تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 31 أعمال لـ تريسترام بول هيلير في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها تريسترام بول هيلير، تُعد The Green Bottle (1950) هي الأكثر شهرة. تأتي بعدهما مباشرة كل من La confiserie (1931) و L (1939). يضم كتالوجنا 31 من أعمال تريسترام بول هيلير؛ حيث احتفظ المعرض بـ 31 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
In this 1950 oil on canvas, a green glass bottle occupies the center of a square composition. The bottle is capped with a brown cork and sits upon a wooden surface. To the left of the vessel, a white cloth lies in crumpled folds over a piece of paper or a magazine, where the words "THE" and "N EDITION" are visible. On the right side of the bottle, two apples…
In the evocative landscape of Tristram Paul Hillier’s "Trott's Lane," we are invited to step into a moment of profound stillness captured in 1944. This mid-20th-century masterpiece serves as a window into a tranquil rural world, where a winding dirt road acts as a silent guide, drawing the viewer’s gaze through a verdant expanse toward an unseen horizon. The composition is masterfully anchored by a rustic fence and a solitary…
Marine1934 · Pallant House Gallery
12
Fishing Craft at Étretat1939 · المعرض الوطني الكندي
13
Careening1939 · Art Gallery of New South Wales
14
The Gate1943
15
The War in Somerset1943
16
Le Havre de Grâce1939
17
Variation on the Form of an Anchor1939
18
Derelict Lead Mine1940 · Ferens Art Gallery
19
Cutlers Green1944
20
Harness1944
21
Quantoxhead1946
22
The Slipway at Peniche, Portugal1948
23
Galway Harbour, Ireland1947 · Ferens Art Gallery
24
The Breakwater at Dieppe, France1948 · County Hall
25
Flooded Meadow1949
26
Haymaking
27
Landscape with BuildingsThe Ingram Collection of Modern British And Contemporary Art
28
Ouguela, PortugalAlfred East Art Gallery
29
زهرةمتحف آشمولين للفنون والآثار
30
Viseu, Portugal1947 · Wolverhampton Art Gallery
31
Fishing Boats1947
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال تريسترام بول هيلير | لوحات من هذه القائمة |
|---|---|---|---|
 متحف آشمولين للفنون والآثار |
أوكسفورد | 2 | Trott's Lane, زهرة |
 المعرض الوطني الكندي |
أوتاوا | 2 | The Road Accident, Fishing Craft at Étretat |
 Pallant House Gallery |
Chichester | 2 | La truite aux pommes vapeur, Marine |
 Ferens Art Gallery |
هال | 2 | Derelict Lead Mine, Galway Harbour, Ireland |
 Art Gallery of Hamilton |
هاميلتون | 1 | L |
 Art Gallery of New South Wales |
سيدني | 1 | Careening |
 County Hall |
Leicester | 1 | The Breakwater at Dieppe, France |
 The Ingram Collection of Modern British And Contemporary Art |
London | 1 | Landscape with Buildings |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
In this 1950 oil on canvas, a green glass bottle occupies the center of a square composition. The bottle is capped with a brown cork and sits upon a wooden surface. To the left of the vessel, a white cloth lies in crumpled folds over a piece of paper or a magazine, where the words "THE" and "N EDITION" are visible. On the right side of the bottle, two apples…
The Green Bottle (1950). يليه La confiserie (1931) و L (1939).
عمر 45 عاماً: يعود تاريخ The Green Bottle إلى 1950، وقد وُلد تريسترام بول هيلير في 1905.
The Green Bottle, La confiserie, L, Chapel of the Misericordia, Trott's Lane, Composition 1933 (Interior), Pylons, The Road Accident, La Route des Alpes و La truite aux pommes vapeur. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 31 من أعمال تريسترام بول هيلير، التي يعود تاريخها من 1931 إلى 1950.
توجد غالبيتها في متحف آشمولين للفنون والآثار (أوكسفورد), المعرض الوطني الكندي (أوتاوا) و Pallant House Gallery (Chichester). يدرج جدول المتاحف أعلاه جميعها.
في 1940s: تم إنجاز 14 من أصل 31 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Chapel of the Misericordia.
في هذه الصفحة، أقدم الأعمال يعود إلى La confiserie (1931) وأحدثها يعود إلى The Green Bottle (1950).
Oil On Canvas، لـ 2 من أصل 31 من الأعمال في هذه الصفحة.
السريالية، بناءً على الأعمال الأصلية في هذه الصفحة.
Trott's Lane و زهرة: يضم متحف آشمولين للفنون والآثار, أوكسفورد 2 من الأعمال المعروضة في هذه الصفحة.
Tristram Paul Hillier was an English surrealist painter whose life and vision were shaped by a unique tapestry of international influences. Born in Beijing, China, he was the youngest child of a banker and diplomat, a background that provided him with a global perspective from his earliest years. Though his roots reached back to China, his journey eventually led him through the heart of Europe's artistic centers. His formative years were marked by deep personal connections, including the profound influence of a Japanese Amah who remained a significant figure in his life long after his move to Europe. After receiving an education at Downside School and studying at Christ's College, Cambridge, Hillier sought the true essence of modern art in Paris. It was there, amidst the vibrant energy of the French capital, that he immersed himself in the study of masters like André Lhote and encountered the burgeoning Surrealist movement, finding inspiration in the dreamlike works of Giorgio de Chirico and Max Ernst.
The artistry of Tristram Paul Hillier is defined by a masterful ability to blend the tangible with the ethereal. As a member of the Unit One group led by Paul Nash, he contributed to a pivotal moment in British modernism, bringing a distinct surrealist sensibility to his canvases. His work often navigates the delicate boundary between realism and the subconscious, capturing scenes that feel simultaneously grounded in reality and suspended in a dream. Whether depicting the architectural charm of Viseu, Portugal or the quiet, sun-drenched shores of a Portuguese harbor, Hillier utilized light and color to create profound depth. His paintings, such as The Slipway at Peniche, Portugal, demonstrate a captivating fusion of realism and impressionism, where rustic details and historical textures are rendered with an exquisite attention to detail that draws the viewer into a serene, yet slightly uncanny, world.
His technical prowess allowed him to manipulate atmosphere to evoke specific emotional responses:
Throughout his career, Hillier remained a steadfast practitioner of surrealism, even as his travels took him across France and Spain before he eventually settled in Somerset, England. His dedication to his craft earned him significant professional accolades, including being elected an Associate of the Royal Academy in 1957 and later becoming a Royal Academician. Beyond the canvas, his literary contributions, such as his autobiography Leda and the Goose, offer a glimpse into the introspective mind behind the surrealist imagery. His works continue to reside in esteemed institutions like the Wolverhampton Art Gallery and the Cartwright Hall Art Gallery, serving as enduring testaments to a painter who could capture the quiet, profound essence of a moment caught between the waking world and the realm of dreams.
