Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 42 творби на Гуннар Берндтсон в нашия каталог
Накратко
Според избора на галерията най-известната картина на Гуннар Берндтсон е Portrait of a Jewish Man (1873), чийто оригинал се намира в Finnish National Gallery, Хелзинки. Self-Portrait in 17th-Century Costume (1884) и Nude Female Model (1883) допълват трио, което всяко око разпознава. От 42 произведения на Гуннар Берндтсон в нашия каталог, галерията представя 42 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
The oil on canvas titled Portrait of a Jewish Man was painted by the Finnish artist Gunnar Berndtson. This work emerged around 1873. It captures a single male figure in a moment of quietude. The subject is presented in profile, a silhouette of thought against a dark, indistinct background.
In this intimate oil painting, titled Self-Portrait in 17th-Century Costume, the artist Gunnar Berndtson gazes back from the canvas. He captures his own likeness, presenting himself through a lens of historical character. The work functions as a self-portrait, a moment where the creator and the subject become one. He appears dressed in the fashion of a bygone era, a choice that shifts the viewer's focus toward the persona he inhabits…
In the 1883 pastel portrait titled Nude Female Model, the artist Gunnar Berndtson presents a classical nude study. The subject is a female model positioned in a seated, reclining pose. She is turned slightly toward the viewer's left, creating a sense of quiet contemplation. The figure is draped in satin-like fabric that cascades in fluid folds around her form. This blue drapery provides a cool-toned backdrop that contrasts with the…
The air in the grand room feels still, held in a delicate balance between the heavy architecture and the soft presence of the woman. She sits amidst the opulence of the Castle of Maison Laffitte, her figure framed by the rhythmic geometry of doorways and columns that pull the eye deep into the shadowy recesses of the castle. A soft light, perhaps filtering from an unseen window to the left,…
Portrait of Zacharias Topelius is a painting by the Finnish artist Gunnar Berndtson. Created about 1880, this work focuses on the likeness of Zacharias Topelius. The portrait captures the subject in a formal manner, establishing a direct connection between the viewer and the sitter.
The Portrait of Baron Delort de Gléon is a bust-length oil painting by the Finnish artist Gunnar Berndtson. Created about 1883, the work captures a man in a moment of quiet, formal stillness. The subject faces the viewer with a steady gaze, his presence anchored against a deep, textured background.
The air in the room feels heavy with the scent of expensive powders and the soft rustle of silk. A woman sits in profile, her silhouette a graceful curve against the muted backdrop of a private chamber. She is draped in a gown of luminous green satin that catches the light from an unseen window, the fabric shimmering with a liquid quality that suggests the cool touch of high-quality silk.…
The gaze of Maria von Wahlberg meets the viewer in the Portrait of Counsellor of State Maria von Wahlberg (b. Sinebrychoff). Painted in 1892 by the Finnish artist Gunnar Berndtson, this oil on panel captures a woman of significant presence. She is depicted as Mrs Maria von Wahlberg, born into the Sinebrychoff family, a lineage that carries a quiet weight within the frame. The portrait exists now within the Finnish…
In Head of a Girl, Study for the Family Portrait of Baron Magnus von Born, Gunnar Berndtson employs a close-up composition that focuses on the subject's face and upper shoulders. The figure is positioned slightly off-center, creating a sense of movement as she gazes toward the right. This orientation, combined with an eye-level perspective, establishes a direct connection between the subject and the viewer.
In Salmon Fishers at the Langinkoski Rapid, the artist Gunnar Berndtson captures a moment of strenuous manual labor set against the wild, rushing waters of a natural river. Painted about 1892, the scene pulls the viewer directly onto a wooden dock where the air feels heavy with the spray of the rapids. Two fishermen work in unison, their bodies engaged in the heavy task of managing a large net amidst…
Miniature Portrait of Baroness Delort de Gléon the Younger1894 · Finnish National Gallery
12
Portrait of August Schauman, journalist1893 · Finnish National Gallery
13
Eva Aminoffin Muotokuva
14
Lohenpyynti, LanginkoskiFinnish National Gallery
15
Portrait of a LadyFinnish National Gallery
16
Gustaf Cederström, 1845-1933Национална портретна галерия на Швеция
17
KesäTurku Art Museum
18
Portrait of a young lady in a white dress
19
Diderot Katariina II.n Puheilla
20
Hänen Nimensä
21
Almée, an Egyptian Dancer1883 · Ateneum Art Museum
22
Taiteilijan Isä
23
Aina Lille
24
Gösta Philip Armfelt
25
Self-portraitTurku Art Museum
26
Suihkukaivon Äärellä
27
A lady in black with pink roses
28
The bride's song
29
Tytön muotokuva
30
Taiteentuntijoita LouvressaSerlachius Manor
31
Albert Edelfelt
32
Levähdys MarkkinamatkallaFinnish National Gallery
33
Ikkunassa Kuhertelua
34
Omakuva
35
Eero JärnefeltFinnish National Gallery
36
Kyllä - Ei, Lepohetki AteljeessaFinnish National Gallery
37
Kulosaaren Salmi
38
SakkiaSerlachius Manor
39
KamarimusiikkiaFinnish National Gallery
40
Almée, Egyptiläinen Tanssijatar
41
Maisema Pernajan Fantsnäsistä
42
The Bride1881 · Ateneum Art Museum
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
5 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Гуннар Берндтсон | Картини от този списък |
|---|---|---|---|
 Finnish National Gallery |
Хелзинки | 17 | Portrait of a Jewish Man, Self-Portrait in 17th-Century Costume, Nude Female Model |
 Turku Art Museum |
Турку | 2 | Kesä, Self-portrait |
 Ateneum Art Museum |
Хелзинки | 2 | Almée, an Egyptian Dancer, The Bride |
 Serlachius Manor |
Мънття-Вилппула | 2 | Taiteentuntijoita Louvressa, Sakkia |
 Национална портретна галерия на Швеция |
Щренгенес | 1 | Gustaf Cederström, 1845-1933 |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
The oil on canvas titled Portrait of a Jewish Man was painted by the Finnish artist Gunnar Berndtson. This work emerged around 1873. It captures a single male figure in a moment of quietude. The subject is presented in profile, a silhouette of thought against a dark, indistinct background.
