Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 100 творби на Чарлз Едуард Кондер в нашия каталог
Накратко
Според избора на галерията най-известната картина на Чарлз Едуард Кондер е Colombo (1890), чийто оригинал се намира в Национална галерия на Виктория, Мелбърн. Ръкетс Пойнт (1890) и A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887) допълват трио, което всяко око разпознава. От 100 произведения на Чарлз Едуард Кондер в нашия каталог, галерията представя 100 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.
Рикетс Пъкт от Чарлз Едуард Кондер – Символично Изобразяване на Австралийската Животна Среда Рикетс Пъкт от Чарлз Едуард Кондер е емблематична картина от австралийския пейзажист Чарлз Едуард Кондер, създадена през 1890 г. Произведението е част от известната група творби на школа „Хайделберг“, която се отличава със своя специфичен подход към заснемането на австралийската природа и прецизно техническо изпълнение. Картината представя живописна сцена край брега на Рикетс Пъкт, близо до Сидни…
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…
In the gentle light of 1890, Charles Edward Conder captured a moment of profound tranquility in his masterpiece, On the River Yarra near Heidelberg, Victoria. This evocative oil on canvas serves as more than just a landscape; it is a window into the soul of the Australian countryside during a pivotal era of artistic discovery. The scene unfolds along the banks of the Yarra River, where the water rests in…
In the heart of late Victorian Paris, amidst the bohemian pulse of the Pigalle district, Charles Edward Conder captured a fleeting moment of pure, unadulterated joy. The Moulin Rouge is not merely a painting of a cabaret; it is an immersive descent into the vibrant energy of the Belle Époque. Through his masterful lens, the canvas breathes with the spirit of a society indulging in its most exuberant pleasures. The…
The sun hangs heavy over the sandy expanse of Sandringham. Figures are scattered across the shore like salt grains on a dark cloth. Some stand, watching the tide, while others sit tucked into the dunes. A boat rests near the center, its hull a still point amidst the movement of the coast. Umbrellas cast small, dark circles of shade upon the pale ground. The air feels thick with the salt…
Night in the Garden in Spain is an oil on canvas painted by Charles Conder. The work emerged in 1895, capturing a specific moment of evening light and shadow. It remains part of the permanent collection at the Art Gallery of Western Australia in Perth, Australia.
Charles Edward Conder’s “Dieppe,” painted in 1895, isn't merely a depiction of a coastal scene; it’s an immersion into a fleeting moment of tranquility and observation. The canvas breathes with the muted palette of a late afternoon – a symphony of blues deepening towards the horizon, punctuated by the warm ochres and yellows of the sand and distant buildings. The composition immediately draws the eye along a gentle diagonal path…
To gaze upon Charles Edward Conder's "The Farm, Richmond, New South Wales" is to step through a veil of time directly into the sun-drenched heart of colonial Australian life. Painted in 1888, this oil on canvas is far more than a mere depiction of rural scenery; it is an evocative meditation on peace, community, and the enduring rhythm of agricultural existence. Conder masterfully captures a moment suspended in amber—a tableau…
We are looking at All on a summer's day, a work created by Charles Conder in 1888. This piece captures a quiet moment of leisure, rendered with the sensitive touch characteristic of the artist's period in Australia. It is a significant example of Conder's ability to translate the atmosphere of a coastal setting onto the canvas.
