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БЕЗПЛАТНА КОНСУЛТАЦИЯ ЗА ИЗКУСТВО

период

движение

атмосфера

теми

  1. Academic study of a man, half-length; Study of a kneeling male nude; Study of a — Бенджамин Уест
  2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барочи, 1579
  3. Study of a Lion and Study of a Lioness' Head — Йоан Фредерик Лийз, 1820
  4. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барочи, 1579
  5. Изследване на ръцете (различни изследвания) — Леонардо да Винчи
  6. Изучение на главата на апостол и архитектурно изследване — Леонардо да Винчи, 1494
  7. Drapery Study. Study for Semiramis Building Babylon — hilaire-germain-edgar degas
  8. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барочи, 1583
  9. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барочи, 1583
  10. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барочи, 1583
  11. Study of a Ballet Dancer (recto); Two Studies of Dancers (verso) — hilaire-germain-edgar degas, 1873
  12. Study of a Female Figure in Profile, with Related Studies of a Hat and Right Hand — Адволф фон Мензел
  13. Study of a Woman Spinning and Five Studies of Hands — Антоан Вато, 1700

ключови думи

тон

основен цвят

  1. Drapery Study. Study for Semiramis Building Babylon — hilaire-germain-edgar degas
  2. Study of a Female Figure in Profile, with Related Studies of a Hat and Right Hand — Адволф фон Мензел
  3. Study with Figures. Study for 'La Grande Jatte' — Georges Pierre Seurat, 1885