تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 309 أعمال لـ ماكسيميليان لوس في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد The Pile Drivers (1902) أشهر لوحات ماكسيميليان لوس، والتي تُعرض لوحتها الأصلية في متحف أورسيه، باريس. Notre Dame (1899) و The Flood (1910) يكملان الثلاثية التي تدركها كل عين. من بين 309 من أعمال ماكسيميليان لوس في كتالوجنا، يعرض المعرض أدناه 100 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
Maximilien Luce’s “The Pile Drivers,” completed in 1902, transcends mere depiction; it's a visceral embodiment of the burgeoning industrial age and a masterful demonstration of Neo-Impressionist artistry. Currently residing at the Musée d’Orsay in Paris, this monumental canvas—measuring 153 x 195 cm—commands attention not only for its scale but also for Luce’s audacious stylistic choices and profound engagement with social commentary.
The scene unfolds through the eyes of Maximilien Luce, who captures the presence of Notre Dame in Paris. This work, titled Notre Dame, presents the cathedral as it exists within the urban landscape. The artist focuses on the massive towers that rise above the surrounding city, anchoring the composition. It is a moment frozen in time, where the architecture meets the movement of the streets.
Maximilien Luce’s technical approach underwent a significant evolution throughout his career. He began his professional practice as an Impressionist, focusing on the immediate effects of light and atmosphere. This early period eventually gave way to the scientific rigor of Neo-Impressionism. During this phase, he adopted the pointillist technique, which involves the application of tiny, distinct dots of pure color to the canvas. This method relies on optical mixing to achieve…
Maximilien Luce's Region of Paris, View of Montmartre, created in 1897, is a captivating oil on canvas painting measuring 46 x 65 cm. Currently residing at the Kröller-Müller Museum in Otterlo, Netherlands, this artwork offers a serene glimpse into Parisian life during the late 19th century through the lens of Neo-Impressionism.
In the shimmering embrace of the French Riviera, Maximilien Luce captures a moment of timeless tranquility in The Port of Saint-Tropez. Painted in 1893, this masterpiece serves as a window into the soul of a bustling Mediterranean harbor, where the rhythmic dance of the tides meets the vibrant pulse of human activity. At the heart of the composition, a majestic sailboat rests anchored at the pier, its sails catching the…
Street Scene in Winter1915
12
Le chantier1911 · متحف أورسيه
13
The Pile Drivers, Quai de la Seine at Billancourt
14
La Sainte-Chapelle1902 · معهد شيكاغو للفنون
15
Slag Heap1896 · Musée d'Ixelles
16
A Paris Street in May 1871 (also known as The Commune)1903 · متحف أورسيه
17
The Seine at Herblay1890 · متحف أورسيه
18
Saint-Tropez1892 · Wallraf-Richartz-Museum
19
Landscape with Willow Trees1887 · Kelvingrove Art Gallery and Museum
20
Quai de l'École, Paris, Evening1889
21
The Fishing Port at Saint-Tropez1892
22
View of London1892
23
Paris, the Seine and the Quai de la Megisserie viewed from the Quai de Horloge1892
24
Portrait of Paul Signac1890
25
Poissy, Women in a Garden1893
26
Street Scene in Gisors1895 · Wallraf-Richartz-Museum
27
Paris: Boulevard at Night1893
28
The Cathedral at Gisors, View of the Ramparts1898 · Dixon Gallery and Gardens
29
The River Sambre at Charleroi1896 · Chazen Museum of Art
30
The River Sambre in Charleroi1896 · معرض ييل الجامعي للفنون
31
The Banks of the Seine River in Pari1893 · معرض ييل الجامعي للفنون
32
Rue Ravignan, Paris1893 · متحف الفنون الجميلة في هيوستن
33
Charleroi1895
34
Portrait of Henri-Edmond Cross1898
35
Motherhood1898
36
Tall Furnaces1896
37
The Quai Conti, Daytime1896
38
The Good Samaritan1896
39
The Opening of the Rue Reaumur1896
40
Notre-Dame, View from the Quay Montebello1897
41
Saint Tropez, Two Woman by the Gulf1896
42
Fields1895
43
Children in the Fields1897
44
Haystack1897
45
Saint Tropez, Les Canoubiers1895
46
The Orchard at Eragny1895
47
The Thames and the Houses of Parliament, London1895
48
Paris, Rue Cortot, Madame Luce on the Balcony1893
49
Poissy, Madame Dillon1893
50
The Thames at London, Vauxhall Bridge1893
51
Seinequai in Paris1899 · مجموعات بافاريا الحكومية للرسم
52
At the Riverbank1903 · Wallraf-Richartz-Museum
53
The River Eure at Garennes1901 · Wallraf-Richartz-Museum
54
Parisian Landscape. Banks of the Seine1901 · Petit Palais
55
Village by a Riverbank1901 · Petit Palais
56
Saint-Michel Bridge and Quai des Orfèvres around 19051905 · متحف كارنافاليه
57
Notre Dame1900 · Museum of Art
58
Country Scene with Three Houses and Tree1900 · معرض ييل الجامعي للفنون
59
Notre Dame1899 · متحف مينيابوليس للفنون
60
The Boulogne Embankment1905 · Finnish National Gallery
61
