Портрет на Paolo de Matteis

44-те най-известни картини на Paolo de Matteis, селекция от галерията

Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 47 творби на Paolo de Matteis в нашия каталог

Накратко

От всички оригинали, оставени от Paolo de Matteis, най-известният е Adam and Eve Lamenting over the Body of Abel (1676), който се намира в колекцията на Statens Museum for Kunst, Копенхаген. След тях непосредствено следват Mystical Marriage of St Catharine (1712) и Ideal Landscape with Diana and Actaeon (1695). Нашият каталог съдържа 47 произведения на Paolo de Matteis; галерията е съхранила 44-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1662 – 1728, Cilento Baroque Най-много творби: Баварски държавни списъци с произведения на изкуството

Топ 10-те картини на Paolo de Matteis: изборът на галерията

1
Adam and Eve Lamenting over the Body of Abel (1676) на Paolo de Matteis

Adam and Eve Lamenting over the Body of Abel

1676 · Oil On Canvas · Statens Museum for Kunst, Копенхаген

The air hangs heavy and thick with the scent of damp earth and sudden, sharp grief. In this cavernous, murky landscape, the light does not merely shine; it strikes. It cuts through the deep shadows to illuminate a scene of profound tragedy, catching the pale, luminous skin of three figures caught in a moment of eternal mourning. Adam leans forward, his muscular anatomy defined by the harsh, directional light, his…

2
Mystical Marriage of St Catharine (1712) на Paolo de Matteis

Mystical Marriage of St Catharine

1712 · Oil On Canvas · Kunsthistorisches Museum, Виена

In this intimate composition, we find ourselves drawn into a quiet, sacred moment of devotion. The scene depicts the Mystical Marriage of Saint Catherine, a subject that invites a sense of profound stillness. At the center of the work, the Virgin Mary sits with the infant Christ, her presence steady and maternal. The child reaches out toward Saint Catherine, who kneels in a gesture of humble reception. This tactile connection,…

3
Ideal Landscape with Diana and Actaeon (1695) на Paolo de Matteis

Ideal Landscape with Diana and Actaeon

In Ideal Landscape with Diana and Actaeon, Paolo de Matteis constructs a world of deep, receding space. Dark, heavy foliage and jagged rocky outcrops anchor the foreground, framing a view that pulls the eye toward a distant valley. On the left, a group of figures gathers amidst the shadows. A solitary figure appears in the mid-ground, caught in the transition between the dense woods and the open air. The perspective…

4
John Nepomuk before King Wenceslaus (1695) на Paolo de Matteis

John Nepomuk before King Wenceslaus

The canvas captures a moment of heavy, suspended tension. A king sits in a position of earthly authority, his cloak cascading in deep, sculptural folds that catch the light. Before him, a cleric stands, caught in the gravity of a divine encounter. The composition pulls the eye upward along a diagonal line, moving from the grounded, muscular presence of the figures toward a celestial opening in the upper corner. Here,…

5
The Wounded Tancred Nursed by Erminia (1695) на Paolo de Matteis

The Wounded Tancred Nursed by Erminia

The Wounded Tancred Nursed by Erminia emerges from the brush of Paolo de Matteis as a heavy, emotional oil painting. Created in 1695, the work captures a moment of profound vulnerability. A wounded male figure, Tancred, lies in a state of exhaustion, his strength spent by the conflicts that surround him. He is met by the presence of Erminia, a female figure whose care provides the central focus of this…

6
Lamentation of Christ (1695) на Paolo de Matteis

Lamentation of Christ

In this somber religious scene, the Lamentation of Christ unfolds with a heavy, quiet intensity. Created by the artist Paolo de Matteis around 1695, the work captures a moment of profound grief following the crucifixion. The lifeless body of Christ lies at the center of the sorrow, his form reclined and supported by those who mourn him. Every figure in the composition seems anchored by the weight of this loss,…

7
Chlorinda Saves Sofronia and Olindo from Death by Fire (1695) на Paolo de Matteis

Chlorinda Saves Sofronia and Olindo from Death by Fire

The oil on canvas titled Chlorinda Saves Sofronia and Olindo from Death by Fire is a work by Paolo de Matteis. Created in 1695, the painting captures a moment of sudden movement and high tension. The scene centers on a rescue narrative where heroism meets the sharp edge of conflict.

