تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 111 أعمال لـ بول ناش في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها بول ناش، تُعد The Separation of Light from Darkness (1924) هي الأكثر شهرة. تأتي بعدهما مباشرة كل من The Stackyard (1925) و Sunflower and sun (1942). يضم كتالوجنا 111 من أعمال بول ناش؛ حيث احتفظ المعرض بـ 100 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
We are looking at The Separation of Light from Darkness, a work created by Paul Nash in 1924. This piece emerged during a significant period in the artist's development, following his formative years in the United Kingdom. Nash was born in Kensington, United Kingdom, in 1889, and his perspective was shaped by the landscapes and environments of his home country.
Paul Nash’s Landscape of the Moon's Last Phase transports the viewer to a moment suspended between night and dawn, a breathtaking tableau dominated by the soft, yet profound, luminescence of a waning moon. This painting is more than a mere depiction of nature; it is an atmospheric meditation on cycles—the ebb and flow of light, life, and time itself. The composition draws the eye across a sweeping vista where foreground…
Paul Nash's “Circle of the Monoliths,” painted in 1938, isn’t merely a landscape; it’s a meticulously constructed dreamscape, a potent distillation of memory, myth, and the unsettling beauty of the British countryside. This remarkable work, housed at Leeds Museums and Galleries, invites viewers into a realm where familiar forms are fractured, perspectives shift, and an ancient, almost primeval energy permeates every detail. Nash, deeply influenced by William Blake’s visionary poetry…
In this 1924 woodcut, we witness a moment of profound, almost violent transition. The work, part of a series of illustrations for the book Genesis, moves away from the figurative to explore the very mechanics of existence. It is a stark, monochromatic vision where the separation of light from darkness is rendered not as a gentle dawn, but as a rhythmic, angular tension. The composition is dominated by a series…
The Creation of Land emerges from the shadows of a profound transformation. Created by Paul Nash in 1924, this work exists as a singular moment within a larger, rhythmic sequence. It belongs to a series of woodcuts that draw their strength from the biblical Genesis, capturing the very instant when the world begins to take shape through a jerky, frightening cataclysm. The landscape does not merely appear; it erupts.
Paul Nash’s "Oxford During the War," painted in 1942, is far more than a mere depiction of an English landscape; it is a profound meditation on endurance. The canvas captures a scene steeped in the palpable tension of wartime, yet simultaneously breathes with an almost defiant tranquility. One gazes upon the foreground, drawn immediately to the imposing presence of the parked tank—a stark emblem of military reality—which anchors the composition.…
The Haunting Stillness of “The Diving Stage” Paul Nash’s “The Diving Stage,” painted in 1928, isn't merely a depiction of a seaside structure; it’s a meticulously crafted tableau of isolation, anticipation, and the unsettling beauty of suspended time. Emerging from the British Council Collection, this work transcends its subject matter to become a profound meditation on human presence within a vast, indifferent landscape. The painting immediately commands attention with its…
The Creation of the Starry Firmament is a significant woodcut by the British artist Paul Nash. Created in 1924, this work emerged from a period of intense creative development for the artist. It was produced as part of a series of illustrations for the book Genesis, a project that sought to visualize the biblical narrative through a modern, abstracted lens. The piece captures a moment of cosmic emergence, translating the…
The Creation of Animals1924
12
Coronilla (recto)1929 · متحف فيتزويليام
13
Wounded, Passchendaele
14
The Orchard1914
15
A Night Bombardment1919 · المعرض الوطني الكندي
16
Void1918 · المعرض الوطني الكندي
17
After the Battle1918
18
Cotswold Hills1920
19
The Mule Track1918
20
Behind the Inn1919
21
Spring in the Trenches, Ridge Wood, 19171918
22
The Ypres Salient at Night1918
23
Pink Hyacinth1921 · Government Art Collection
24
Berkshire Downs1922 · Scottish National Gallery of Modern Art
25
A Howitzer Firing1918
26
The Edge of the Wood1919 · Reading Museum - Town Hall
27
The Sea1923 · The Phillips Collection
28
Mimosa Wood1926 · Art Gallery of New South Wales
29
Plage1928
30
Iver Heath, Buckinghamshire, Snow1928
31
Riviera Window, Cros de Cagnes1926 · Government Art Collection
32
Granary1923
33
Sandling Park, Kent1924
34
St Pancras Lilies1927
35
St Pancras, London1927
36
Through a Window, Riviera1927
37
Oxenbridge Pond1928
38
Landscape1927 · Government Art Collection
39
Cactus1928 · The Mercer Art Gallery
40
Still Life with Bog Cotton1927 · Leeds Art Gallery
41
The Pond at Souldern1926 · Wolverhampton Art Gallery
42
The Shore1923 · Leeds Art Gallery
43
'Modern Textiles' (shop sign board)1926
44
Lares1929
45
Kinetic Feature1931
46
Pillar and Moon1932
