Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 34 творби на Шарл Коте в нашия каталог
Накратко
От всички оригинали, оставени от Шарл Коте, най-известният е Box at the Opera-Comique (1887), който се намира в колекцията на Музей д’Орсе, Париж. След тях непосредствено следват In the land of the sea. Pain (1908) и Self-Portrait (1883). Нашият каталог съдържа 34 произведения на Шарл Коте; галерията е съхранила 34-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.
The artwork titled Box at the Opera-Comique is an oil on panel painting by the French artist Charles Cottet. Created in 1887, this work captures a specific social setting within a theater. The piece is currently held in the collection of the Musée d'Orsay in Paris, France.
In the land of the sea. Pain is a work by the French painter Charles Cottet. Known also by the titles Les Victimes de la mer or Au pays de la mer. Douleur, the painting was created between 1908 and 1909. It remains a significant example of the artist's engagement with the somber realities of maritime life.
This oil portrait presents a man from the chest up, positioned slightly off-center against a warm, reddish-brown background. The subject possesses light skin, reddish-brown hair, and a mustache. He wears a black silk top hat and a dark coat layered over a white high-collared shirt. Light enters from the upper left, casting soft shadows across the contours of his face and creating a sense of volume. The background contains blurred…
In Mourning, Charles Cottet presents a somber scene set against a coastal backdrop. Created about 1892, the work focuses on two figures positioned in the right foreground. They lean into one another, a gesture of shared grief that anchors the composition. The subjects are rendered in dark browns and blacks, creating a heavy contrast against the pale, desaturated teals and light blues of the sea and sky.
A man emerges from a heavy, dark atmosphere. He wears a dark beret, the fabric absorbing the dim light of a studio. His beard is thick, catching the pale glow that strikes one side of his face while leaving the other in deep shadow. This is a study of a single presence, captured in 1889. The eyes look directly forward, meeting the viewer with a serious, unblinking expression. There is…
In this 1902 oil on canvas, we find ourselves standing at eye level, mere steps away from a religious procession moving through the rural landscape of Landudec. The scene captures a communal moment of faith, where the stark, bright white of the participants' garments creates a rhythmic movement against the darker, more somber tones of the background. There is a weight to the figures, a sense of physical presence that…
A semi-circle of five women anchors the foreground, gathered around a white cloth spread upon the grass. They sit in an intimate arrangement, their presence a quiet nucleus amidst a larger religious festival. The scene captures a moment of respite during the Pardon of Sainte-Anne-la-Palud, where the private ritual of a picnic meets the public devotion of the crowd. In the distance, white tents and a gathering of people lead…
In the quiet, heavy atmosphere of a coastal interior, Mourning in Ouessant by Charles Cottet unfolds a scene of profound grief. Painted about 1903, the work captures a moment of stillness and sorrow. A woman sits alone, her presence defined by the weight of her heavy black clothing. She remains anchored in a domestic space, her posture reflecting the gravity of her loss. The air in the room feels thick…
Breton Women in Mourning is an oil on canvas painted by Charles Cottet in 1903. The work originates from the period when the artist was established within the French art scene, having been born in Le Puy-en-Velay. His career spanned several decades until his death in Paris in 1925.
