تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 360 أعمال لـ بنجامين ويست في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها بنجامين ويست، تُعد موت الجنرال وولف (1770) هي الأشهر، وهي ضمن مجموعة Art Gallery of Ontario في تورونتو. تأتي بعدهما مباشرة كل من The Last Supper (1786) و The Bard (1778). يضم كتالوجنا 360 من أعمال بنجامين ويست؛ حيث احتفظ المعرض بـ 100 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
موت الجنرال وولف: تحفة من الفن التاريخي السياق التاريخي والأهمية تعد لوحة "موت الجنرال وولف" للفنان بنجامين ويست عملاً أيقونياً يخلد لحظة مفصلية في التاريخ، وهي معركة كيبيك التي دارت رحاها في الثالث عشر من سبتمبر عام 1759. هذه المعركة، التي كانت جزءاً من حرب السنوات السبع، هي التي حسمت مصير المستعمرات الفرنسية في أمريكا الشمالية. وفي خضم هذا الصراع، أُصيب الجنرال جيمس وولف بجروح قاتلة بعد أن قاد القوات…
Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith. This monumental oil on canvas, currently residing at the Detroit Institute of Arts, transcends its historical subject matter to become a timeless meditation on betrayal, disbelief, and the quiet dignity of sacrifice. West, a pivotal figure bridging the worlds of Neoclassicism and…
Benjamin West's "The Bard," painted in 1778, is more than just a portrait; it’s a carefully constructed meditation on the role of the poet, the weight of classical learning, and perhaps, a subtle reflection of the burgeoning revolutionary spirit taking hold across the Atlantic. Measuring a modest 22 x 29 cm, this oak panel painting currently resides within the hallowed halls of Tate Britain in London, yet its impact resonates…
Benjamin West's "Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald" – often referred to as “The Death of the Stag” – is more than just a historical painting; it’s a visceral tableau of courage, loyalty, and the very essence of Highland legend. Completed in 1786, this monumental work, now residing within the Scottish National Gallery, transports us directly into a pivotal…
In St. George and the Dragon, Benjamin West orchestrates a scene of intense movement through a precise diagonal arrangement. The knight, mounted upon a rearing white horse, descends from the upper left toward the dragon positioned in the lower right. This structural choice directs the eye through the center of the struggle, emphasizing the momentum of the descent. The composition is tight and immersive, utilizing a close-up perspective that creates…
Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety and the sublime terror of impending doom. Born amidst the burgeoning intellectual currents of colonial America, West was a painter who defied easy categorization, seamlessly blending Neoclassical restraint with Romantic fervor. This particular work, one of three versions created around the same…
Benjamin West’s “The Death of Hyacinth,” completed in 1771, stands as a cornerstone of British Romanticism's nascent influence on the American artistic landscape. Currently residing within the Philadelphia Museum of Art, this monumental oil painting transcends mere depiction; it embodies an emotional resonance that continues to captivate viewers centuries later.
Benjamin West’s “Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York” (1778) is more than just a likeness; it's a meticulously crafted tableau vivant offering a rare glimpse into the social dynamics and burgeoning political currents of 18th-century Britain. Housed within the walls of The Hermitage in St. Petersburg, this oil on canvas masterpiece transcends mere portraiture, becoming a study in power, familial connection, and the…
The forest air hangs heavy and still, thick with the scent of damp earth and ancient leaves. Within this dark, atmospheric woodland, a profound tragedy unfolds in a single, frozen moment of grief. A woman lies motionless across the lower half of the canvas, her pale skin catching a sharp, theatrical light that seems to pierce through the murky canopy above. She is draped in deep, ultramarine blue fabric, her…
The canvas bears the title The Expulsion of Adam and Eve from Paradise. Benjamin West applied oil to the surface in 1791. This work captures the heavy moment when Archangel Michael drives Adam and Eve from the Garden of Eden. The figures move away from the sanctuary, leaving the peace of the garden behind.
