Портрет на John Neagle

32-те най-известни картини на John Neagle, селекция от галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 32 творби на John Neagle в нашия каталог

Накратко

От всички оригинали, оставени от John Neagle, най-известният е Junius Brutus Booth as Sir Edward Mortimer (1823), който се намира в колекцията на National Portrait Gallery, Вашингтон, окръг Колумбия. След тях непосредствено следват Portrait of a Man (1845) и Portrait of Henry Clay (1842). Нашият каталог съдържа 32 произведения на John Neagle; галерията е съхранила 32-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1796 – 1865, Boston Romanticism Най-много творби: Национална галерия на изкуствата

Топ 10-те картини на John Neagle: изборът на галерията

1
Junius Brutus Booth as Sir Edward Mortimer (1823) на John Neagle

Junius Brutus Booth as Sir Edward Mortimer

1823 · Oil On Canvas · National Portrait Gallery, Вашингтон, окръг Колумбия

A single, piercing gaze cuts through the gloom. Junius Brutus Booth, caught in the heavy mantle of Sir Edward Mortimer, stares from the canvas with a brow furrowed by internal conflict. The light clings to the stark white of a ruffled collar, a bright island in a sea of deep blues and earthy browns. This is not a quiet moment. It is the tension of a character suspended between thought…

2
Portrait of a Man (1845) на John Neagle

Portrait of a Man

1845 · Oil On Canvas · Brooklyn Museum, Бруклин

This 1845 oil on canvas presents a three-quarter length portrait of a man, rendered with the disciplined precision of the American academic style. The subject is positioned slightly off-center, his gaze directed toward the viewer's left, projecting a sense of composed dignity. A dramatic chiaroscuro effect defines the composition, where a strong light source illuminates the contours of the face, neck, and hand, leaving the remainder of the figure to…

3
Portrait of Henry Clay (1842) на John Neagle

Portrait of Henry Clay

1842 · Oil On Canvas · National Portrait Gallery, Вашингтон, окръг Колумбия

The Portrait of Henry Clay is an oil on canvas painted by John Neagle in 1842. This work captures the likeness of Henry Clay, who lived from 1777 to 1852. The image was commissioned by the National Clay Club of Philadelphia to honor its patron. Neagle, a prominent figure in the American portrait tradition, rendered the subject with a focus on the individual's presence.

4
George Peabody (1822) на John Neagle

George Peabody

1822 · Oil On Canvas · Музей на изкуствата във Бостън, Бостън

This portrait of George Peabody, painted by John Neagle, offers a quiet encounter with a man of significant influence. Created in 1822, the work captures Peabody during a formative period of his life. He was a prominent American financier and philanthropist, a man whose legacy would eventually extend far beyond the financial circles of his era. In this depiction, we see the individual behind the substantial charitable contributions that would…

5
Reverend Gregory Townsend Bedell (1830) на John Neagle

Reverend Gregory Townsend Bedell

A single point of white light breaks the darkness of the canvas. It is the crisp, starched edge of a clerical collar, a sharp horizontal line that separates the face from the heavy shadows of the torso. Reverend Gregory Townsend Bedell meets the viewer's gaze with a steady, unblinking directness. His eyes hold the quiet gravity of a man accustomed to the weight of spiritual counsel. The light falls from…

7
William Strickland (1787-1854) (1829) на John Neagle

William Strickland (1787-1854)

In this 1829 portrait, we find ourselves in the presence of William Strickland, a man whose very posture suggests the precision of his craft. He is captured in a three-quarter view, seated amidst the tools of his intellect. A drawing board rests before him, and his hands hold the implements of an architect, grounding the subject in his professional identity. The composition is deliberate, using a slightly low-angle perspective to…

8
Pat Lyon at the Forge (1829) на John Neagle

Pat Lyon at the Forge

1829 · Oil On Canvas · Pennsylvania Academy of Fine Arts, Филаделфия

In the dim, heat-heavy air of the workshop, John Neagle captures a moment of intense labor in 1829. This oil on canvas presents a full length portrait of Mr. Patrick Lyon, a man whose life is defined by the rhythmic strike of metal against metal. He stands at his anvil, a Scottish-born American blacksmith, mechanic, and inventor, caught in the midst of his craft. The scene is not one of…

9
Gilbert Stuart (1825) на John Neagle

Gilbert Stuart

1825 · Oil On Canvas · Музей на изкуствата във Бостън, Бостън

John Neagle painted this portrait of Gilbert Stuart in 1825. At this time, Neagle was a prominent figure in Philadelphia, where he established a studio that attracted the era's political and intellectual elite. The sitter, Stuart, was a significant figure in early American portraiture, and Neagle’s depiction captures him during the final years of his life.

