تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 329 من أعمال أوتاغاوا كونيوشي في كتالوجنا
باختصار
من وجهة نظر المعرض، فإن أشهر لوحة للفنان أوتاغاوا كونيوشي هي موساشي على ظهر حوت. Shikamatsu Kanroku Yukishige (1847) و Hatakeyama sitting next to a Go board (1845) يكملان الثلاثية التي تدركها كل عين. من بين 329 من أعمال أوتاغاوا كونيوشي في كتالوجنا، يعرض المعرض أدناه 100 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
تنقلنا هذه الصورة الآسرة، وهي تنفيذ بارع لفن الأوكييو-إي بريشة الفنان الأسطوري أوتاغاوا كونيوشي، إلى اليابان في القرن التاسع عشر. لقد كان كونيوشي، الذي وُلد باسم يوشيسابورو عام 1798 ورحل في عام 1861، شخصية محورية في أواخر حركة الأوكييو-إي – ذلك التقليد الفني النابض بالحياة الذي جسد جوهر الحياة اليومية خلال فترة إيدو. إن هذا المشهد تحديداً، الذي يصور موساشي، السياف الشهير، وهو يمتطي حوتاً عملاقاً، ليس مجرد تصوير لمحارب؛…
Utagawa Kuniyoshi’s “Shikamatsu Kanroku Yukishige” (circa 1847) is more than a depiction of a samurai; it’s a potent distillation of Japanese heroism, loyalty, and the fleeting beauty of a moment captured in woodblock form. This iconic image, part of Kuniyoshi's celebrated series “Stories of the True Loyalty of the Faithful Samurai,” transports us to a pivotal scene from the classic tale of Suikoden – a story of betrayal, redemption, and…
Utagawa Kuniyoshi’s “Hatakeyama Sitting Next to a Go Board” is more than just a depiction of a solitary figure; it's a window into the heart of 19th-century Japan. Painted in 1845, during a period of immense social and artistic change, this ukiyo-e masterpiece captures a quiet moment of contemplation – a scene imbued with layers of meaning reflecting the values and aesthetics of the Edo period. Kuniyoshi, one of the…
This exceptional ukiyo-e print, created in 1848 by the master artist Utagawa Kuniyoshi, offers a captivating glimpse into the world of Edo-period Japan. Depicting Yukukawa Sanpei Munenori, a figure likely rooted in historical or legendary lore, the artwork is far more than a simple portrait; it’s a dynamic tableau brimming with action, symbolism, and the raw energy of a warrior's spirit. Kuniyoshi’s skill lies not just in his technical prowess…
Utagawa Kuniyoshi’s “The Twenty-Four Paragons of Filial Piety,” created circa 1848/50, stands as a pinnacle achievement of *ukiyo-e*, the Japanese woodblock print tradition that flourished during the Edo period. More than just a visually arresting spectacle—a sprawling landscape dominated by towering mountains rendered in subtle shades of azure—this monumental print delves into profound philosophical concepts rooted in Buddhism and Confucianism, offering a timeless meditation on reverence for ancestors and the…
Within the vibrant tapestry of Ukiyo-e prints, few images capture the raw power and stoic determination of a warrior quite like Utagawa Kuniyoshi's "Otaka Gengo Tadao," created in 1848. This remarkable woodblock print isn’t merely a depiction of a samurai; it’s a window into the heart of Edo-period Japan, brimming with tales of loyalty, honor, and the enduring spirit of martial prowess. Kuniyoshi, one of the last masters of this…
In the vibrant world of Ukiyo-e, few scenes command the eye with as much visceral intensity as Utagawa Kuniyoshi’s masterpiece, Oki no Jiro Hiroari killing a monstrous tengu. This dynamic mythological painting serves as a window into a moment of profound struggle, where the boundaries between the human and the supernatural blur amidst a backdrop of dark, foreboding shadows. The composition is anchored by the figure of Oki no Jiro…
Utagawa Kuniyoshi’s “Battle of Uji River,” painted between 1848 and 1850, stands as a quintessential example of *nishiki-e*, or polychrome woodblock printing, capturing the fervor and grandeur of samurai warfare against a backdrop of breathtaking natural beauty. This monumental print transcends mere depiction; it’s an immersive experience designed to evoke emotion and convey profound themes of courage, resilience, and the ephemeral nature of glory.
This striking artwork captures the core concept of Zen Buddhism – impermanence – through its masterful use of color and composition. The dominant hues are muted blues and greens, reflecting the serenity of nature while subtly hinting at the transient beauty of fleeting moments.
