Хартия

Ръководство за ученически творби

Mary Grief

Име Клас Дата

Stephen Ashurst, Mary Grief (1994), Buxton Museum - Art Gallery. Репродуцирано с цел справка; всички права са запазени от правопритежателя. Вижте това платно под движеща се светлина: рисунката, истинския цвят под лака, чистия пигмент

Факти

Художник
Stephen Ashurst originaluniqueart.com/bg/artists/stephen-ashurst/
Дати на създаване от художника
1956 –
Картина с боя
1994
Първоначален размер
90 x 90 cm
Движение
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Проведено в
Buxton Museum - Art Gallery originaluniqueart.com/bg/museums/buxton-museum-art-gallery-buxton/

В контекста

Mary Grief — Stephen Ashurst

Какви са размерите?

Оригиналните размери са 90 × 90 см (височина × ширина), изобразени тук до възрастен със среден ръст.

Кога е боядисана тази творба?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Горният ред: години. Долният ред: възрастта на художника в началото и в края на всеки период, като 0 се отчита от момента на раждането.

Написана, когато художникът е бил на 38 години. 0 от 12 датираните творби на този артист в нашия каталог са създадени по-рано.

▲ тази творба, 1994 всяка датирана картина, десетилетие по десетилетие

Сравнение с

Изберете едно от произведенията по-горе: посочете две общи черти с това произведение и една различност между тях.

Други произведения, които биха допълнили това: originaluniqueart.com/bg/art/similar/stephen-ashurst-mary-grief-AQUKE4-en/

Цветове

Измерено по изображението

    Основен цвят

    Celadon #afc1b3

    Каталогизирана палитра

    • #AFC1B3
    • #313958
    • #8F9B8A
    • #754C5F

    Тези цветове са част от цялата палитра на художника Намерете други картини по цвят

    Основен цвят
    Celadon
    Наситеност
    Balanced Колко са наситени и разнообразни цветовете – от един приглушен нюанс до множество ярки такива.
    Контраст
    Bold Доколко цветовете се различават по светлота и наситеност в рамките на картината.
    Хармония
    Discordant Palette Колко добре цветовете си взаимодействат – от контрастни до напълно обединени.
    Яркост
    Bright Общата светлост или тъмнина на изображението – от дълбока сянка до ярък акцент.
    Наситенност
    Subtle Color Колко чисти и наситени са цветовете – от почти сиви до напълно живи.

    От кои части на света се разглежда тази картина?

    • под 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и повече
    Тази картина сама по себе си има твърде малко записани посетители, за да бъде картографирана, затова на плочката са изброени всички произведения на Stephen Ashurst през последните дванадесет месеца — общо 3 държави. Източник на тези данни

    Десетте водещи държави

    1. 1 Китай 60,0%300 посещения
    2. 2 Япония 20,0%100 посещения
    3. 3 Съединени Американски Щати 20,0%100 посещения

    Намерете трите най-тъмни държави на картата. Намира ли се музейът, в който се съхранява тази картина, в някоя от тях? Напишете една причина, поради която хора от далечни места биха дошли да я разгледат.

    5 най-разглеждани творби на Stephen Ashurst

    1. 1 Charles Grief (d.c.2002), 1994 33,3%200 посещения
    2. 2 Brian Launder (b.1939), 2004 33,3%200 посещения
    3. 3 Lord Alliance, 2004 16,7%100 посещения
    4. 4 Christopher Rose Innes, 2003 16,7%100 посещения
    5. — Mary Grief, 1994 тази творба 0,0%0 посещения

    В съвкупност тези творби привличат 100,0% от цялото внимание, което са получили картините на този артист през последните дванадесет месеца. Каталогът съдържа 13 творби на този артист, като 4 от тях са разглеждани поне веднъж. Тази картина все още не е била разглеждана за този период — тя завършва списъка без определен ранг. Всичко е същото, месец по месец

    Графиките измерват вниманието, а не качеството. Изберете произведението най-отгоре и това: посочете нещо, което би могло да направи една картина известна, освен самото ѝ техническо изпълнение.

    Художник и музей

    Художник

    Stephen Ashurst

    Stephen Ashurst: A Painter of Quiet Intensity

    Stephen Ashurst (b.1956) is a British painter known for his distinctive style—characterized by luminous color palettes, loose brushwork, and an exploration of profound themes rooted in spirituality and human experience. His work transcends mere representation, aiming instead to evoke emotion and contemplation through subtle shifts in hue and texture. Born in Buxton, Derbyshire, Ashurst’s artistic journey began early, nurtured by a family steeped in artistic appreciation. He pursued formal training at UMIST (University of Manchester Institute of Technology), where he honed his skills under the guidance of influential professors like Kenneth Entwhistle and Graham Wood—figures who instilled in him a dedication to observation and an unwavering commitment to capturing the essence of his subjects.

