reverend Ellis Gray (1758) на Joseph BadgerReverend Ellis Gray1758 · Музей на изкуствата във Бостън 20Samuel Moody (1758) на Joseph BadgerSamuel Moody1758 · New Britain Museum of American Art 21Hannah Minot Moody (1758) на Joseph BadgerHannah Minot Moody1758 · New Britain Museum of American Art 22Isaac Foster, Jr. (1755) на Joseph BadgerIsaac Foster, Jr.1755 · Национална галерия на изкуствата 23Dr. William Foster (1755) на Joseph BadgerDr. William Foster1755 · Национална галерия на изкуствата 24Mrs. Nathaniel Brown (Anna Porter Brown) (1750) на Joseph BadgerMrs. Nathaniel Brown (Anna Porter Brown)1750 · Fine Arts Museums of San Francisco 25Rebecca Orne (1757) на Joseph BadgerRebecca Orne1757 · Worcester Art Museum 26Lois Orne (1757) на Joseph BadgerLois Orne1757 · Worcester Art Museum 27Portrait of an Unidentified Man (1757) на Joseph BadgerPortrait of an Unidentified Man1757 · New York Historical Society 28James Badger (1760) на Joseph BadgerJames Badger1760 · Метрополитън Музей на изкуствата 29Portrait of Mr. Sargent на Joseph BadgerPortrait of Mr. SargentRhode Island School of Design Museum of Art 30Portrait of Ann Savage на Joseph BadgerPortrait of Ann SavageRhode Island School of Design Museum of Art 31Portrait of an Unknown Woman на Joseph BadgerPortrait of an Unknown WomanRhode Island School of Design Museum of Art 32James Bowdoin (1747) на Joseph BadgerJames Bowdoin1747 · Детройтският институт за изкуства

Музеите, в които се съхраняват оригиналите на Joseph Badger

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Joseph Badger Картини от този списък
Музей на изкуствата във Бостън, БостънМузей на изкуствата във Бостън Бостън 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
Национална галерия на изкуствата, УокшънтънНационална галерия на изкуствата Уокшънтън 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
Worcester Art Museum, УорстърWorcester Art Museum Уорстър 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, ПровиденциасRhode Island School of Design Museum of Art Провиденциас 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
Художествена галерия на Йейлския университет, Ню ХейвънХудожествена галерия на Йейлския университет Ню Хейвън 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, Ню БритънNew Britain Museum of American Art Ню Бритън 2 Samuel Moody, Hannah Minot Moody
Los Angeles County Museum of Art, Лос АнджелисLos Angeles County Museum of Art Лос Анджелис 1 Portrait of Sarah Larrabee Edes

Joseph Badger десетилетие по десетилетие: оригиналът, който дефинира всяко от тях

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Въпроси на колекционерите относно картините на Joseph Badger

С кое произведение е най-известен Joseph Badger?Разкрийте отговора

Portrait of Sarah Larrabee Edes (1760), Los Angeles County Museum of Art, Лос Анджелис. Следват Little Girl Holding Flowers (attributed to Joseph Badger) (1755) и Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746).

На каква възраст е бил Joseph Badger, когато е създадена Portrait of Sarah Larrabee Edes?Разкрийте отговора

52 години: Portrait of Sarah Larrabee Edes е от 1760 г., а Joseph Badger е роден/а в 1708.

Кои са десетте най-известни картини на Joseph Badger?Разкрийте отговора

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) и George Whitefield (1714-1770). Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил Joseph Badger?Разкрийте отговора

В нашия каталог са представени 32 произведения на Joseph Badger, датирани от 1745 до 1763.

В кои музеи са изложени шедьоврите на Joseph Badger?Разкрийте отговора

Предимно в Музей на изкуствата във Бостън (Бостън), Национална галерия на изкуствата (Уокшънтън) и Worcester Art Museum (Уорстър). В горната таблица с музеи са изброени всички тях.

В кои години Joseph Badger е създал най-известните си произведения?Разкрийте отговора

В 1750s: 18 от 32 произведенията на тази страница са създадени тогава, като Little Girl Holding Flowers (attributed to Joseph Badger) са сред тях.

Кои са първата и последната известни оригинални творби на Joseph Badger?Разкрийте отговора

На тази страница най-старата е Portrait of John Gerry (1745), а най-новата е Portrait of Mary Croswell (1730-1830?) (1763).

Кои произведения на Joseph Badger се съхраняват в Музей на изкуствата във Бостън?Разкрийте отговора

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) и Elizabeth Storer (Mrs. Isaac Smith): Музей на изкуствата във Бостън, Бостън притежава 5 от произведенията на тази страница.

Joseph Badger: живот и творчество

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.