The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Ding Lan (Tei Ran)1852 · مكتبة جامعة كيو
12
Thirty-six Famous Battles1848
13
Kiura Okaemon Sadayuki1848
14
The Heavenly Weaver and the Heardsman1842 · Bristol Museum - Art Gallery
15
Yata Gorôemon Suketake1848
16
Oniwakamaru and the Giant Carp Fighting Underwater1835
17
A Votive Tablet with Masks of Kabuki Actors at Face ValueFukuoka City Museum
18
The actor (12)
19
The Sixth Month (Right)1849 · المتحف البريطاني
20
Bon-bon Uta，ChildrenFukuoka City Museum
21
Scene from the play “The Life of Onoe Kikugorō III”\n\nScene from the play “The Life of Onoe Kikugorō III”1847 · متحف آرت موسيم ريغا بورسا
22
Minamoto Yorimitsu also known as Raiko
23
Mount Fuji from the Sumida River embankment1842
24
A record of origins of the great country of Japan
25
The actor (16)
26
Seaweed Gatherers at Omari1833
27
The ghost of Taira Tomomori
28
Thaishun with elephants
29
Raiko tormented by the earth spider
30
Benkei holdin a halberd
31
A samurai overwhelming a giant serpent
32
The Famous Unrivalled Hidari Jingoro
33
Samurai and the conquered
34
Kamigashihime stabbing a giant spider
35
Vesper bell at Todaiji
36
Oniwakamaru about to kill the giant carp
37
Uneme is exorcising the monstrous serpent from the lake
38
Shoki and Demon, Edo period1850 · Arthur M. Sackler Gallery
39
Nichiren going into exile on the island of Sado
40
Uchiwakamaru fighting Benkei on Gojo bridge
41
The young Benkei holding a pole
42
New edition of the life of a hundred generals
43
Sharks
44
Koga Saburo, suspendeding a basket, watching a dragon
45
Kamei Rokuro and the Black Bear in the Snow1849
46
Hattara Sonja with his white tiger
47
Ishi-jo, wife of Oboshi Yoshio, one of the loyal ronin1848
48
Untitled (D2X8SB)801 · متحف المتروبوليتان للفنون
49
Yoshida Sadaemon Kanesada1848
50
Hara Gôemon Mototoki1848
51
Woodcut1852 · Museum of Far Eastern Antiquities
52
Woodcut1852 · Museum of Far Eastern Antiquities
53
Island Enoshima. The Fuji can be seen far away
54
Hayano Kanpei Tsuneyo1848 · متحف كليفلاند للفنون
55
In the Waves at Kakuda enroute to Sado Island, Edo period1835 · Arthur M. Sackler Gallery
56
Woman selling decorative bowls
57
A fierce depiction of Uesugi Kenshin seated1844
58
The Twenty-four Paragons of Filial Piety in China, Script by Tanekazu : Emperor Wen of Han (Kan no Buntei)1852 · مكتبة جامعة كيو
59
The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Cai Shun (Sai Jun)1852 · مكتبة جامعة كيو
60
Isoai Jûroemon Masahisa1848
61
Tokuda Sadaemon Yukitaka1848
62
Tamakatzura Tamatori attacked by the octopus
63
Bijin with a dog in the snow1845
64
From Suikoden of Japanese Heroes
65
Hatakeyama Shigetada
66
The sailor Tokuso and the sea monster
67
Tokiwa Gozen in the snow
68
Mongaku doing penace at the Nachi waterfall
69
Eight Hundred Heroes of Our Country
70
The suicide of morozumi Masakiyo
71
Tametomo rescued from the sea monster by tengu
72
Miyamoto Musashi killing a giant
73
The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Tanzi (Enshi)1852 · مكتبة جامعة كيو
74
The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Jiang Shi (Kyo Shi)1852 · مكتبة جامعة كيو
75
Hawk
76
Tengu
77
Otsu-e Paintings Coming Alive Triptych1847
78
Lady-in-Waiting at Edo Castle1854
79
Bando Shuka I as the courtesan Shiraito of Hashimoto-ya1852 · Art Gallery of New South Wales
80
Self-portrait of the Shunga album
81
Saitogo Kunitake, Japanese actor1816
82
Kuroda Ukinaga, Japanese actor1816
83
Sosan returning to his mother1840
84
Strings for night firing
85
Woman catching firefly by a stream
86
Nakamura Kansuke Tadatoki1848
87
Yazama Shinroku Mitsukaze1848
88
Oribe Yasubei Taketsune1848
89
Katsuta Shin'emon Taketaka1848
90
Senzaki Yagorô Noriyasu1848
91
Ôboshi Rikiya Yoshikane1848
92
Hayano Wasuke Tsunenari1848
93
Writing a Label for Chrysanthemums1844
94
Shikamatsu Kanroku’s Manservant, Jinzaburô1848
95
Tokiwa-Gozen with her three children in the snow1840
96
Neve, the moon is chilling1845
97
Shoriko kaei shooting a wild goose
98
One Hundred and Eight Heroes from the Chinese Tale, The Water Margin- Zhang Shun, alias White Stripe...متحف طوكيو الوطني
99
Head of a Courtesanمتاحف هارفارد للفنون
100
Ishiyakushi
#5 The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Min Ziqian (Bin Shiken)
#7 Oki no Jiro Hiroari killing a monstrous tengu
#8 Battle of Uji River. Uji kawa kassen no zu
#9 The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Guo Ju (Kaku Kyo)
#11 The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Ding Lan (Tei Ran)