    Early Influences: Ashurst’s formative years were marked by exposure to Impressionist painting, particularly the works of Monet and Sisley, which instilled in him a fascination with light and color—elements that would become central to his artistic vocabulary.

    Formal Training & UMIST Legacy: Studying at UMIST provided Ashurst with invaluable technical expertise and fostered collaborations with fellow artists who championed innovative approaches to painting. His professors encouraged experimentation and challenged conventional perspectives on artistic expression.

    Notable Collaborations: Ashurst’s artistic endeavors extended beyond solo projects, encompassing collaborative ventures with luminaries like Charles Grief (d.c.2002) and Christopher Rose-Innes—artists who shared his passion for exploring complex ideas through visual mediums.

    The Evolution of Style: From Realism to Color Field Painting Ashurst’s artistic evolution mirrored broader trends in British painting during the late 20th century, notably the shift from representational realism to Color Field Painting—a movement championed by artists like Mark Rothko and Barnett Newman. This stylistic transformation reflected Ashurst's desire to delve deeper into questions of consciousness and spirituality—themes that permeate his oeuvre. He embraced techniques designed to elicit visceral responses from viewers, prioritizing color and texture over precise detail. His canvases often feature expansive washes of pigment—creating immersive environments that invite contemplation and introspection.

    Rothko’s Influence: Ashurst cites Rothko as a significant inspiration, recognizing the artist's ability to convey profound emotional states through simple geometric forms and muted hues.

    Newman’s Exploration of Space: Similarly, Newman’s preoccupation with creating “stations”—vertical bands of color that disrupt visual perception—resonated with Ashurst’s artistic sensibilities.

    Texture & Atmosphere: Ashurst meticulously builds up layers of paint—employing glazing techniques and manipulating brushstrokes to achieve atmospheric depth and textural richness—capturing the subtle nuances of light and shadow.

    Key Works & Recurring Themes Ashurst’s artistic output encompasses a diverse range of subjects—from portraits to landscapes to abstract compositions—each imbued with a palpable sense of emotion and contemplation. His paintings frequently depict figures bathed in soft, diffused light—suggesting vulnerability and serenity—while his landscapes convey the grandeur and tranquility of natural environments. Recurring themes include memory, loss, and the search for meaning—explored through evocative imagery and carefully considered color palettes.

    “Mary Grief” (1994): This intimate portrait exemplifies Ashurst’s masterful use of color and brushwork to convey psychological depth—capturing the gaze of his subject with remarkable sensitivity.

    Professor Kenneth Entwhistle, Head of Department, UMIST (1962–1990) (1994): This portrait reflects Ashurst’s ability to portray character and emotion through subtle tonal variations—creating a compelling visual representation of his subject's personality.

    “The Four Deans” (2006): Ashurst’s depiction of the four deans of Manchester Cathedral showcases his skill in capturing architectural grandeur—combined with an atmospheric sense of solemnity and reverence.

    Legacy & Recognition Stephen Ashurst's work has garnered critical acclaim and been exhibited internationally—solidifying his position as a prominent figure in contemporary British painting. His distinctive style—characterized by luminous color palettes, loose brushwork, and an exploration of profound themes—continues to inspire artists and captivate audiences alike. He is recognized for his unwavering dedication to artistic integrity and his ability to imbue his paintings with emotional resonance—leaving an indelible mark on the landscape of modern art.

    Музей

    Buxton Museum - Art Gallery

    Експонирано в Buxton, United Kingdom

    A Timeless Sanctuary of Heritage and Art

    Nestled within the verdant landscapes of the United Kingdom, the

    Buxton Museum - Art Gallery

    serves as a profound testament to the enduring spirit of local history and artistic expression. To step through its doors is to enter a curated dialogue between the past and the present, where every corner whispers stories of the Peak District’s rich cultural evolution. The museum does not merely display objects; it preserves the very soul of Buxton, offering a sanctuary for those who seek to understand the intricate tapestry of human creativity and regional identity. For the art lover, it provides a moment of quiet contemplation, while for the collector, it offers a glimpse into the foundational aesthetics that shape our understanding of heritage.