Joseph Banks1773 · Usher Art Gallery
12
Paetus and Arria1766 · Yale Center for British Art
13
Elizabeth West (née Shewell), and Her son Raphael1773 · Yale Center for British Art
14
King Lear1788
15
The Death of Chatham1778 · Yale Center for British Art
16
Portrait of Dr. Enoch Edwards1750 · Brooklyn Museum
17
The Artist and His Son Raphael1773 · Yale Center for British Art
18
The Cave of Despair1772 · Yale Center for British Art
19
Alfred the Third King of Mercia Visiting William d' Albanac
20
Sir Thomas Strange, 1756 - 1841. Chief Justice in Madras1799 · Scottish National Portrait Gallery
21
King Lear1788 · معهد ديترويت للفنون
22
Self-Portrait1818 · متاحف هارفارد للفنون
23
George Harry Grey, Lord Grey (later the Fifth Earl of Stamford)1765 · متاحف الفنون الجميلة في سان فرانسيسكو
24
The Apotheosis of Prince Octavius (1779-83)1783 · قصر باكنغهام
25
Queen Philippa at the Battle of Neville's Cross1789 · معهد شيكاغو للفنون
26
Portrait of a Man1794 · معهد شيكاغو للفنون
27
Edward III (1312 1377) with the Black Prince (1330 1376) after the Battle of Crecy (1346)1789 · Royal Collection
28
Prince Adolphus, later Duke of Cambridge, with Princess Mary and Princess Sophia1778 · قصر باكنغهام
29
Cymon and Iphigenia1766 · Yale Center for British Art
30
Portrait of the Drummond Family, Peter Auriol Drummond (1754-1799), Mary Bridget Milnes Drummond (1755-1835), and George William Drummond (1761-1807)1776 · متحف مينيابوليس للفنون
31
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum, North America in November 17641769 · Yale Center for British Art
32
Portrait of Colonel Guy Johnson and Karonghyontye1776 · المعرض الوطني للفنون
33
Christ Showing the Little Children as the Emblem of Heaven1815 · متحف دالاس للفنون
34
Queen Charlotte1777 · Yale Center for British Art
35
Sarah Ursula Rose1756 · متحف المتروبوليتان للفنون
36
Mr. John Utterson of Fareham, Hampshire1769 · USC Fisher Museum of Art
37
Portrait of Admiral Ommaney1773 · National Gallery of Ireland
38
Elizabeth Shewell West and Her Son, Raphael1770 · متحف كليفلاند للفنون
39
Sir Edward Astley, 4th Baronet Astley of Hill Morton (1729-1802)1773
40
Captain John Neale Pleydell Nott RN (1732-1781)1770
41
The Artist's Wife, Elizabeth Shewell, Mrs Benjamin West (1741-1814) and their Son Raphael Lamar West (1769-1850)1770 · Blickling Hall
42
The Continence of Scipio1766 · Fitzwilliam Museum
43
Portrait of Miss Sarah Elizabeth Young, Subsequently Mrs. Richard Ottley1775 · LSU Museum of Art
44
Study of the Lamentation on the Dead Christ1785 · Yale Center for British Art
45
Charles Willson Peale (1741–1827)1768 · New York Historical Society
46
Portrait of George, First Lord Lyttelton1772
47
Earth
48
Christ Healing the Sick in the Temple
49
Mrs. Benjamin West and Her Son Raphael1767
50
The Three Marys at the Sepulchre1783
51
Christ healing the sick in the temple1780 · Fitzwilliam Museum
52
Sketch for ‘The Ascension’1782
53
The Last Supper1784
54
St. Peter Denying Christ1778 · Royal Collection
55
Queen Charlotte (1744-1818) with Charlotte, Princess Royal (1766-1828)1776 · Royal Collection
56
Princess Augusta, Princess Elizabeth, Prince Ernest, Prince Augustus, Prince Adolphus and Princess Mary1776 · Royal Collection
57
Augustus, Duke of Sussex1780 · Royal Collection
58
Prince Octavius (1779-83)1783 · Royal Collection
59
Queen Charlotte (1744-1818)1782 · Royal Collection
60
William IV, when Prince William, and Edward, Duke of Kent, when Prince Edward1778 · Royal Collection
61
Devout Men Taking the Body of Saint Stephen1776 · متحف الفنون الجميلة
62
King Lear1789 · Rhode Island School of Design Museum of Art
63
British Manufactory; A Sketch1791 · متحف كليفلاند للفنون
64
The Nativity1792 · Petworth House
65
George III and Queen Charlotte1789 · Royal Collection
66
Saint George Slaying the Dragon1787 · Royal Collection
67
Edward III Entertaining his Prisoners1788 · Royal Collection
68
The Bathing Place at Ramsgate1788 · Yale Center for British Art
69
Edward, the Black Prince, Receiving King John of France after the Battle of Poitiers1788 · Royal Collection
70
Cicero Discovering the Tomb of Archimedes1804 · معرض ييل الجامعي للفنون
71
The Pilgrim Mourning His Dead Ass1800 · متحف الفنون الجميلة في هيوستن
72
Saint John the Evangelist Called to Write the Revelation1797 · متحف الفنون الجميلة في هيوستن
73
Milkmaids in St. James's Park, Westminster Abbey Beyond1801 · Yale Center for British Art
74
Joshua passing the River Jordan with the Ark of the Covenant1800 · Art Gallery of New South Wales
75
Cupid Stung by a Bee1802 · متاحف الفنون الجميلة في سان فرانسيسكو
76
Phaeton asking Apollo to drive the Sun chariot1804
77
Milkmaids in St. James's Park, Westminster Abbey beyond1801
78
The Beast Riseth Out of the Sea1797
79
Eagle bringing cup to Psyche1802
80
Cupid Releasing Two Doves1798
81
Hannah Presenting Samuel to Eli1800
82
The Apotheosis of Nelson1807 · Yale Center for British Art
83
Thetis Bringing the Armor to Achilles1805 · New York Historical Society
84
Mrs Thomas Keyes and Her Daughter1806
85
Narcissus and Echo1805