In this intimate oil painting, titled Self-Portrait in 17th-Century Costume, the artist Gunnar Berndtson gazes back from the canvas. He captures his own likeness, presenting himself through a lens of historical character. The work functions as a self-portrait, a moment where the creator and the subject become one. He appears dressed in the fashion of a bygone era, a choice that shifts the viewer's focus toward the persona he inhabits…
The gaze of Maria von Wahlberg meets the viewer in the Portrait of Counsellor of State Maria von Wahlberg (b. Sinebrychoff). Painted in 1892 by the Finnish artist Gunnar Berndtson, this oil on panel captures a woman of significant presence. She is depicted as Mrs Maria von Wahlberg, born into the Sinebrychoff family, a lineage that carries a quiet weight within the frame. The portrait exists now within the Finnish…
Portrait of a Jewish Man (1873), Finnish National Gallery, Хелзинки. Следват Self-Portrait in 17th-Century Costume (1884) и Nude Female Model (1883).
19 години: Portrait of a Jewish Man е от 1873 г., а Гуннар Берндтсон е роден/а в 1854.
Portrait of a Jewish Man, Self-Portrait in 17th-Century Costume, Nude Female Model, Woman with a Bird at the Castle of Maison Laffitte, Portrait of Zacharias Topelius, Portrait of Baron Delort de Gléon, The Mirror ; The Toilet, Portrait of Counsellor of State Maria von Wahlberg (b. Sinebrychoff), Head of a Girl, Study for the Family Portrait of Baron Magnus von Born и Salmon Fishers at the Langinkoski Rapid. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 42 произведения на Гуннар Берндтсон, датирани от 1873 до 1894.
Предимно в Finnish National Gallery (Хелзинки), Turku Art Museum (Турку) и Ateneum Art Museum (Хелзинки). В горната таблица с музеи са изброени всички тях.
В 1880s: 8 от 42 произведенията на тази страница са създадени тогава, като Self-Portrait in 17th-Century Costume са сред тях.
На тази страница най-старата е Portrait of a Jewish Man (1873), а най-новата е Miniature Portrait of Baroness Delort de Gléon the Younger (1894).
Portraits (7), Woman (6) и Man (5), разпределени в 42 произведения на тази страница.
Oil, за 8 от 42 произведения на тази страница.
Realism, судейки по оригиналите на тази страница.
Portrait of a Jewish Man, Self-Portrait in 17th-Century Costume и Nude Female Model: Finnish National Gallery, Хелзинки притежава 17 от произведенията на тази страница.
Ранните творби на Гуннар Берндтсон разкриват дълбокото му поглъщане на акцента, който Салонът поставя върху историческите сюжети и идеализираната красота. Неговите първи изложби в Салона през 1878 г. демонстрират това влияние, изразено чрез прецизна детайлност и изгладена, съвършена естетика. Въпреки това, той не е бил просто имитатор; престоят му с Еделфелт му отваря врати към много по-нюансиран подход – такъв, който запазва реализма, но същевременно фино вплета елементи на финландската идентичност и пробуждащо се чувство за модернизъм. Популярността на Салона осигурява на Берндтсон решаващо признание и полага основите на неговата последваща блестяща кариера.
Един повратен момент в артистичното развитие на Гуннар Берндтсон се разгръща между 1882 и 1883 г., когато той пътува до Египет като гост на Алфонс, барон Делор де Глеон, френски минен инженер. Този опит се оказва дълбоко повлияващ, измествайки фокуса му към портретното майсторство и документалната илюстрация за Le Monde Illustré. Резката светлина, жизнените цветове и разнообразните сюжети на Египет разпалват нова страст в него, излизайки извън формалните ограничения на Салона и полагайки основите на по-персоналния и експресивен стил. Той улавя същността на египетския живот с забележителна точност и чувствителност, документирайки както неговото величие, така и ежедневната му реалност.
