Портрет на Gherardo Starnina

33-те най-известни картини на Gherardo Starnina, селекция от галерията

Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 33 творби на Gherardo Starnina в нашия каталог

Накратко

От всички оригинали, оставени от Gherardo Starnina, най-известният е Dormition of the Virgin (1408), който се намира в колекцията на Philadelphia Museum of Art, Филаделфия. След тях непосредствено следват Archangel Michael (1404) и Christ as Salvator Mundi (1405). Нашият каталог съдържа 33 произведения на Gherardo Starnina; галерията е съхранила 33-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1354 – 1413, Florence Най-много творби: Städel Museum

Топ 10-те картини на Gherardo Starnina: изборът на галерията

1
Dormition of the Virgin (1408) на Gherardo Starnina

Dormition of the Virgin

1408 · Tempera On Panel · Philadelphia Museum of Art, Филаделфия

The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…

Изборът на Gherardo Starnina продължава, от 11 до 33

11Isaiah with Two Angels (1410) на Gherardo StarninaIsaiah with Two Angels1410 · Музей на изкуствата във Бостън 12Saint Stephen (1410) на Gherardo StarninaSaint Stephen1410 · Музей на изкуствата във Бостън 13The Dormition of the Virgin (1405) на Gherardo StarninaThe Dormition of the Virgin1405 · Art Institute of Chicago 14Two Seated Angels Making Music (1400) на Gherardo StarninaTwo Seated Angels Making Music1400 · Музей Бойманс ван Беунхиген 15Two Evangelists (1407) на Gherardo StarninaTwo Evangelists1407 · Rijksmuseum 16St. Matthew (Two Evangelists) (1407) на Gherardo StarninaSt. Matthew (Two Evangelists)1407 · Rijksmuseum 17Saints Mary Magdalene, Lawrence and a donor/ Angelo Acciaiuolo (1405) на Gherardo StarninaSaints Mary Magdalene, Lawrence and a donor/ Angelo Acciaiuolo1405 · Gemäldegalerie 18The Assumption of the Virgin (1406) на Gherardo StarninaThe Assumption of the Virgin1406 · Harvard Art Museums 19Madonna and Child with SS Victor and Octavian (1451) на Gherardo StarninaMadonna and Child with SS Victor and Octavian1451 · Pinacoteca Comunale 20Madonna and Child with Musical Angels (1410) на Gherardo StarninaMadonna and Child with Musical Angels1410 · Музей Джейн Пол Гети 21Saint Hugh of Lincoln Exorcises a Man Possessed by the Devil (1407) на Gherardo StarninaSaint Hugh of Lincoln Exorcises a Man Possessed by the Devil1407 · Museo Poldi Pezzoli 22Thebaid (detail) (1410) на Gherardo StarninaThebaid (detail)1410 · Галерия Уфици 23Thebaid (detail) (1410) на Gherardo StarninaThebaid (detail)1410 · Галерия Уфици 24The Beheading of Saint Margaret на Gherardo StarninaThe Beheading of Saint MargaretНационална галерия 25The Last Judgment на Gherardo StarninaThe Last JudgmentБаварски държавни списъци с произведения на изкуството 26Head of an Angel на Gherardo StarninaHead of an AngelBarnes Foundation 27St Benedict and Bishop Donatus на Gherardo StarninaSt Benedict and Bishop DonatusНационален музей 28St Vincent (1410) на Gherardo StarninaSt Vincent1410 · Музей на изкуствата във Бостън 29(88 x 48 CM) (1400) на Gherardo Starnina(88 x 48 CM) (1400)Национален музей за изкуствата в Каталония 30Девойка с Младенец и Светии на Gherardo StarninaДевойка с Младенец и СветииGalleria dell'Accademia di Firenze 31Madonna and child (1403) на Gherardo StarninaMadonna and child1403 32Incoronazione della Vergine e angeli на Gherardo StarninaIncoronazione della Vergine e angeliPalazzo della Pilotta 33Thebaid (1410) на Gherardo StarninaThebaid1410 · Галерия Уфици

Темите, които привличат погледа на Gherardo Starnina

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Gherardo Starnina

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Gherardo Starnina Картини от този списък
Städel Museum, ФранкфуртStädel Museum Франкфурт 4 Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate
Музей на изкуствата във Бостън, БостънМузей на изкуствата във Бостън Бостън 4 Jeremiah with Two Angels, Isaiah with Two Angels, Saint Stephen
Галерия Уфици, ФлоренцияГалерия Уфици Флоренция 3 Thebaid (detail), Thebaid (detail), Thebaid
Rijksmuseum, АмстердамRijksmuseum Амстердам 2 Two Evangelists, St. Matthew (Two Evangelists)
Philadelphia Museum of Art, ФиладелфияPhiladelphia Museum of Art Филаделфия 1 Dormition of the Virgin
Museo Nazionale di Villa Guinigi, LuccaMuseo Nazionale di Villa Guinigi Lucca 1 Archangel Michael
The Nelson-Atkins Museum of Art, Канзас СитиThe Nelson-Atkins Museum of Art Канзас Сити 1 Adoration of the Magi
Cleveland Museum of Art, КливландCleveland Museum of Art Кливланд 1 Madonna and Child

Gherardo Starnina година по година: оригиналите, които дефинират всяка една

Едва десетилетие, от 1400 до 1410, подари на света всяка датирана оригинална творба на Gherardo Starnina в този подбор: ето ги, година по година.

