Портрет на Bartolomeo Passarotti

56-те най-известни картини на Bartolomeo Passarotti, селекция от галерията

Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 59 творби на Bartolomeo Passarotti в нашия каталог

Накратко

От всички оригинали, оставени от Bartolomeo Passarotti, най-известният е Portrait of an old woman (1582), който се намира в колекцията на Kunsthistorisches Museum, Виена. След тях непосредствено следват The Anatomy Lesson (1550) и Family Portrait (1585). Нашият каталог съдържа 59 произведения на Bartolomeo Passarotti; галерията е съхранила 56-те най-обожавани от света, всяко от тях представен с неговата дата, неговия музей и неговата история.

1529 – 1592, Bologna Renaissance Най-много творби: Музей Прадо

Топ 10-те картини на Bartolomeo Passarotti: изборът на галерията

2
The Anatomy Lesson (1550) на Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · Галерия Боргезе, Рим

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) на Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · Kunsthistorisches Museum, Виена

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

5
Portrait of a Man (1560) на Bartolomeo Passarotti

Portrait of a Man

The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.

6
Saint Jerome (1550) на Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · Национална галерия в Ирландия, Dublin City

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) на Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) на Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) на Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) на Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Изборът на Bartolomeo Passarotti продължава, от 11 до 56

11Portrait of the Physician Carlo Fontana (1570) на Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) на Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) на Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) на Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) на Bartolomeo PassarottiPortrait of a Man1580 · Harvard Art Museums 16Poultry dealer (1580) на Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer на Bartolomeo PassarottiBlood of the RedeemerМузей на изкуствата във Бостън 18Portrait of Ignazio Danti (1597) на Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) на Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · Музей на изкуствата във Бостън 20Copy after Michelangelo (1550) на Bartolomeo PassarottiCopy after Michelangelo1550 · Nelson-Atkins Museum of Art 21DIANE CHASSERESSE на Bartolomeo PassarottiDIANE CHASSERESSEЛувър 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) на Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) на Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) на Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina 25The Fishmonger's Shop (1580) на Bartolomeo PassarottiThe Fishmonger's Shop1580 · Galleria Nazionale d'Arte Antica 26Portrait of a Man with a Dog (1585) на Bartolomeo PassarottiPortrait of a Man with a Dog1585 · Pinacoteca Capitolina 27Study of Male Nudes Fighting (1572) на Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) на Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait на Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi на Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of AssisiМузей за изкуствата в Страсбург 31Lute palyer на Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure на Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) на Bartolomeo PassarottiA Butchery1575 · Galleria Nazionale d'Arte Antica 34Male Nude (1550) на Bartolomeo PassarottiMale Nude1550 · Музей Прадо 35Copy of a Statue with A Female Nude From Back (1550) на Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · Музей Прадо 36Lucretia's Suicide (1550) на Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) на Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Галерия Спада 38Portrait of Pope Pius V (1566) на Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) на Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) на Bartolomeo PassarottiDouble Portrait of Musicians1579 · Капитолийски музеи 41Double Dressed Portrait of Circe and Ulysses (1575) на Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) на Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · Музей Прадо 43The Holy Family Accompained by an Angel and two Saints (1565) на Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · Музей Прадо 44Portrait of a Gentleman (1580) на Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) на Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) на Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) на Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia 48St. Dominicus and the Albigensians (1580) на Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 49Domenico Giuliani and His Servant на Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman на Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait на Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders на Bartolomeo PassarottiPortrait of a lady, head and shouldersБаварски държавни списъци с произведения на изкуството 53Portrait of an Unknown Soldier in Armour на Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria на Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables на Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 56The Butcher's Shop (1580) на Bartolomeo PassarottiThe Butcher's Shop1580 · Galleria Nazionale d'Arte Antica

Знаменитите картини на Bartolomeo Passarotti, период по период

Темите, които привличат погледа на Bartolomeo Passarotti

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Bartolomeo Passarotti

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Bartolomeo Passarotti Картини от този списък
Музей Прадо, МадридМузей Прадо Мадрид 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
Kunsthistorisches Museum, ВиенаKunsthistorisches Museum Виена 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
Galleria Nazionale d'Arte Antica, РимGalleria Nazionale d'Arte Antica Рим 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
Баварски държавни списъци с произведения на изкуството, МюнхенБаварски държавни списъци с произведения на изкуството Мюнхен 2 Portrait of a Man, Portrait of a lady, head and shoulders
Музей на изкуствата във Бостън, БостънМузей на изкуствата във Бостън Бостън 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
Pinacoteca Capitolina, РимPinacoteca Capitolina Рим 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
Галерия Боргезе, РимГалерия Боргезе Рим 1 The Anatomy Lesson
Национална галерия в Ирландия, Dublin CityНационална галерия в Ирландия Dublin City 1 Saint Jerome

Bartolomeo Passarotti десетилетие по десетилетие: оригиналът, който дефинира всяко от тях

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Въпроси на колекционерите относно картините на Bartolomeo Passarotti

С кое произведение е най-известен Bartolomeo Passarotti?Разкрийте отговора

Portrait of an old woman (1582), Kunsthistorisches Museum, Виена. Следват The Anatomy Lesson (1550) и Family Portrait (1585).

На каква възраст е бил Bartolomeo Passarotti, когато е създадена Portrait of an old woman?Разкрийте отговора

53 години: Portrait of an old woman е от 1582 г., а Bartolomeo Passarotti е роден/а в 1529.

Кои са десетте най-известни картини на Bartolomeo Passarotti?Разкрийте отговора

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe и Three Men with Two Dogs. Класацията по-горе показва годината и музея за всяко от тях.

Колко картини е оставил Bartolomeo Passarotti?Разкрийте отговора

В нашия каталог са представени 59 произведения на Bartolomeo Passarotti, датирани от 1550 до 1585.

В кои музеи са изложени шедьоврите на Bartolomeo Passarotti?Разкрийте отговора

Предимно в Музей Прадо (Мадрид), Kunsthistorisches Museum (Виена) и Galleria Nazionale d'Arte Antica (Рим). В горната таблица с музеи са изброени всички тях.

В кои години Bartolomeo Passarotti е създал най-известните си произведения?Разкрийте отговора

В 1580s: 15 от 56 произведенията на тази страница са създадени тогава, като Portrait of an old woman са сред тях.

Кои са първата и последната известни оригинални творби на Bartolomeo Passarotti?Разкрийте отговора

На тази страница най-старата е The Anatomy Lesson (1550), а най-новата е Family Portrait (1585).

Кои теми избира най-често Bartolomeo Passarotti?Разкрийте отговора

Man (15), Beard (7) и Book (6), разпределени в 56 произведения на тази страница.

Коя техника използва най-често Bartolomeo Passarotti?Разкрийте отговора

Oil On Canvas, за 15 от 56 произведения на тази страница.

Към коهoто художествено направление принадлежи Bartolomeo Passarotti?Разкрийте отговора

Renaissance и Mannerism, судейки по оригиналите на тази страница.

Кои произведения на Bartolomeo Passarotti се съхраняват в Музей Прадо?Разкрийте отговора

Male Nude, Copy of a Statue with A Female Nude From Back и Copy of the Good Thief, From the Last Judgement of Michelangelo: Музей Прадо, Мадрид притежава 4 от произведенията на тази страница.

Bartolomeo Passarotti: живот и творчество

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.