    The architecture of the museum itself acts as a bridge between eras, embodying a sense of permanence and grace that complements its curated treasures. As one wanders through the galleries, the interplay of light and space creates an atmosphere of discovery, making it an essential destination for interior designers seeking inspiration in classical proportions and historical elegance. The building carries a storied past, having originally served as the Peak Hydropathic Hotel before becoming a home for the Buxton Free Public Library & Museum.

    A Masterful Blend of Landscape and Legacy

    The collection is a masterful blend of fine art and ethnographic significance, featuring highlights that range from delicate paintings to artifacts that speak to the geological and social heartbeat of the region. What truly distinguishes the

    Buonten Museum - Art Gallery

    is its unique ability to weave together the natural world with human artistry. The museum frequently hosts notable exhibitions that explore the intersection of landscape and legacy, often drawing inspiration from the rugged beauty surrounding the town. This seamless integration of local topography and fine art creates a sensory experience that is both grounding and transcendent.

    Visitors may find themselves captivated by works such as

    Bridgnorth, Shropshire

    by Bertram Nicholls, an oil on canvas that exemplifies the museum's ability to transport the viewer to a peaceful world of English countryside charm. The collection invites deep engagement, encouraging visitors to look beyond the surface and appreciate the meticulous craftsmanship of bygone centuries through:

    Evocative Regional Paintings:

    Works that capture the serene atmosphere and lush greenery of the surrounding landscapes.

    Geological Treasures:

    Artifacts that reflect the profound importance of the Peak District's natural history.

    Historical Narratives:

    Pieces that document the social evolution and archaeological significance of the Derbyshire region.

    Whether you are drawn by the allure of rare historical manuscripts, the evocative brushstrokes of regional masters, or the sheer architectural charm of the setting, the museum stands as a beacon of cultural preservation, inviting all to partake in its ongoing narrative of beauty and remembrance.

    Къде можете да прочетете повече

    Намерете го онлайн

    QR код, който препраща към страницата за изтегляне на Mary Grief

    originaluniqueart.com/bg/art/download/stephen-ashurst-mary-grief-AQUKE4-en/

    Цитиране на това произведение

    MLA
    Ashurst, Stephen. Mary Grief. 1994, Buxton Museum - Art Gallery. https://originaluniqueart.com/bg/art/stephen-ashurst-mary-grief-AQUKE4-en/
    APA
    Ashurst, Stephen (1994). Mary Grief [Painting]. Buxton Museum - Art Gallery. https://originaluniqueart.com/bg/art/stephen-ashurst-mary-grief-AQUKE4-en/
    Chicago
    Stephen Ashurst. Mary Grief. 1994. Buxton Museum - Art Gallery. https://originaluniqueart.com/bg/art/stephen-ashurst-mary-grief-AQUKE4-en/
    Harvard
    Ashurst, Stephen (1994) Mary Grief. Buxton Museum - Art Gallery. Available at: https://originaluniqueart.com/bg/art/stephen-ashurst-mary-grief-AQUKE4-en/

    Разгледайте внимателно

    Mary Grief — Stephen Ashurst

    Разгледайте внимателно

    Отговорете с ваши собствени думи. Тук няма грешни отговори — само такива, които можете да обясните.

    1. Какво привлича погледа ви първо и защо?
    2. Кои цветове или форми създават настроението — и какво представлява то?
    3. Колко лица можете да откриете? ____ (в нашия каталог са изброени 1 — вие съгласни ли сте?)
    4. В нашия каталог това произведение е класифицирано под: elderly woman, portrait painting, red and blue colors. Съгласни ли сте с това? Какво бихте добавили или премахнали?
    5. Върнете се към Professor John Gartside, Professor Alan Gilbert and Professor Sir Martin Harris (2005), разгледани по-рано в това ръководство. Намерете две прилики между него и тази творба, както и една разлика.

    Вашият отговор

    Напишете кратък абзац за това произведение на изкуството, като използвате фактическата информация от предишните части на това ръководство и вашите отговори по-горе.

    Въпроси и отговори

    В коя година и към кое художествено направление принадлежи "Mary Grief"?

    "Mary Grief" е създадена през 1994 като произведение на течението Post-Impressionism. Датата и художественото направление поставят творбата в контекста на историята на изкуството.

    Възможно ли е да се изтегли "Mary Grief"?

    За "Mary Grief" е налично сваляне: страницата за Изтегляне на дигитален файл на произведението предлага дигитално изтегляне на изображение с висока резолюция.

    В кой етап от кариерата на Stephen Ashurst попада „Mary Grief“, предвид датата му на създаване?

    Създадена през 1994, „Mary Grief“ принадлежи към Mature Period на Stephen Ashurst.