Портрет на Огюст Клезенже

Картини на Огюст Клезенже: 10-те най-известни, през погледа на галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 10 творби на Огюст Клезенже в нашия каталог

Накратко

Според избора на галерията най-известната картина на Огюст Клезенже е Woman Bitten by a Snake (Femme piquée par un serpent) (1847), чийто оригинал се намира в Музей д’Орсе, Париж. Woman Bitten by a Snake (Femme piquée par un serpent) (1847) и Woman Bitten by a Snake (1847) допълват трио, което всяко око разпознава. От 10 произведения на Огюст Клезенже в нашия каталог, галерията представя 10 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.

1814 – 1883, Бесансон Най-много творби: Музей д’Орсе

Топ 10 карти на Огюст Клезенже в галерията

1
Woman Bitten by a Snake (Femme piquée par un serpent) (1847) на Огюст Клезенже

Woman Bitten by a Snake (Femme piquée par un serpent)

1847 · Marble · Музей д’Орсе, Париж

In the grand, gilded halls of the 1847 Paris Salon, few works ignited as much fervent debate and whispered scandal as Auguste Clésinger’s Woman Bitten by a Snake (*Femme piquée par un serpent*). This breathtaking marble masterpiece does not merely sit in stillness; it writhes with a visceral, almost cinematic energy that captures the viewer in a moment of sudden, sharp agony and profound ecstasy. The sculpture depicts a nude…

2
Woman Bitten by a Snake (Femme piquée par un serpent) (1847) на Огюст Клезенже

Woman Bitten by a Snake (Femme piquée par un serpent)

1847 · Marble · Музей д’Орсе, Париж

In the grand, gilded halls of the 1847 Paris Salon, few works ignited as much fervent debate and whispered scandal as Auguste Clésinger’s Woman Bitten by a Snake. This breathtaking marble masterpiece does not merely sit in stillness; it writhes with a visceral, almost cinematic energy that captures the viewer in a moment of sudden, sharp agony and profound ecstasy. The sculpture depicts a nude woman, her body contorted in…

3
Woman Bitten by a Snake (1847) на Огюст Клезенже

Woman Bitten by a Snake

1847 · Музей д’Орсе, Париж

Auguste Clésinger’s 1847 marble sculpture, *Woman Bitten by a Snake*, is far more than a depiction of a dramatic, even unsettling, scene. It’s a potent distillation of Neoclassical ideals colliding with the burgeoning currents of Realism and Romanticism, a work that ignited controversy upon its debut at the Paris Salon and continues to hold an undeniable allure. The sculpture captures a moment of exquisite torment – a reclining nude female…

4
Madame Sabatier (1847) на Огюст Клезенже

Madame Sabatier

1847 · Marble · Музей д’Орсе, Париж

To stand before the likeness of Madame Sabatier is to encounter a moment suspended in time—a breath held between classical grace and quiet introspection. This marble bust, executed by Auguste Clésinger, transcends mere portraiture; it is an embodiment of refined elegance. The subject’s countenance, captured with such meticulous attention, invites the viewer into a world of serene contemplation. One cannot help but feel the weight of history settling upon those…

5
Angel of Grief (1850) на Огюст Клезенже

Angel of Grief

1850 · Sculpture Bronze · Saint-Sulpice, Париж

Auguste Clésinger’s Angel of Grief: A Baroque Echo in Marble The sculpture “Angel of Grief,” created by Auguste Clésinger in 1850, stands as a poignant testament to the artist's mastery of Baroque aesthetics translated into Neo-classical form. Commissioned for the tomb of Euterpe, the muse of music, Frédéric Chopin’s beloved wife, this monumental marble piece embodies profound sorrow and spiritual contemplation—themes deeply rooted in the artistic sensibilities of its time.…

8
Sitzender Pan (1878) на Огюст Клезенже

Sitzender Pan

1878 · Germanisches Nationalmuseum, Нюрнберг

Pan ist in der griechischen Mythologie der Gott der Hirten. Er ist ein Mischwesen, mit dem Oberkörper eines Menschen und dem Unterkörper eines Widders oder eines Ziegenbocks. Immer wieder findet man Darstellungen Pans in der Kunst. Im christlichen Mittelalter wurde er aufgrund seiner Attribute der Bocksfüße und Kopfhörner dämonisiert und somit häufig als Teufel dargestellt. Die hier abgebildete Figur eines Pans mit brauner Patina ist aus Bronze gegossen und stammt…

Темите, които привличат погледа на Огюст Клезенже

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Огюст Клезенже

7 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Огюст Клезенже Картини от този списък
Музей д’Орсе, ПарижМузей д’Орсе Париж 4 Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake
Saint-Sulpice, ПарижSaint-Sulpice Париж 1 Angel of Grief
Los Angeles County Museum of Art, Лос АнджелисLos Angeles County Museum of Art Лос Анджелис 1 Mounted Herdsmen and Bulls in the Roman Countryside
Musée de Picardie, АмиенсMusée de Picardie Амиенс 1 Leda and the Swan
Germanisches Nationalmuseum, НюрнбергGermanisches Nationalmuseum Нюрнберг 1 Sitzender Pan
Église de la Madeleine, BésonçonÉglise de la Madeleine Bésonçon 1 Entombment
Museum Celda de Frédéric Chopin y George Sand, ValldemossaMuseum Celda de Frédéric Chopin y George Sand Valldemossa 1 Chopin

Огюст Клезенже, по една емблематична картина на десетилетие

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Картините на Огюст Клезенже: отговорите на галерията

Коя картина на Огюст Клезенже е най-известната от всички?Разкрийте отговора

Woman Bitten by a Snake (Femme piquée par un serpent) (1847), Музей д’Орсе, Париж. Следват Woman Bitten by a Snake (Femme piquée par un serpent) (1847) и Woman Bitten by a Snake (1847).