An Impressionist (Tom Roberts)1889 · Art Gallery of New South Wales
12
Orchard Scene1889
13
A Grey Day1890
14
View of Port Pillip Bay1889
15
A Summer Afternoon: The Green Apple1894
16
The Ord of Caithness1896
17
Oriental Dance. A Fancy Composition1898
18
Beauvais - The Inconstant, The Silenus, The Charlatan1899 · Бирмингамски музей и художествена галерия
19
Spring by the Sea1905
20
Portrait Study. Verso: Study of a Man in Bed and a Nurse Holding a Lamp1903
21
Portrait Study1903
22
Gibraltar from Algeciras1905
23
The Shore at Dornoch1896
24
Sketch Portrait1889 · Национална галерия на Виктория
25
Going home (The Gray and Gold)1888 · Национална галерия в Австралия
26
William Orpen1900 · Национална галерия в Ирландия
27
A Taste for Literature1888
28
Ricketts Point, Beaumaris1890 · Национална галерия в Австралия
29
The Sands, Newquay1906
30
MIrage1889 · Национална галерия на Виктория
31
Springime1892 · Tate Gallery
32
Fruit Trees in Blossom, Algiers1892
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Swnage1900 · Tate Gallery
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Riddell's Creek1889 · Национална галерия в Австралия
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Sunset, Sydney Harbour1888 · Art Gallery of New South Wales
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Carnival1890 · Национална галерия на Виктория
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A Dream in Absinthe1890
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Landscape with River and Boat1890
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Two Sketches of Richmond Common from Sketchbook1887
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Golden Grass Scene1890
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The Fatal Colours1888
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The Wreck1889
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Landscape with Two Small Figures Richmond, New South Wales1886
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Landscape with Theodolite1887
45
Cliffs at Yport1891
46
How We Lost Poor Flossie1889 · Art Gallery of South Australia
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Hot Wind1889 · Национална галерия в Австралия
48
Under a Southern Sun1890 · Национална галерия в Австралия
49
An Impressionist (Tom Roberts)1889
50
Чайна Часовница1888 · Art Gallery of South Australia
51
Stockyard near Jamberoo1886
52
Impressionists' Camp1889 · Национална галерия в Австралия
53
Herrick's Blossoms1888 · Национална галерия в Австралия
54
Fisherman's Bridge, Double Bay1888
55
Moonlight at Mustapha1892
56
Dandenongs from Heidelberg1889 · Art Gallery of South Australia
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Les premiers conseils1898
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Figures on a aRocky Promontory, Dieppe1894
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L'Oiseau bleu1895
60
Le premier bal1895
61
Colloque sentimentale (Au pays bleu)1895
62
Madame Rejane1894
63
Homage a Villon1894
64
The Romantic Excursion1899 · Даласски музей на изкуствата
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Portrait of Mrs. Aikins1899 · Национална галерия на Канада
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Swanage Bay1901
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By the Sea: Swanage1901
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An apple orchard in Brittany1902 · Art Gallery of New South Wales
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Self Portrait1902
70
Women Bathing, Swanage1900
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Sketch for a Silk Design1899
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Madame Errazuriz1905
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A Toccata of Galuppi1900
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The Solitary Shore1901
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Sand Dunes, Ambleteuse1901
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Design on silk intended to be used as the train for a ball dress (detail)1903
77
Untitled (Seascape)1904
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The Spector1900
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Beach Scene, Newquay1907 · Национална галерия на Канада
80
Portrait of Mrs. Amy HalfordFitzwilliam Museum
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Mrs Conder in PinkNew Walk Museum - Art Gallery
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Hayfield, France1894 · Art Gallery of South Australia
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Newquay (Town Beach)1906 · Walker Art Gallery
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Springtime1888 · Национална галерия на Виктория
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Мечта за Ларго на Хендел1889 · Art Gallery of South Australia
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Watching the Fireworks, St. Cloud (also known as On the Terrace)1893
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The Hot Sands, Mustapha1891 · Art Gallery of New South Wales
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Кооги Бэй1888 · Национална галерия на Виктория
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Windy Day at Brighton1905 · Tate Gallery
90
Дим и хризантеми1890 · Manchester Art Gallery
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Departure of the Orient - Circular Quay1888 · Art Gallery of New South Wales
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While Daylight Lingers (also known as The Evening Star or Yarding Sheep)1890 · Национална галерия на Виктория
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Low Tide, Hawkesbury River1887
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Orchard at Box Hill1888
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The Yarra, Heidelberg1890 · Национална галерия в Австралия
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Scene on the Epte
97
Скица на плаж Личъаптън1890 · Национална галерия на Виктория
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In the Domain, Sydney1888
99
Bronte Beach1888 · Национална галерия в Австралия
100
A Holiday at Mentone1888 · Art Gallery of South Australia
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Чарлз Едуард Кондер | Картини от този списък |
|---|---|---|---|
 Национална галерия на Виктория |
Мелбърн | 11 | Colombo, Ръкетс Пойнт, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) |
 Национална галерия в Австралия |
Канбера | 9 | Going home (The Gray and Gold), Ricketts Point, Beaumaris, Riddell's Creek |
 Art Gallery of South Australia |
Аделайд | 7 | All on a summer's day, How We Lost Poor Flossie, Чайна Часовница |
 Art Gallery of New South Wales |
Сидни | 6 | On the River Yarra near Heidelberg, Victoria, An Impressionist (Tom Roberts), Sunset, Sydney Harbour |
 Manchester Art Gallery |
Манчестър | 3 | The Moulin Rouge, Dieppe, Дим и хризантеми |
 Tate Gallery |
Лондон | 3 | Springime, Swnage, Windy Day at Brighton |
 Национална галерия на Канада |
Отава | 2 | Portrait of Mrs. Aikins, Beach Scene, Newquay |
 Бирмингамски музей и художествена галерия |
Бирмингам | 1 | Beauvais - The Inconstant, The Silenus, The Charlatan |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.
