Накратко
За галерията най-известната картина на Copley Fielding е Richmond hill, (1830). Ambelside, (1829) и Lake Nemi with Pontine Marshes in the Background (1837) допълват трио, което всяко око разпознава. От 105 произведения на Copley Fielding в нашия каталог, галерията представя 89 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
Топ 10 карти на Copley Fielding в галерията
Картини на Copley Fielding, класирани от 11 до 89
Темите, които привличат погледа на Copley Fielding
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
Beach 11 произведения
Landscape 9 произведения
Animals 8 произведения
Музеите, в които се съхраняват оригиналите на Copley Fielding
4 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Copley Fielding | Картини от този списък |
|---|---|---|---|
| Бирмингам | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Сидни | 1 | Dunster Castle, sunset | |
| Ню Хейвън | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, по една емблематична картина на десетилетие
Произведения по десетилетия
Изберете десетилетие, за да видите оригиналната творба, която го определя.
Картините на Copley Fielding: отговорите на галерията
Коя картина на Copley Fielding е най-известната от всички?Разкрийте отговора
Richmond hill, (1830). Следващите са Ambelside, (1829) и Lake Nemi with Pontine Marshes in the Background (1837).
На каква възраст беше Copley Fielding, когато завърши Richmond hill,?Разкрийте отговора
43 години: Richmond hill, е от 1830 г., а Copley Fielding е роден/а в 1787.
Кои са 10-те най-добри картини на Copley Fielding?Разкрийте отговора
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide и Unloading the catch, whitby. Класацията по-горе показва годината и музея за всяко от тях.
Колко произведения е създал Copley Fielding?Разкрийте отговора
В нашия каталог са представени 105 произведения на Copley Fielding, датирани от 1829 до 1851.
Къде са изложени най-известните оригинали на Copley Fielding?Разкрийте отговора
Предимно в Бирмингамски музей и художествена галерия (Бирмингам), Art Gallery of New South Wales (Сидни) и Yale Center for British Art (Ню Хейвън). В горната таблица с музеи са изброени всички тях.
Кога Copley Fielding създава най-известните си картини?Разкрийте отговора
В 1830s: 4 от 89 произведенията на тази страница са създадени тогава, като Richmond hill, са сред тях.
Кои са най-ранните и най-късните известни творби на Copley Fielding?Разкрийте отговора
На тази страница най-старата е Ambelside, (1829), а най-новата е Byland Abbey, (1851).
Към кои сюжети Copley Fielding се връща най-често?Разкрийте отговора
Beach (11), Landscape (9) и Animals (8), разпределени в 89 произведения на тази страница.
С кое художествено направление е свързан(а) Copley Fielding?Разкрийте отговора
Romanticism, судейки по оригиналите на тази страница.
Кои оригинални творби на Copley Fielding притежава Бирмингамски музей и художествена галерия?Разкрийте отговора
Lake Nemi with Pontine Marshes in the Background и Scottish Loch With Mountains: Бирмингамски музей и художествена галерия, Бирмингам притежава 2 от произведенията на тази страница.
Copley Fielding: художникът
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.