10
Pat Lyon at the Forge (1826) на John Neagle

Pat Lyon at the Forge

In this work, Pat Lyon at the Forge, the artist John Neagle captures a moment of intense industry. The painting depicts Patrick Lyon, a man who moved from his native Scotland to become a prominent blacksmith, mechanic, and inventor in America. Lyon was a self-made businessman who earned a reputation as a working class hero. The portrait was commissioned by Lyon himself on November 4, 1825, reflecting a desire to…

Изборът на John Neagle продължава, от 11 до 32

11John Kintzing Kane (1828) на John NeagleJohn Kintzing Kane1828 12Portrait of a Lady (1830) на John NeaglePortrait of a Lady1830 · Национална галерия на изкуствата 13Thomas W. Dyott (1836) на John NeagleThomas W. Dyott1836 · Национална галерия на изкуствата 14Portrait of a man in coat (1840) на John NeaglePortrait of a man in coat1840 15Portrait of a Gentleman (1845) на John NeaglePortrait of a Gentleman1845 16Martin Luther Hurlbut (1840) на John NeagleMartin Luther Hurlbut1840 · Cleveland Museum of Art 17Henry Clay (1842) на John NeagleHenry Clay1842 · National Portrait Gallery 18Study for Portrait of Dr. Friedlander (1841) на John NeagleStudy for Portrait of Dr. Friedlander1841 19George Dodd (1852) на John NeagleGeorge Dodd1852 · Национална галерия на изкуствата 20Julia Dodd (Mrs. George Dodd) (1852) на John NeagleJulia Dodd (Mrs. George Dodd)1852 · Национална галерия на изкуствата 21Joseph Clay Neal (1837) на John NeagleJoseph Clay Neal1837 · National Portrait Gallery 22Anna Gibbon Johnson (1828) на John NeagleAnna Gibbon Johnson1828 · Pennsylvania Academy of Fine Arts 23The Reverend John Albert Ryan (1829) на John NeagleThe Reverend John Albert Ryan1829 · Национална галерия на изкуствата 24John Haviland (1828) на John NeagleJohn Haviland1828 · Метрополитън Музей на изкуствата 25Henry Bedelman Bascom (1826) на John NeagleHenry Bedelman Bascom1826 · Transylvania University 26Amy Taylor Dickson (Mrs. John Dickson) (1835) на John NeagleAmy Taylor Dickson (Mrs. John Dickson)1835 · Национална галерия на изкуствата 27Colonel Augustus James Pleasonton (1846) на John NeagleColonel Augustus James Pleasonton1846 · Национална галерия на изкуствата 28Richard Mentor Johnson (1843) на John NeagleRichard Mentor Johnson1843 · Национална галерия на изкуствата 29Reverend Samuel Brown Wiley (1847) на John NeagleReverend Samuel Brown Wiley1847 · Метрополитън Музей на изкуствата 30John Walsh (1840) на John NeagleJohn Walsh1840 · Метрополитън Музей на изкуствата 31Elias G. Drake на John NeagleElias G. DrakeNew York Historical Society 32Portrait of a Young Girl на John NeaglePortrait of a Young Girl

Темите, които привличат погледа на John Neagle

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на John Neagle

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на John Neagle Картини от този списък
Национална галерия на изкуствата, УокшънтънНационална галерия на изкуствата Уокшънтън 8 Portrait of a Lady, Thomas W. Dyott, George Dodd
National Portrait Gallery, Вашингтон, окръг КолумбияNational Portrait Gallery Вашингтон, окръг Колумбия 4 Junius Brutus Booth as Sir Edward Mortimer, Portrait of Henry Clay, Henry Clay
Музей на изкуствата във Бостън, БостънМузей на изкуствата във Бостън Бостън 3 George Peabody, Gilbert Stuart, Pat Lyon at the Forge
Метрополитън Музей на изкуствата, Ню ЙоркМетрополитън Музей на изкуствата Ню Йорк 3 John Haviland, Reverend Samuel Brown Wiley, John Walsh
Pennsylvania Academy of Fine Arts, ФиладелфияPennsylvania Academy of Fine Arts Филаделфия 2 Pat Lyon at the Forge, Anna Gibbon Johnson
Brooklyn Museum, БруклинBrooklyn Museum Бруклин 1 Portrait of a Man
Детройтският институт за изкуства, ДетройтДетройтският институт за изкуства Детройт 1 Reverend Gregory Townsend Bedell
Rhode Island School of Design Museum of Art, ПровиденциасRhode Island School of Design Museum of Art Провиденциас 1 Portrait of Gilbert Stuart

John Neagle десетилетие по десетилетие: оригиналът, който дефинира всяко от тях

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Въпроси на колекционерите относно картините на John Neagle

С кое произведение е най-известен John Neagle?Разкрийте отговора

Junius Brutus Booth as Sir Edward Mortimer (1823), National Portrait Gallery, Вашингтон, окръг Колумбия. Следват Portrait of a Man (1845) и Portrait of Henry Clay (1842).

На каква възраст е бил John Neagle, когато е създадена Junius Brutus Booth as Sir Edward Mortimer?Разкрийте отговора

27 години: Junius Brutus Booth as Sir Edward Mortimer е от 1823 г., а John Neagle е роден/а в 1796.

