تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 7 أعمال لـ Marcelo Grassmann في كتالوجنا
In short
Cavalo morto (1944) is the Marcelo Grassmann painting that draws the most eyes; the original belongs to the Centro Cultural São Paulo, ساو باولو. After it, the eye goes to Figure of woman and dwarf and Cavalos (1944). Among the 7 works of Marcelo Grassmann in our catalog, these 7 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
In the hauntingly beautiful drawing Cavalo morto, created in 1944, the Brazilian master Marcelo Grassmann de Oliveira invites us into a profound meditation on the cycle of life and the inevitability of decay. This striking black and white work captures a lifeless horse resting upon the earth, its emaciated form rendered with a precision that transcends mere anatomical study. The composition is anchored by the heavy, stillness of the subject,…
Marcelo Grassmann de Oliveira’s “Cavalos” (1944) stands as a testament to Brazilian Expressionism, capturing not merely an image of a horse in motion but a visceral embodiment of energy, struggle, and primal instinct. Executed in monochrome ink or charcoal on paper—a deliberate choice that amplifies the artwork's textural qualities—the drawing immediately draws the viewer into its turbulent landscape.
In the evocative realm of Marcelo Grassmann de Oliveira, the boundaries between reality and dream dissolve into a singular, striking vision. Blue Warrior and Spear serves as a profound testament to the artist's ability to conjure mythic figures from the depths of the subconscious. The painting presents a solitary figure, draped in shades of cerule respect and deep azure, poised with a spear that acts as both a weapon and…
The four subjects that come back most often in these originals, each with its finest example.
المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Marcelo Grassmann | لوحات من هذه القائمة |
|---|---|---|---|
 Museu de Valores do Banco Central do Brasil |
برازيليا | 4 | Figure of woman and dwarf, Horses, Blue warrior and spear |
 Centro Cultural São Paulo |
ساو باولو | 3 | Cavalo morto, Cavalos, Cavalos |
Marcelo Grassmann's dated originals shown here fit into about ten years, 1944 to 1954: the eye follows them year by year.
Pick a year to see its originals.
In the hauntingly beautiful drawing Cavalo morto, created in 1944, the Brazilian master Marcelo Grassmann de Oliveira invites us into a profound meditation on the cycle of life and the inevitability of decay. This striking black and white work captures a lifeless horse resting upon the earth, its emaciated form rendered with a precision that transcends mere anatomical study. The composition is anchored by the heavy, stillness of the subject,…
More from 1944
Cavalo morto (1944), Centro Cultural São Paulo, ساو باولو. Figure of woman and dwarf and Cavalos (1944) come next.
19 years old: Cavalo morto dates from 1944, and Marcelo Grassmann was born in 1925.
Our catalog holds 7 works by Marcelo Grassmann, dated from 1944 to 1954.
Mostly in Museu de Valores do Banco Central do Brasil (برازيليا) و Centro Cultural São Paulo (ساو باولو). The museum table above lists them all.
In 1944: 3 of the 7 works on this page were made then, Cavalo morto among them.
On this page, the earliest is Cavalo morto (1944) and the latest Horses (1954).
Dreamlike (4) و Horses (2), across the 7 works on this page.
Drawing, for 3 of the 7 works on this page.
Surrealism, judging by the originals on this page.
Figure of woman and dwarf, Horses و Blue warrior and spear: the Museu de Valores do Banco Central do Brasil, برازيليا holds 4 of the works on this page.
