Портрет на Charles de Steuben

19-те най-известни картини на Charles de Steuben, селекция от галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 19 творби на Charles de Steuben в нашия каталог

Накратко

От всички оригинали, оставени от Charles de Steuben, най-известният е Portrait of Anna Benardaki (1844), който се намира в колекцията на Държавен музей „Ермитаж“, Санкт Петербург. След тях непосредствено следват Portrait of Baron Alexander Stieglitz (1844) и Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Нашият каталог съдържа 19 произведения на Charles de Steuben; галерията е съхранила 19-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1788 – 1856, Bauerbach Romanticism Най-много творби: Държавен музей „Ермитаж“

Топ 10-те картини на Charles de Steuben: изборът на галерията

1
Portrait of Anna Benardaki (1844) на Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Държавен музей „Ермитаж“, Санкт Петербург

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) на Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Държавен музей „Ермитаж“, Санкт Петербург

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) на Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Държавен музей „Ермитаж“, Санкт Петербург

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) на Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Държавен музей „Ермитаж“, Санкт Петербург

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) на Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Държавен музей „Ермитаж“, Санкт Петербург

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) на Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Държавен музей „Ермитаж“, Санкт Петербург

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Изборът на Charles de Steuben продължава, от 11 до 19

Темите, които привличат погледа на Charles de Steuben

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Charles de Steuben

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Charles de Steuben Картини от този списък
Държавен музей „Ермитаж“, Санкт ПетербургДържавен музей „Ермитаж“ Санкт Петербург 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, ЛилPalais des Beaux-Arts de Lille Лил 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Музей Карнавале, ПарижМузей Карнавале Париж 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ПариMusée Victor Hugo Пари 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, ВерсайлOpera House Версайл 1 Anne d'Autriche, reine de France
Версалешкият дворец, ВерсайВерсалешкият дворец Версай 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, КливландCleveland Museum of Art Кливланд 1 Battle of Poitiers, 25 October 732

Charles de Steuben десетилетие по десетилетие: оригиналът, който дефинира всяко от тях

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Въпроси на колекционерите относно картините на Charles de Steuben

С кое произведение е най-известен Charles de Steuben?Разкрийте отговора

Portrait of Anna Benardaki (1844), Държавен музей „Ермитаж“, Санкт Петербург. Следват Portrait of Baron Alexander Stieglitz (1844) и Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

На каква възраст е бил Charles de Steuben, когато е създадена Portrait of Anna Benardaki?Разкрийте отговора

56 години: Portrait of Anna Benardaki е от 1844 г., а Charles de Steuben е роден/а в 1788.

Кои са десетте най-известни картини на Charles de Steuben?Разкрийте отговора

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" и Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил Charles de Steuben?Разкрийте отговора

В нашия каталог са представени 19 произведения на Charles de Steuben, датирани от 1800 до 1850.

В кои музеи са изложени шедьоврите на Charles de Steuben?Разкрийте отговора

Предимно в Държавен музей „Ермитаж“ (Санкт Петербург), Palais des Beaux-Arts de Lille (Лил) и Музей Карнавале (Париж). В горната таблица с музеи са изброени всички тях.

В кои години Charles de Steuben е създал най-известните си произведения?Разкрийте отговора

В 1830s: 9 от 19 произведенията на тази страница са създадени тогава, като Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist са сред тях.

Кои са първата и последната известни оригинални творби на Charles de Steuben?Разкрийте отговора

На тази страница най-старата е The Death of Napoleon (1800), а най-новата е Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Кои теми избира най-често Charles de Steuben?Разкрийте отговора

Woman (3), Man (3) и Lace (2), разпределени в 19 произведения на тази страница.

Коя техника използва най-често Charles de Steuben?Разкрийте отговора

Oil On Canvas, за 5 от 19 произведения на тази страница.

Към коهoто художествено направление принадлежи Charles de Steuben?Разкрийте отговора

Romanticism, судейки по оригиналите на тази страница.

Кои произведения на Charles de Steuben се съхраняват в Държавен музей „Ермитаж“?Разкрийте отговора

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz и Portrait of Alexander P. von Benckendorff (1819 – 1851): Държавен музей „Ермитаж“, Санкт Петербург притежава 7 от произведенията на тази страница.

Charles de Steuben: живот и творчество

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.