The Quai de Montebello and Sainte-Geneviève Hill1901
62
Saint-Tropez1900
63
Orleans, View of the Pont Georges V and the Cathedral Sainte Croix1905
64
The Sambre, Marchiennes1899
65
Félix Fénéon1903 · متحف أورسيه
66
Notre Dame, Paris1901
67
Woman from Behind1900
68
The Seine at Pont Saint-Michel1900
69
Street in Paris1905
70
View of the Observatory Quarter (also known as View of the Observatory)1882 · متحف أورسيه
71
The Brickyard1908 · Musée des impressionnismes Giverny
72
The Red Flag or the Trade Union Battle1910 · Musée de l'Hôtel-Dieu
73
Bessy-Sur-Cure, les Lavandières au Bord de l'Eau1906
74
Flodlandskab med pram og både1907 · Statens Museum For Kunst
75
Portrait of a Peasant
76
Nude combing her hair
77
Notre-Dame de Paris1910
78
Landscape with figures resting under trees
79
Rolleboise - The Old Barn
80
Young woman putting on her stockings
81
Portrait of Georges Seurat
82
The carter
83
Le Treport
84
Street Scene 1
85
Bathers at Tréport
86
Le Pont-Neuf, Paris
87
Farmers at the farm
88
Cottage near Bonniches
89
Fishermen on the pier
90
The Tuileries in Paris
91
Paramé beach
92
The port of Rotterdam 2
93
Plant in Charleroi 1
94
return
95
On the docks
96
The road 1
97
Rolleboise, lunch outdoors
98
on the way
99
Rolleboise, the small arm of the Seine
100
Rouen, the port
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال ماكسيميليان لوس | لوحات من هذه القائمة |
|---|---|---|---|
 متحف أورسيه |
باريس | 8 | The Pile Drivers, Le chantier, A Paris Street in May 1871 (also known as The Commune) |
 Wallraf-Richartz-Museum |
كولونيا | 5 | Saint-Tropez, Street Scene in Gisors, At the Riverbank |
 معرض ييل الجامعي للفنون |
نيو هيفن | 3 | The River Sambre in Charleroi, The Banks of the Seine River in Pari, Country Scene with Three Houses and Tree |
 Petit Palais |
باريس | 3 | Parisian Landscape. Banks of the Seine, Village by a Riverbank |
 Musée de l'Hôtel-Dieu |
Mantes-la-Jolie | 4 | The Red Flag or the Trade Union Battle |
 متحف كارنافاليه |
باريس | 3 | Saint-Michel Bridge and Quai des Orfèvres around 1905 |
 Musée Lambinet |
Versailles | 1 | Paris, View of the Seine, Night |
 متحف كرولر-مولر |
أوترلو | 1 | Region of Paris, View of Montmartre |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The scene unfolds through the eyes of Maximilien Luce, who captures the presence of Notre Dame in Paris. This work, titled Notre Dame, presents the cathedral as it exists within the urban landscape. The artist focuses on the massive towers that rise above the surrounding city, anchoring the composition. It is a moment frozen in time, where the architecture meets the movement of the streets.
Maximilien Luce’s “The Pile Drivers,” completed in 1902, transcends mere depiction; it's a visceral embodiment of the burgeoning industrial age and a masterful demonstration of Neo-Impressionist artistry. Currently residing at the Musée d’Orsay in Paris, this monumental canvas—measuring 153 x 195 cm—commands attention not only for its scale but also for Luce’s audacious stylistic choices and profound engagement with social commentary.
Maximilien Luce’s technical approach underwent a significant evolution throughout his career. He began his professional practice as an Impressionist, focusing on the immediate effects of light and atmosphere. This early period eventually gave way to the scientific rigor of Neo-Impressionism. During this phase, he adopted the pointillist technique, which involves the application of tiny, distinct dots of pure color to the canvas. This method relies on optical mixing to achieve…
The Pile Drivers (1902)، متحف أورسيه, باريس. ويليها Notre Dame (1899) وThe Flood (1910).
عمر 44 عاماً: يعود تاريخ The Pile Drivers إلى 1902، وقد وُلد ماكسيميليان لوس في 1858.
The Pile Drivers, Notre Dame, The Flood, View of London (Cannon Street), Paris, View of the Seine, Night, Region of Paris, View of Montmartre, The Port of Rotterdam, Evening, The Port of Saint-Tropez, Notre Dame و La Gare de l'Est. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 309 من أعمال ماكسيميليان لوس، التي يعود تاريخها من 1882 إلى 1917.
توجد غالبيتها في متحف أورسيه (باريس), Wallraf-Richartz-Museum (كولونيا) و معرض ييل الجامعي للفنون (نيو هيفن). يدرج جدول المتاحف أعلاه جميعها.
في 1890s: تم إنجاز 41 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Notre Dame.
في هذه الصفحة، أقدم الأعمال يعود إلى View of the Observatory Quarter (also known as View of the Observatory) (1882) وأحدثها يعود إلى La Gare de l'Est (1917).
France (10), Landscape (7) و Scenes (6)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 6 من أصل 100 من الأعمال في هذه الصفحة.
Pointillism، بناءً على الأعمال الأصلية في هذه الصفحة.
The Pile Drivers, Le chantier و A Paris Street in May 1871 (also known as The Commune): يضم متحف أورسيه, باريس 6 من الأعمال المعروضة في هذه الصفحة.