8
Death of Cato of Utica (1695) на Paolo de Matteis

Death of Cato of Utica

Paolo de Matteis presents a dramatic Baroque-style oil painting in Death of Cato of Utica. Created about 1695, the work captures the tragic historical end of Cato the Younger. The scene focuses on the final moments of the Roman senator, a figure defined by his commitment to Stoicism and his resistance to the rising power of Julius Caesar.

9
Hercules at the Crossroads (1695) на Paolo de Matteis

Hercules at the Crossroads

Paolo de Matteis created Hercules at the Crossroads in 1695. The work presents a mythological scene centered on the themes of choice and contemplation. The composition focuses on a muscular man representing Hercules, who leans against a tree trunk in a pose of deep hesitation. His chin rests on his hand as he deliberates between two paths.

10
The Adoration of the Shepherds (1704) на Paolo de Matteis

The Adoration of the Shepherds

1704 · Oil On Canvas · Даласски музей на изкуствата, Дълас

A single, celestial glow emanates from the center of the stable, casting long, heavy shadows across the earth. This light does not come from a candle or a lamp, but from the skin of the infant Jesus. It strikes the faces of the kneeling shepherds, turning their weathered features into maps of sudden wonder. The darkness of the background presses inward, making the central scene feel like a private, sacred…

Изборът на Paolo de Matteis продължава, от 11 до 44

11Danaë (1705) на Paolo de MatteisDanaë1705 · Детройтският институт за изкуства 12Assumption of the Virgin (1707) на Paolo de MatteisAssumption of the Virgin1707 · Музей на изкуствата във Бостън 13Cain Slaying Abel (1707) на Paolo de MatteisCain Slaying Abel1707 · Statens Museum for Kunst 14Venus giving arms to Aeneas (1712) на Paolo de MatteisVenus giving arms to Aeneas1712 15The triumph of the Immaculate (1712) на Paolo de MatteisThe triumph of the Immaculate1712 · Gemäldegalerie 16Virgin of the Annunciation (1728) на Paolo de MatteisVirgin of the Annunciation1728 · Музей за изкуствата в Страсбург 17Painting of Our Lady of Sorrows (1700) на Paolo de MatteisPainting of Our Lady of Sorrows1700 · Национален археологически музей в Таранто 18Clorinda Rescuing Olindo and Sophronia from the Stake (1690) на Paolo de MatteisClorinda Rescuing Olindo and Sophronia from the Stake1690 · Durham University 19The Meeting of Erminia (1715) на Paolo de MatteisThe Meeting of Erminia1715 · Kunsthistorisches Museum 20The Choice of Hercules (1712) на Paolo de MatteisThe Choice of Hercules1712 · Ашмолеан Музей на изкуството и археологията 21A Glorification of Prince Eugene of Savoy's Victory over the Turks in Hungary and at Zenta and Belgrade in 1697 (1725) на Paolo de MatteisA Glorification of Prince Eugene of Savoy's Victory over the Turks in Hungary and at Zenta and Belgrade in 16971725 22village at a lake на Paolo de Matteisvillage at a lake 23Apollo and Muses на Paolo de MatteisApollo and MusesНационален музей във Варшава 24Love And The Vices Disarm Judgement на Paolo de MatteisLove And The Vices Disarm Judgement 25Apollo and Daphne (1702) на Paolo de MatteisApollo and Daphne1702 26The Abduction of Europa. на Paolo de MatteisThe Abduction of Europa. 27St. Catherine With An Angel And Cherubs на Paolo de MatteisSt. Catherine With An Angel And Cherubs 28Madonna на Paolo de MatteisMadonna 29Self Portrait In An Allegory Of The Arts на Paolo de MatteisSelf Portrait In An Allegory Of The Arts 30The Finding of Moses на Paolo de MatteisThe Finding of Moses 31The annunciation. на Paolo de MatteisThe annunciation.Художественият музей в Сейнт Луис 32Polyphemus and Galatea на Paolo de MatteisPolyphemus and Galatea 33Allegory of Knowledge and the Arts in Naples на Paolo de MatteisAllegory of Knowledge and the Arts in NaplesМузеят на изкуствата в Хюстън 34Drawing на Paolo de MatteisDrawing 35Allegory of the Consequences of the Peace of Utrecht на Paolo de MatteisAllegory of the Consequences of the Peace of UtrechtМузеят на изкуствата в Хюстън 36The Triumph and Glory of the Immaculate Conception на Paolo de MatteisThe Triumph and Glory of the Immaculate Conception 37Martyre de Saint Jean Nepomucène (The Martyrdom of Saint John) на Paolo de MatteisMartyre de Saint Jean Nepomucène (The Martyrdom of Saint John)Musée des Beaux-Arts 38Esther before King Ahasuerus на Paolo de MatteisEsther before King Ahasuerus 39Rebecca's journey to Canaan на Paolo de MatteisRebecca's journey to Canaan 40Death of St Joseph на Paolo de MatteisDeath of St Joseph 41Lot and his daughters на Paolo de MatteisLot and his daughters 42Latona and the Lycian peasants на Paolo de MatteisLatona and the Lycian peasants 43St. Nicolas of Bari Felling a Tree Inhabited by Demons на Paolo de MatteisSt. Nicolas of Bari Felling a Tree Inhabited by DemonsHigh Museum of Art 44Death of Saint Nicholas (1707) на Paolo de MatteisDeath of Saint Nicholas1707