In "Spring by the Sea," Charles Conder presents a serene coastal scene that captures a quiet moment of leisure. Painted about 1905, this Impressionist-style landscape moves away from the rigid precision of traditional realism. Instead, the artist focuses on the immediate impression of a spring day by the water. The work invites a slow observation of the relationship between the land and the sea.
Colombo (1890), Национална галерия на Виктория, Мелбърн. Следват Ръкетс Пойнт (1890) и A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887).
22 години: Colombo е от 1890 г., а Чарлз Едуард Кондер е роден/а в 1868.
Colombo, Ръкетс Пойнт, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury), On the River Yarra near Heidelberg, Victoria, The Moulin Rouge, Sandringham, Night in the Garden in Spain, Dieppe, The Farm, Richmond, New South Wales и All on a summer's day. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 100 произведения на Чарлз Едуард Кондер, датирани от 1886 до 1907.
Предимно в Национална галерия на Виктория (Мелбърн), Национална галерия в Австралия (Канбера) и Art Gallery of South Australia (Аделайд). В горната таблица с музеи са изброени всички тях.
В 1890s: 40 от 100 произведенията на тази страница са създадени тогава, като Colombo са сред тях.
На тази страница най-старата е Landscape with Two Small Figures Richmond, New South Wales (1886), а най-новата е Beach Scene, Newquay (1907).
Landscape (19), Beach (13) и Woman (8), разпределени в 100 произведения на тази страница.
Oil On Canvas, за 27 от 100 произведения на тази страница.
Impressionism и Heidelberg school, судейки по оригиналите на тази страница.
Colombo, Ръкетс Пойнт и A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury): Национална галерия на Виктория, Мелбърн притежава 11 от произведенията на тази страница.
Charles Edward Conder (1868 – 1909) was an English-born painter, lithographer and designer. He emigrated to Australia and was a key figure in the Heidelberg School*, arguably the beginning of a distinctively Australian tradition in Western art.
Conder was born in Tottenham, Middlesex, the second son, of six children, of James Conder, civil engineer and Mary Ann Ayres.
He spent several years as a young child in India before the death of his mother on 14 May 1873 in Bombay, aged 31 years; he was then sent back to England and attended a number of schools including a boarding school at Eastbourne, which he attended from 1877. He left school at 15, and his very religious, non-artistic father, against Charles's natural artistic inclinations, decided that he should follow in his footsteps as a civil engineer.
In 1884, at the age of 16, he was sent to Sydney, Australia, where he worked for his uncle, a land surveyor for the New South Wales government. However he disliked the work, much preferring to draw the landscape rather than surveying it. In 1886, he left the job and became an artist for the “Illustrated Sydney News”, where he was in the company of other artists such as Albert Henry Fullwood, Frank Mahoney and Benjamin Edwin Minns.
He also attended the painting classes of Alfred James Daplyn and had joined the Art Society of New South Wales.
Short of cash, Conder apparently paid off his landlady by sexual means, catching syphilis in the process, which was to plague the later years of his life.
Conder’s masterpiece, Departure of the Orient – Circular Quay (1888) showcased his newfound mastery of form and brushwork.
This dockside scene, depicting the bustling harbour at sydney cove, was quickly purchased by the Art Gallery of New South Wales, making it Conder’s first work to enter a public collection.
A holiday at Mentone (1888), a fun-loving painting showcasing men and women relaxing on the beach, is another notable example of Conder's work.
Conder’s association with G. P. Nerli, an itinerant italian painter, significantly influenced his development as an artist.
His contributions to the 9 by 5 impression exhibition in melbourne, alongside tom roberts and arthur streeton, solidified his position within the Heidelberg School movement.
Conder’s later years were plagued by poor health, including paralysis and a bout of delirium tremens.
Despite this, he continued to paint, leaving behind a legacy as a key figure in the heidelberg school. His art was better received in england than in paris, with his portrait being painted by Henri de Toulouse-Lautrec in 1892.
View Conder’s works at the Art Gallery of New South Wales or explore more about the Heidelberg School on OriginalUniqueArt's charles edward conder page.
Discover more about Conder's life and works on wikipedia's charles conder page. Explore OriginalUniqueArt's collection of Conder's paintings, including A Holiday at Mentone (1888) and Departure of the Orient – Circular Quay (1888), on OriginalUniqueArt's website.