Работи по години

Изберете година, за да разгледате оригиналите.

Въпроси на колекционерите относно картините на Gherardo Starnina

С кое произведение е най-известен Gherardo Starnina?Разкрийте отговора

Dormition of the Virgin (1408), Philadelphia Museum of Art, Филаделфия. Следват Archangel Michael (1404) и Christ as Salvator Mundi (1405).

На каква възраст е бил Gherardo Starnina, когато е създадена Dormition of the Virgin?Разкрийте отговора

54 години: Dormition of the Virgin е от 1408 г., а Gherardo Starnina е роден/а в 1354.

Кои са десетте най-известни картини на Gherardo Starnina?Разкрийте отговора

Dormition of the Virgin, Archangel Michael, Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate, Salvator Mundi, The Angel of the Annunciation and the Virgin Annunciate, Adoration of the Magi, Madonna and Child, A Bishop Saint and Saint Lawrence и Jeremiah with Two Angels. Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил Gherardo Starnina?Разкрийте отговора

В нашия каталог са представени 33 произведения на Gherardo Starnina, датирани от 1400 до 1410.

В кои музеи са изложени шедьоврите на Gherardo Starnina?Разкрийте отговора

Предимно в Städel Museum (Франкфурт), Музей на изкуствата във Бостън (Бостън) и Галерия Уфици (Флоренция). В горната таблица с музеи са изброени всички тях.

В кои години Gherardo Starnina е създал най-известните си произведения?Разкрийте отговора

В 1410: 8 от 33 произведенията на тази страница са създадени тогава, като Jeremiah with Two Angels са сред тях.

Кои са първата и последната известни оригинални творби на Gherardo Starnina?Разкрийте отговора

На тази страница най-старата е Madonna and Child (1400), а най-новата е Jeremiah with Two Angels (1410).

Кои теми избира най-често Gherardo Starnina?Разкрийте отговора

People (3), Figures (2) и Saints (2), разпределени в 33 произведения на тази страница.

Коя техника използва най-често Gherardo Starnina?Разкрийте отговора

Tempera On Panel, за 5 от 33 произведения на тази страница.

Кои произведения на Gherardo Starnina се съхраняват в Städel Museum?Разкрийте отговора

Christ as Salvator Mundi, Archangel Gabriel и Virgin Annunciate: Städel Museum, Франкфурт притежава 4 от произведенията на тази страница.

Gherardo Starnina: живот и творчество

The Soul of the Venetian Renaissance: The Life of Gherardo di Jacopo Starnina

In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty. Gherardo di Jacopo Starnina, known to history by the affectionate moniker “Starnina,” stands as a vital bridge in the evolution of Italian art. Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. This formative period instilled in him a lifelong duality: a profound commitment to realistic observation paired with an unwavering devotion to the spiritual narrative.

The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380. This move was not merely a change in geography but a shift in artistic atmosphere. In Venice, the light was different, more luminous and atmospheric, and the burgeoning trade brought new textures and colors to the artist's palette. It was here that Starnina truly found his voice, establishing himself as a master of detail and a painter of profound faith. His work began to reflect the unique Venetian sensibility—a blend of rich, decorative splendor and a deep, contemplative stillness that invited the viewer into a state of prayerful meditation.

Mastery of Detail and the Sacred Narrative

To gaze upon a Starnina masterpiece is to enter a world where every fold of fabric and every subtle gesture carries weight. He was not an artist preoccupied solely with grand, sweeping movements; rather, he found the divine in the minute. His technique was characterized by a remarkable attention to texture and nuance, a hallmark that would define the Venetian Renaissance style. In works such as Virgin with Child and Saints, one can witness his ability to weave together angelic figures and holy saints within a composition that feels both mathematically structured and emotionally fluid. He utilized color not just as a means of representation, but as a tool to convey the sanctity of his subjects.

His contributions to sacred spaces remain some of his most enduring legacies. The frescoes adorning the Basilica di San Frediano and the collections within the Museo di Bassano serve as windows into a lost era of craftsmanship. Starnina’s ability to render the Thebaid—the desert landscapes inhabited by hermits—demonstrates his skill in blending landscape with spiritual struggle, using light and shadow to evoke the isolation and piety of the saints. His work on the façades and interiors of religious institutions showcased a mastery of perspective that, while still rooted in Gothic tradition, pointed toward the revolutionary advancements of the coming centuries.

A Lasting Legacy in Art History

While the names of later Venetian giants like Titian or Tintoretto often dominate the historical discourse, the significance of Starnina cannot be overstated. He provided the essential foundation upon which the later masters built their triumphs. By integrating the emotional intensity of his Florentine training with the luminous, decorative richness of Venice, he helped create a new visual language for the Renaissance. His life’s work represents a period of transition, where the symbolic rigidity of the past was gracefully yielding to a more human-centric, observant way of seeing the world.

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions:

  • Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.
  • Devotional Precision: A unique ability to use intricate detail and texture to enhance the spiritual impact of religious iconography.
  • Historical Continuity: Serving as a crucial link between the late Gothic tradition and the dawn of the High Renaissance.
  • Architectural Integration: The masterful execution of large-scale frescoes and mosaics that transformed sacred spaces into immersive spiritual environments.

Today, when we study the works of Starnina, we are not merely looking at relics of the 15th century; we are witnessing the birth of a new way of perceiving the divine through the lens of human beauty and meticulous artistry.