Темите, които привличат погледа на Paolo de Matteis

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Paolo de Matteis

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Paolo de Matteis Картини от този списък
Баварски държавни списъци с произведения на изкуството, МюнхенБаварски държавни списъци с произведения на изкуството Мюнхен 7 Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus, The Wounded Tancred Nursed by Erminia
Statens Museum for Kunst, КопенхагенStatens Museum for Kunst Копенхаген 2 Adam and Eve Lamenting over the Body of Abel, Cain Slaying Abel
Kunsthistorisches Museum, ВиенаKunsthistorisches Museum Виена 2 Mystical Marriage of St Catharine, The Meeting of Erminia
Музеят на изкуствата в Хюстън, ХюстънМузеят на изкуствата в Хюстън Хюстън 2 Allegory of Knowledge and the Arts in Naples, Allegory of the Consequences of the Peace of Utrecht
Даласски музей на изкуствата, ДъласДаласски музей на изкуствата Дълас 1 The Adoration of the Shepherds
Детройтският институт за изкуства, ДетройтДетройтският институт за изкуства Детройт 1 Danaë
Музей на изкуствата във Бостън, БостънМузей на изкуствата във Бостън Бостън 1 Assumption of the Virgin
Gemäldegalerie, БерлинGemäldegalerie Берлин 1 The triumph of the Immaculate

Paolo de Matteis десетилетие по десетилетие: оригиналът, който дефинира всяко от тях

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Въпроси на колекционерите относно картините на Paolo de Matteis

С кое произведение е най-известен Paolo de Matteis?Разкрийте отговора

Adam and Eve Lamenting over the Body of Abel (1676), Statens Museum for Kunst, Копенхаген. Следват Mystical Marriage of St Catharine (1712) и Ideal Landscape with Diana and Actaeon (1695).

На каква възраст е бил Paolo de Matteis, когато е създадена Adam and Eve Lamenting over the Body of Abel?Разкрийте отговора

14 години: Adam and Eve Lamenting over the Body of Abel е от 1676 г., а Paolo de Matteis е роден/а в 1662.

Кои са десетте най-известни картини на Paolo de Matteis?Разкрийте отговора

Adam and Eve Lamenting over the Body of Abel, Mystical Marriage of St Catharine, Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus, The Wounded Tancred Nursed by Erminia, Lamentation of Christ, Chlorinda Saves Sofronia and Olindo from Death by Fire, Death of Cato of Utica, Hercules at the Crossroads и The Adoration of the Shepherds. Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил Paolo de Matteis?Разкрийте отговора

В нашия каталог са представени 47 произведения на Paolo de Matteis, датирани от 1676 до 1728.