На каква възраст беше Огюст Клезенже, когато завърши Woman Bitten by a Snake (Femme piquée par un serpent)?Разкрийте отговора

33 години: Woman Bitten by a Snake (Femme piquée par un serpent) е от 1847 г., а Огюст Клезенже е роден/а в 1814.

Кои са 10-те най-добри картини на Огюст Клезенже?Разкрийте отговора

Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake, Madame Sabatier, Angel of Grief, Mounted Herdsmen and Bulls in the Roman Countryside, Leda and the Swan, Sitzender Pan, Entombment и Chopin. Класацията по-горе показва годината и музея за всяко от тях.

Колко произведения е създал Огюст Клезенже?Разкрийте отговора

В нашия каталог са представени 10 произведения на Огюст Клезенже, датирани от 1847 до 1878.

Къде са изложени най-известните оригинали на Огюст Клезенже?Разкрийте отговора

Предимно в Музей д’Орсе (Париж), Saint-Sulpice (Париж) и Los Angeles County Museum of Art (Лос Анджелис). В горната таблица с музеи са изброени всички тях.

Кога Огюст Клезенже създава най-известните си картини?Разкрийте отговора

В 1840s: 4 от 10 произведенията на тази страница са създадени тогава, като Woman Bitten by a Snake (Femme piquée par un serpent) са сред тях.

Кои са най-ранните и най-късните известни творби на Огюст Клезенже?Разкрийте отговора

На тази страница най-старата е Woman Bitten by a Snake (Femme piquée par un serpent) (1847), а най-новата е Sitzender Pan (1878).

Към кои сюжети Огюст Клезенже се връща най-често?Разкрийте отговора

Sculpture (3) и Classical art (2), разпределени в 10 произведения на тази страница.

С коя техника е работил най-често Огюст Клезенже?Разкрийте отговора

Marble, за 3 от 10 произведения на тази страница.

Кои оригинални творби на Огюст Клезенже притежава Музей д’Орсе?Разкрийте отговора

Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake (Femme piquée par un serpent) и Woman Bitten by a Snake: Музей д’Орсе, Париж притежава 4 от произведенията на тази страница.

Огюст Клезенже: художникът

Auguste Clésinger: Life and Legacy

Early Life and Training

  • Born: October 22, 1814, in Besançon, France.
  • Auguste Clésinger came from an artistic family; his father, Georges-Philippe Clésinger, was a sculptor who provided Auguste with his initial training.
  • This early exposure instilled in him a foundational understanding of sculptural techniques and aesthetics.

Artistic Development and Style

  • Clésinger’s artistic style evolved through the 19th century, initially embracing Neoclassical principles but gradually incorporating elements of Realism and Romanticism.
  • He skillfully blended technical precision with emotional intensity in his works.
  • His sculptures often depict dramatic narratives and sensuous figures, showcasing a mastery of anatomy and form.

Major Works and Achievements

  • Woman Bitten by a Serpent (1847): This sculpture caused a sensation at the Paris Salon due to its dramatic realism and erotic undertones. It was modeled from life casts of Apollonie Sabatier.
  • Madame Sabatier (1847): A marble portrait of his model, Apollonie Sabatier, further establishing Clésinger’s reputation for capturing beauty and sensuality.
  • Chopin's Funerary Monument (1850): Commissioned after the composer Frédéric Chopin’s death, this white marble monument at Père Lachaise Cemetery is a poignant tribute to the musician.
  • Angel of Grief: A deeply moving sculpture embodying Baroque drama and pathos.
  • He also created busts of prominent figures like Rachel Félix and Théophile Gautier, and a statue of Louise of Savoy.

Influences and Relationships

  • Influenced by: His father, Georges-Philippe Clésinger, provided his initial artistic foundation.
  • Clésinger’s association with Apollonie Sabatier, a salonnière and mistress of several prominent artists including Charles Baudelaire, exposed him to intellectual and artistic circles.
  • His marriage in 1847 to Solange Dudevant, daughter of George Sand, further connected him to literary society.

Historical Significance and Legacy

  • Clésinger’s work reflects the artistic currents of 19th-century France, bridging Neoclassicism with emerging Realist tendencies.
  • Recognition: He received the Knight's Cross of the Légion d'honneur in 1849 and was promoted to Officer in 1864.
  • His sculptures continue to be admired for their technical skill, emotional depth, and dramatic impact. His works are displayed at prominent museums such as the Musée d’Orsay.
  • Death: He died on January 5, 1883, in Paris, and is buried in Père Lachaise Cemetery.