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتاحف | المدينة | أعمال أوتاغاوا كونيوشي | لوحات من هذه القائمة |
|---|---|---|---|
 مكتبة جامعة كيو |
طوكيو | 8 | The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Min Ziqian (Bin Shiken), The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Guo Ju (Kaku Kyo), The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Lu Ji (Riku Seki) |
 Fukuoka City Museum |
Fukuoka | 4 | A Votive Tablet with Masks of Kabuki Actors at Face Value, Bon-bon Uta，Children |
 Arthur M. Sackler Gallery |
واشنطن دي سي | 2 | Shoki and Demon, Edo period, In the Waves at Kakuda enroute to Sado Island, Edo period |
 Museum of Far Eastern Antiquities |
Stockholm | 2 | Woodcut, Woodcut |
 متحف هامر |
لوس أنجلوس | 2 | Battle of Uji River. Uji kawa kassen no zu |
 متحف طوكيو الوطني |
طوكيو | 2 | One Hundred and Eight Heroes from the Chinese Tale, The Water Margin- Zhang Shun, alias White Stripe... |
 Bristol Museum - Art Gallery |
بريستول | 1 | The Heavenly Weaver and the Heardsman |
 المتحف البريطاني |
لندن | 1 | The Sixth Month (Right) |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The stage is set in a flash of movement and tension. Two figures emerge from a pale, misty gray background, frozen in the height of a theatrical confrontation. On the left, an actor lunges forward, his body coiled with the energy of a sudden strike. He wears a deep red costume, heavy with intricate floral patterns that seem to dance alongside his motion. His hands grip a sword with a…
Utagawa Kuniyoshi’s “Oniwakamaru and the Giant Carp Fighting Underwater,” painted in 1835, is more than just a depiction of a fantastical scene; it's a vibrant testament to the enduring power of Japanese folklore and the masterful skill of one of its last great ukiyo-e masters. This captivating work transports us to a world where heroic figures confront mythical creatures within a swirling, dynamic underwater realm – a signature element of…
Utagawa Kuniyoshi’s “Shikamatsu Kanroku Yukishige” (circa 1847) is more than a depiction of a samurai; it’s a potent distillation of Japanese heroism, loyalty, and the fleeting beauty of a moment captured in woodblock form. This iconic image, part of Kuniyoshi's celebrated series “Stories of the True Loyalty of the Faithful Samurai,” transports us to a pivotal scene from the classic tale of Suikoden – a story of betrayal, redemption, and…
Utagawa Kuniyoshi’s “The Twenty-Four Paragons of Filial Piety,” created circa 1848/50, stands as a pinnacle achievement of *ukiyo-e*, the Japanese woodblock print tradition that flourished during the Edo period. More than just a visually arresting spectacle—a sprawling landscape dominated by towering mountains rendered in subtle shades of azure—this monumental print delves into profound philosophical concepts rooted in Buddhism and Confucianism, offering a timeless meditation on reverence for ancestors and the…
موساشي على ظهر حوت. يليه Shikamatsu Kanroku Yukishige (1847) و Hatakeyama sitting next to a Go board (1845).
موساشي على ظهر حوت, Shikamatsu Kanroku Yukishige, Hatakeyama sitting next to a Go board, Yukukawa Sanpei Munenori, The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Min Ziqian (Bin Shiken), Ôtaka Gengo Tadao, Oki no Jiro Hiroari killing a monstrous tengu, Battle of Uji River. Uji kawa kassen no zu, The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Guo Ju (Kaku Kyo) و The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Lu Ji (Riku Seki). يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 329 من أعمال أوتاغاوا كونيوشي، التي يعود تاريخها من 1816 إلى 1854.
توجد غالبيتها في مكتبة جامعة كيو (طوكيو), Fukuoka City Museum (Fukuoka) و Arthur M. Sackler Gallery (واشنطن دي سي). يدرج جدول المتاحف أعلاه جميعها.
في 1840s: تم إنجاز 33 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Shikamatsu Kanroku Yukishige.
في هذه الصفحة، أقدم الأعمال يعود إلى Saitogo Kunitake, Japanese actor (1816) وأحدثها يعود إلى Lady-in-Waiting at Edo Castle (1854).
Warrior (16), Samurai (15) و Man (14)، عبر 100 من الأعمال في هذه الصفحة.
Woodblock Print، لـ 69 من أصل 100 من الأعمال في هذه الصفحة.
Ukiyo-e، بناءً على الأعمال الأصلية في هذه الصفحة.
The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Min Ziqian (Bin Shiken), The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Guo Ju (Kaku Kyo) و The Twenty-four Paragons of Filial Piety in China , Script by Tanekazu : Lu Ji (Riku Seki): يضم مكتبة جامعة كيو, طوكيو 8 من الأعمال المعروضة في هذه الصفحة.
