Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Накратко
Dead Wildfowl (1674) е картината на Jacob Biltius, която привлича най-много погледи; оригиналът се намира в Statens Museum for Kunst, Копенхаген. След това погледът се насочва към Dead Birds (1670) и Snip, hanging (1663). Сред 10 произведения на Jacob Biltius в нашия каталог, тези 10 са най-известните – всяко от тях е уникален оригинал, представен с годината на създаване, музея и причината за неговата вечност.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
3 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Jacob Biltius | Картини от този списък |
|---|---|---|---|
| Копенхаген | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Льоуарден | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Дългата кариера от 17 години, от 1663 до 1679: най-известните оригинални творби на Jacob Biltius, представени година по година.
Изберете година, за да разгледате оригиналите.
Още от 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Още от 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum for Kunst, Копенхаген. Следват Dead Birds (1670) и Snip, hanging (1663).
41 години: Dead Wildfowl е от 1674 г., а Jacob Biltius е роден/а в 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall и Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 10 произведения на Jacob Biltius, датирани от 1663 до 1679.
Предимно в Statens Museum for Kunst (Копенхаген), Fries Museum (Льоуарден) и Kunsthandel P. de Boer. В горната таблица с музеи са изброени всички тях.
В 1663: 2 от 10 произведенията на тази страница са създадени тогава, като Snip, hanging са сред тях.
На тази страница най-старата е Snip, hanging (1663), а най-новата е Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) и Dark background (2), разпределени в 10 произведения на тази страница.
Oil On Canvas, за 2 от 10 произведения на тази страница.
Dead Wildfowl, Dead Birds и Wildfowl on a Wooden Table: Statens Museum for Kunst, Копенхаген притежава 5 от произведенията на тази страница.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.