In this 1899 oil on canvas, we find ourselves drawn into a dimly lit interior, a space defined by the heavy weight of silence and shadow. The composition centers upon a small, pale figure—an infant—whose presence acts as a singular point of light amidst a sea of darkness. Surrounding this central subject, a group of mourners is gathered in a tight, intimate circle. Their downward gazes and somber expressions suggest…
The Three Generations1909 · Columbus Museum of Art
12
Portrait of miss J.L.B.1906 · Museum of Fine Arts Ghent (MSK)
13
Portrait of a Woman1900 · Art Institute of Chicago
14
The Red Sails1894 · Музей за изкуствата в Реим
15
Low Mass1895 · Национален музей на западното изкуство
16
Fellah Women1894 · Musée d'Art Moderne et Contemporain de Strasbourg
17
In the Port1895 · Музей за изкуствата в Реим
18
Old Horse in the Wasteland1898 · Ohara Museum of Art
19
The Tagus Seen from Toledo1904 · Musée des Beaux-Arts de Pau
20
View of Pont-en-Royans1905 · Баварски държавни списъци с произведения на изкуството
21
Storm Time on the Sea1904 · Музей за изкуствата в Реим
22
Fog at Belle Isle1904 · Musée Des Beaux
23
Fog1904 · Музей д’Орсе
24
Low Mass (Brittany)1902 · Petit Palais
25
Marine1903 · Musée des Beaux-Arts de Quimper
26
L1899 · Musée des Beaux-Arts de Quimper
27
God's Festival Day in PlougastelMusée Crozatier
28
Mourning, BrittanyCincinnati Art Museum
29
Lamentation des femmes de Camaret autour de la chapelle brûlée de Roch1911 · Musée des Beaux-Arts de Quimper
30
Belle-Isle1912 · Национална галерия на Канада
31
AutoportraitMusée des Beaux-Arts de Quimper
32
Breton Village by The Coast (Camaret)Finnish National Gallery
33
(277 x 65 CM) (1900)
34
Les victimes de la merLe Carton Voyageur - Musée de la carte postale
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Шарл Коте | Картини от този списък |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
Къепер | 5 | Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Marine, L |
 Музей д’Орсе |
Париж | 3 | Box at the Opera-Comique, In the land of the sea. Pain, Fog |
 Petit Palais |
Париж | 3 | Self-portrait, Ouessant People Mourning a Dead Child, Low Mass (Brittany) |
 Музей за изкуствата в Реим |
Реймс | 3 | The Red Sails, In the Port, Storm Time on the Sea |
 Museum of Fine Arts Ghent (MSK) |
Гент | 2 | Mourning in Ouessant, Portrait of miss J.L.B. |
 Harvard Art Museums |
Кеймбридж | 1 | Self-Portrait |
 Staatliche Kunsthalle Karlsruhe |
Карлсруе | 1 | Mourning |
 Кралски музей за изящни изкуства Антверпен |
Антверпен | 1 | Breton Women in Mourning |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
The artwork titled Box at the Opera-Comique is an oil on panel painting by the French artist Charles Cottet. Created in 1887, this work captures a specific social setting within a theater. The piece is currently held in the collection of the Musée d'Orsay in Paris, France.
In Mourning, Charles Cottet presents a somber scene set against a coastal backdrop. Created about 1892, the work focuses on two figures positioned in the right foreground. They lean into one another, a gesture of shared grief that anchors the composition. The subjects are rendered in dark browns and blacks, creating a heavy contrast against the pale, desaturated teals and light blues of the sea and sky.
In the land of the sea. Pain is a work by the French painter Charles Cottet. Known also by the titles Les Victimes de la mer or Au pays de la mer. Douleur, the painting was created between 1908 and 1909. It remains a significant example of the artist's engagement with the somber realities of maritime life.
In the hauntingly beautiful masterpiece Lamentation des femmes de Camaret autour de la chapelle brûlée de Roch, created in 1911, Charles Cottet invites the viewer into a moment of profound communal grief. The canvas captures the devastating aftermath of a fire that consumed the chapel of Roch, leaving behind only a skeletal clock tower and charred ruins to pierce the sky. This is not merely a depiction of architectural destruction,…
Box at the Opera-Comique (1887), Музей д’Орсе, Париж. Следват In the land of the sea. Pain (1908) и Self-Portrait (1883).
24 години: Box at the Opera-Comique е от 1887 г., а Шарл Коте е роден/а в 1863.
Box at the Opera-Comique, In the land of the sea. Pain, Self-Portrait, Mourning, Self-portrait, The Corpus Christi Procession in Landudec, Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Mourning in Ouessant, Breton Women in Mourning и Ouessant People Mourning a Dead Child. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 34 произведения на Шарл Коте, датирани от 1883 до 1912.
Предимно в Musée des Beaux-Arts de Quimper (Къепер), Музей д’Орсе (Париж) и Petit Palais (Париж). В горната таблица с музеи са изброени всички тях.
В 1900s: 15 от 34 произведенията на тази страница са създадени тогава, като In the land of the sea. Pain са сред тях.
На тази страница най-старата е Self-Portrait (1883), а най-новата е Belle-Isle (1912).
People (6), Woman (4) и Dark tones (3), разпределени в 34 произведения на тази страница.
Oil On Canvas, за 9 от 34 произведения на тази страница.
Post-impressionism, судейки по оригиналите на тази страница.
Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Marine и L: Musée des Beaux-Arts de Quimper, Къепер притежава 5 от произведенията на тази страница.