В кои музеи са изложени шедьоврите на Paolo de Matteis?Разкрийте отговора

Предимно в Баварски държавни списъци с произведения на изкуството (Мюнхен), Statens Museum for Kunst (Копенхаген) и Kunsthistorisches Museum (Виена). В горната таблица с музеи са изброени всички тях.

В кои години Paolo de Matteis е създал най-известните си произведения?Разкрийте отговора

В 1690s: 8 от 44 произведенията на тази страница са създадени тогава, като Ideal Landscape with Diana and Actaeon са сред тях.

Кои са първата и последната известни оригинални творби на Paolo de Matteis?Разкрийте отговора

На тази страница най-старата е Adam and Eve Lamenting over the Body of Abel (1676), а най-новата е Virgin of the Annunciation (1728).

Кои теми избира най-често Paolo de Matteis?Разкрийте отговора

Woman (11), Man (9) и Clouds (6), разпределени в 44 произведения на тази страница.

Коя техника използва най-често Paolo de Matteis?Разкрийте отговора

Oil On Canvas, за 11 от 44 произведения на тази страница.

Към коهoто художествено направление принадлежи Paolo de Matteis?Разкрийте отговора

Baroque, судейки по оригиналите на тази страница.

Кои произведения на Paolo de Matteis се съхраняват в Баварски държавни списъци с произведения на изкуството?Разкрийте отговора

Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus и The Wounded Tancred Nursed by Erminia: Баварски държавни списъци с произведения на изкуството, Мюнхен притежава 7 от произведенията на тази страница.

Paolo de Matteis: живот и творчество

The Neapolitan Visionary: The Rise of Paolo de Matteis

In the vibrant, sun-drenched landscape of seventeenth-century Italy, a new light began to emerge from the humble surroundings of Piano Vetrale. Paolo de Matteis, an artist whose name would become synonymous with the opulent grandeur of the Baroque, embarked on a journey that would reshape the visual identity of Naples and Rome. His early years were defined by rigorous training under Francesco di Maria, yet it was his profound apprenticeship with the legendary Luca Giordano that truly ignited his creative spirit. From Giordano, de Matteis inherited a mastery of illusionistic painting, learning to manipulate light and shadow—the dramatic chiaroscuro—to create immersive worlds that seemed to breathe within their frames.

As he navigated the complexities of the Spanish Viceroyalty's court, his work began to reflect a unique synthesis of theatricality and grace. He did not merely paint scenes; he constructed spectacles. His ability to weave intricate narratives through movement and perspective allowed him, through his brush, to capture the very essence of the era’s devotion and drama.

A Continental Evolution: From Baroque Drama to Rocaille Elegance

The trajectory of de Matteis' career was significantly altered by his transformative sojourn in Paris between 1702 and 1705. This period of international exposure acted as a crucible for his style, as he absorbed the burgeoning trends of the French art scene. The heavy, dramatic weight of the traditional Baroque began to soften, making way for a more refined, delicate sensibility that hinted at the approaching Rocaille era. This evolution is beautifully captured in works such as Apollo and Daphne, where the mythological tension of Ovid’s tale is rendered with both energetic movement and an increasingly sophisticated lightness.

Upon his return to Naples, de Matteis brought with him a reinvigorated vision. He dedicated himself to monumental decorative schemes that transformed sacred spaces into celestial visions. His work on the magnificent vault of San Ignazio in the Gesù Nuovo stands as a testament to this period, where his brushwork turned stone and plaster into a breathtaking expanse of divine light.

A Legacy Etched in Gold and Light

The enduring significance of Paolo de Matteis lies in his role as a bridge between two great artistic epochs. He possessed the rare ability to honor the dramatic intensity of his predecessors while embracing the elegance of the future. His religious compositions, such as Our Lady of Sorrows, continue to resonate with their rich textures and symbolic depth, inviting viewers into a state of profound contemplation.

  • Mastery of illusionistic fresco techniques that expanded architectural boundaries.
  • A pivotal role in transitioning Neapolitan art from Baroque theatricality to Rocaille refinement.
  • The creation of enduring mythological and religious icons that defined the eighteenth-century aesthetic.