Кои са десетте най-известни картини на John Neagle?Разкрийте отговора

Junius Brutus Booth as Sir Edward Mortimer, Portrait of a Man, Portrait of Henry Clay, George Peabody, Reverend Gregory Townsend Bedell, Portrait of Gilbert Stuart, William Strickland (1787-1854), Pat Lyon at the Forge, Gilbert Stuart и Pat Lyon at the Forge. Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил John Neagle?Разкрийте отговора

В нашия каталог са представени 32 произведения на John Neagle, датирани от 1822 до 1852.

В кои музеи са изложени шедьоврите на John Neagle?Разкрийте отговора

Предимно в Национална галерия на изкуствата (Уокшънтън), National Portrait Gallery (Вашингтон, окръг Колумбия) и Музей на изкуствата във Бостън (Бостън). В горната таблица с музеи са изброени всички тях.

В кои години John Neagle е създал най-известните си произведения?Разкрийте отговора

В 1820s: 12 от 32 произведенията на тази страница са създадени тогава, като Junius Brutus Booth as Sir Edward Mortimer са сред тях.

Кои са първата и последната известни оригинални творби на John Neagle?Разкрийте отговора

На тази страница най-старата е George Peabody (1822), а най-новата е George Dodd (1852).

Кои теми избира най-често John Neagle?Разкрийте отговора

Man (19), Dark background (10) и Portrait (8), разпределени в 32 произведения на тази страница.

Коя техника използва най-често John Neagle?Разкрийте отговора

Oil On Canvas, за 20 от 32 произведения на тази страница.

Към коهoто художествено направление принадлежи John Neagle?Разкрийте отговора

Romanticism, судейки по оригиналите на тази страница.

Кои произведения на John Neagle се съхраняват в Национална галерия на изкуствата?Разкрийте отговора

Portrait of a Lady, Thomas W. Dyott и George Dodd: Национална галерия на изкуствата, Уокшънтън притежава 8 от произведенията на тази страница.

John Neagle: живот и творчество

A Master of American Character

In the vibrant landscape of nineteenth-century American art, few names resonated with as much fashionable prestige as John Neagle. A painter whose brush captured the very essence of a developing nation, Neagle emerged as a prominent figure in Philadelphia, a city that served as the beating heart of his creative life. His journey began in Boston, but it was through an early apprenticeship to Thomas Wilson—a skilled painter of signs and coaches—that his path toward fine art was paved. This formative period, though rooted in the practical craft of decorative painting, provided him with the technical foundation that would later allow him to master the complexities of light and human expression.

Neagle’s artistic evolution was deeply shaped by the masters who crossed his path. Through Wilson, he was introduced to Bass Otis and the celebrated Thomas Sully, the latter becoming a pivotal influence and even a future relative by marriage. Under their guidance, Neagle moved beyond the utilitarian world of coach painting to embrace the sophisticated realm of portraiture. His style, characterized by an incisive attention to psychology and a dazzling brushwork reminiscent of van Dyck and Sir Thomas Lawrence, allowed him to breathe life into his subjects, transforming mere likenesses into profound studies of character.

The Spirit of the Portrait

While Neagle’s career took him on brief sojourns to Lexington, Kentucky, and New Orleans, Louisiana, it was in Philadelphia where he truly established his dominion. By 1818, he had committed himself exclusively to the art of the portrait, setting up a studio that would attract the most notable figures of the era. His work was not merely about capturing a face; it was about documenting the soul of American society. His sitters ranged from the political elite and merchants to intellectuals and professionals, all rendered with a realism that balanced elegance with an unmistakable truth.

Among his most enduring contributions to the American canon is the strikingly unconventional Pat Lyon at the Forge. In this work, Neagle departed from the traditional, polished manner of portraiture to present a heroic, almost brutal depiction of a blacksmith. This masterpiece, which reached a wide audience through engraving, showcased his ability to blend the grand style with a raw, narrative power. His repertoire also included monumental works such as the Portrait of Henry Clay and portraits of figures like James Fenimore Cooper and the Marquis de Lafayette, cementing his status as a chronicler of American greatness.

Legacy and Artistic Contribution

Beyond the canvas, Neagle was a pillar of the artistic community. His commitment to the advancement of art in America was evidenced by his service as a Director of the Pennsylvania Academy of the Fine Arts and his role as a founder and president of the Artist's Fund Society of Philadelphia. These leadership roles reflected a man deeply invested in the institutional growth of his craft.

The significance of John Neagle lies in his ability to marry the grace of Romanticism with a rigorous, observant realism. His portraits remain vital windows into the nineteenth century, offering more than just historical documentation; they offer an emotional connection to the people who shaped the American identity. Through his masterful use of light and his profound understanding of human psychology, Neagle ensured that the faces of his era would endure long after the era itself had passed.