47
Wood on the Downs1929
48
Northern Adventure1929
49
The Rye Marshes, East Sussex1932 · Ferens Art Gallery
50
Landscape at Iden1929
51
Dead Spring1929 · Pallant House Gallery
52
Nest of the Siren1930 · Government Art Collection
53
Token1930
54
Equivalents for the Megaliths1935
55
Footballers Prefer Shell1935
56
Equivalents for the Megaliths1935
57
Landscape from a Dream1936
58
In the Marshes1938
59
Voyages of the Moon1934
60
Landscape from a Dream1936
61
Winter Sea1937
62
Nocturnal Landscape1938
63
Composition (Design for Today)1934 · Pallant House Gallery
64
Event on the Downs1934 · Government Art Collection
65
Night Fighter1940 · المعرض الوطني الكندي
66
Day Fighter1940 · المعرض الوطني الكندي
67
Wooded Landscape1942 · المعرض الوطني الكندي
68
Vale of the White Blackbird1942 · المعرض الوطني الكندي
69
Grotto in the Snow1939
70
Defence of Albion1942
71
Landscape of the Bagley Woods1943
72
The Messerschmidt in Windsor Great Park1940
73
View R1940
74
Totes Meer (Dead Sea)1940
75
Landscape of the Brown Fungus1943
76
Follow the Fuhrer Above the Clouds1942 · Imperial War Museum
77
Landscape of the Moon's First Quarter1943
78
Landscape of the Malvern Distance1943
79
Cloudscape (recto)1939 · The British Postal Museum - Archive
80
Landscape (verso)1939 · The British Postal Museum - Archive
81
Michaelmas Landscape1943 · Ferens Art Gallery
82
Solstice of the Sunflower1945 · المعرض الوطني الكندي
83
The Creation of Birds and Fishes1924
84
Flight of the Magnolia1944
85
March Landscape1944
86
Battle of Germany1944 · Imperial War Museum
87
Landscape of the Vernal Equinox (III)1944
88
November Moon1942 · متحف فيتزويليام
89
Telecommunications1934 · Walker Art Gallery
90
Eclipse of the Sunflower1945 · British Council Collection
91
Druid Landscape1938 · British Council Collection
92
Landscape of Bleached Objects1934 · Auckland Art Gallery Toi o Tāmaki
93
Dymchurch Stepsالمعرض الوطني الكندي
94
Chestnut Watersالمعرض الوطني الكندي
95
The Wall, Dymchurch1923 · تيت بريطانيا
96
Blue House on the Shore
97
Wittenham Clumps
98
Dymchurch, Kent
99
BouquetWilliam Evans Bequest
100
Landscape (verso)متحف فيتزويليام
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال بول ناش | لوحات من هذه القائمة |
|---|---|---|---|
 المعرض الوطني الكندي |
أوتاوا | 9 | A Night Bombardment, Void, Night Fighter |
 Government Art Collection |
لندن | 5 | Pink Hyacinth, Riviera Window, Cros de Cagnes, Landscape |
 British Council Collection |
لندن | 4 | The Diving Stage, Eclipse of the Sunflower, Druid Landscape |
 Leeds Art Gallery |
ليدز | 3 | Circle of the Monoliths, Still Life with Bog Cotton, The Shore |
 متحف فيتزويليام |
Cambridge | 3 | Coronilla (recto), November Moon, Landscape (verso) |
 Imperial War Museum |
لندن | 6 | Follow the Fuhrer Above the Clouds, Battle of Germany |
 Art Gallery of New South Wales |
سيدني | 2 | Sunflower and sun, Mimosa Wood |
 Walker Art Gallery |
ليفربول | 2 | Landscape of the Moon's Last Phase, Telecommunications |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
We are looking at The Separation of Light from Darkness, a work created by Paul Nash in 1924. This piece emerged during a significant period in the artist's development, following his formative years in the United Kingdom. Nash was born in Kensington, United Kingdom, in 1889, and his perspective was shaped by the landscapes and environments of his home country.
Paul Nash's “Circle of the Monoliths,” painted in 1938, isn’t merely a landscape; it’s a meticulously constructed dreamscape, a potent distillation of memory, myth, and the unsettling beauty of the British countryside. This remarkable work, housed at Leeds Museums and Galleries, invites viewers into a realm where familiar forms are fractured, perspectives shift, and an ancient, almost primeval energy permeates every detail. Nash, deeply influenced by William Blake’s visionary poetry…
The Separation of Light from Darkness (1924). يليه The Stackyard (1925) و Sunflower and sun (1942).
عمر 35 عاماً: يعود تاريخ The Separation of Light from Darkness إلى 1924، وقد وُلد بول ناش في 1889.
The Separation of Light from Darkness, The Stackyard, Sunflower and sun, Landscape of the Moon's Last Phase, Circle of the Monoliths, The Creation of the Firmament, The Creation of Land, Oxford During the War, The Diving Stage و The Creation of the Starry Firmament. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 111 من أعمال بول ناش، التي يعود تاريخها من 1914 إلى 1945.
توجد غالبيتها في المعرض الوطني الكندي (أوتاوا), Government Art Collection (لندن) و British Council Collection (لندن). يدرج جدول المتاحف أعلاه جميعها.
في 1920s: تم إنجاز 35 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها The Separation of Light from Darkness.
في هذه الصفحة، أقدم الأعمال يعود إلى The Orchard (1914) وأحدثها يعود إلى Solstice of the Sunflower (1945).
Landscape (20), Geometric shapes (8) و British art (8)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 8 من أصل 100 من الأعمال في هذه الصفحة.
Surrealism، بناءً على الأعمال الأصلية في هذه الصفحة.
A Night Bombardment, Void و Night Fighter: يضم المعرض الوطني الكندي, أوتاوا 9 من الأعمال المعروضة في هذه الصفحة.
