период

движение

атмосфера

теми

1. Figure Studies after Rembrandt Etchings — Томас Сали
2. Five Figure Studies 2 — Томас Сали
3. Sketch 33 — Томас Сали
4. Sketch 4 — Томас Сали
5. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Томас Сали
6. Sketch 27 — Томас Сали
7. Child with Dog; Two Figures in Encounter; Two Figures and Child Attending to Dying Male; Figure on Deathbed — Томас Сали
8. Composition Sketch for an Adoration of the Magi and A Bishop Blessing — Томас Сали

ключови думи

тон

основен цвят

1. Sketch 33 — Томас Сали
2. Composition Sketch for an Adoration of the Magi and A Bishop Blessing — Томас Сали
3. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Томас Сали
4. Study for the left hand of 'The Woman clothed with the Sun' — Бенджамин Уест
5. Sketch 41 — Томас Сали
6. Sketch 4 — Томас Сали
7. Five Figure Studies 2 — Томас Сали
8. Sketch 27 — Томас Сали
9. Study sheet with Madonna and child, hand and sleeve — Албрехт Дюрер
10. Study nuts — Фернан Леже, 1931
11. Drapery Study. Study for Semiramis Building Babylon — hilaire-germain-edgar degas
12. Child with Dog; Two Figures in Encounter; Two Figures and Child Attending to Dying Male; Figure on Deathbed — Томас Сали
13. Dying Figure in the Arjpg of a Woman; Praying Woman; Standing Woman; Architectual Detail; Sleeping Figure — Томас Сали
14. Figure Studies after Rembrandt Etchings — Томас Сали
15. Two male figure studies and St Peter — Пизанello
16. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барочи, 1579
17. Изследване на ръцете (различни изследвания) — Леонардо да Винчи
18. Studies of a Calvary — Албрехт Дюрер
19. Sketch 3 — Томас Сали
20. Изследване на дрехи за седнала фигура — Леонардо да Винчи, 1470
21. Study of Feet and Hands — Жан-Луи Андре Теодор Жерико, 1818
22. Sketch 46 — Томас Сали
23. Studies after the Model — Ян Левенс, 1660
24. Study of a Head Looking Upward (recto) — Микеланджело Буонароти, 1504

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