86
Shah ‘Alam (Mughal Emperor 1759-1806) conveying the Grant of the Diwani to Lord Clive, August 17651818
87
The Expulsion of Adam and Eve from Paradise1791 · معهد شيكاغو للفنون
88
Portrait of Sir John Griffin Griffin1772
89
Portrait of Captain Christopher Codrington Bethell1769 · Georgia Museum of Art
90
Harvesting at Windsor
91
The Conversion of St. Paul1786 · متحف دالاس للفنون
92
Saul Before Samuel ^ the Prophets
93
Cupid, Stung by a Bee, Is Cherished by his Mother1774 · المعرض الوطني للفنون
94
The Artist and His Family1772 · Yale Center for British Art
95
Katherine Clayton, Lady Howard de Walden1772
96
Saint Michael and the Dragon1797 · متحف توليدو للفنون
97
Archangel Michael ^ Satan
98
Cornelia Mother of the Gracchi Showing her Children as her only Ornaments
99
The Fatal Wounding of Sir Philip Sidney
100
Francis Osborne, 5th Duke of Leeds
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال بنجامين ويست | لوحات من هذه القائمة |
|---|---|---|---|
 Yale Center for British Art |
نيو هيفن | 16 | Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael, The Death of Chatham |
 Royal Collection |
لندن | 27 | Edward III (1312 1377) with the Black Prince (1330 1376) after the Battle of Crecy (1346), St. Peter Denying Christ, Queen Charlotte (1744-1818) with Charlotte, Princess Royal (1766-1828) |
 معهد شيكاغو للفنون |
شيكاغو | 4 | The Death of Procris, Queen Philippa at the Battle of Neville's Cross, Portrait of a Man |
 المعرض الوطني للفنون |
واشنطن | 10 | The Expulsion of Adam and Eve from Paradise, Portrait of Colonel Guy Johnson and Karonghyontye, Cupid, Stung by a Bee, Is Cherished by his Mother |
 معهد ديترويت للفنون |
ديترويت | 7 | The Last Supper, Death on a Pale Horse, King Lear |
 New York Historical Society |
مدينة نيويورك | 4 | Charles Willson Peale (1741–1827), Thetis Bringing the Armor to Achilles |
 متاحف الفنون الجميلة في سان فرانسيسكو |
سان فرانسيسكو | 3 | George Harry Grey, Lord Grey (later the Fifth Earl of Stamford), Cupid Stung by a Bee |
 متحف كليفلاند للفنون |
كليفلاند | 3 | Elizabeth Shewell West and Her Son, Raphael, British Manufactory; A Sketch |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
A single, steady gaze meets the viewer from the shadows of the late eighteenth century. Dr. Enoch Edwards sits in a three-quarter view, his presence defined by the sharp contrast between the dark, heavy velvet of his coat and the luminous white of his cravat. He holds a document, a pale rectangle of paper that catches the light, anchoring his hands within the composition. The light falls across his face…
The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in a gesture of profound distress. He is a figure of slumped posture and quiet agony. Opposite him, a woman sits with a steady gaze. Her white garment catches the light, a sharp contrast to the deep, dark green drapery that hangs like…
موت الجنرال وولف: تحفة من الفن التاريخي السياق التاريخي والأهمية تعد لوحة "موت الجنرال وولف" للفنان بنجامين ويست عملاً أيقونياً يخلد لحظة مفصلية في التاريخ، وهي معركة كيبيك التي دارت رحاها في الثالث عشر من سبتمبر عام 1759. هذه المعركة، التي كانت جزءاً من حرب السنوات السبع، هي التي حسمت مصير المستعمرات الفرنسية في أمريكا الشمالية. وفي خضم هذا الصراع، أُصيب الجنرال جيمس وولف بجروح قاتلة بعد أن قاد القوات…
Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith. This monumental oil on canvas, currently residing at the Detroit Institute of Arts, transcends its historical subject matter to become a timeless meditation on betrayal, disbelief, and the quiet dignity of sacrifice. West, a pivotal figure bridging the worlds of Neoclassicism and…
Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety and the sublime terror of impending doom. Born amidst the burgeoning intellectual currents of colonial America, West was a painter who defied easy categorization, seamlessly blending Neoclassical restraint with Romantic fervor. This particular work, one of three versions created around the same…
Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818. It is an oil on wood panel that captures the artist's own likeness.
موت الجنرال وولف (1770)، Art Gallery of Ontario, تورونتو. ويليها The Last Supper (1786) وThe Bard (1778).
عمر 32 عاماً: يعود تاريخ موت الجنرال وولف إلى 1770، وقد وُلد بنجامين ويست في 1738.
موت الجنرال وولف, The Last Supper, The Bard, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, St. George and the Dragon, Death on a Pale Horse, The Death of Hyacinth, Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York, The Death of Procris و The Expulsion of Adam and Eve from Paradise. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 360 من أعمال بنجامين ويست، التي يعود تاريخها من 1750 إلى 1818.
توجد غالبيتها في Yale Center for British Art (نيو هيفن), Royal Collection (لندن) و معهد شيكاغو للفنون (شيكاغو). يدرج جدول المتاحف أعلاه جميعها.
في 1770s: تم إنجاز 30 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها موت الجنرال وولف.
في هذه الصفحة، أقدم الأعمال يعود إلى Portrait of Dr. Enoch Edwards (1750) وأحدثها يعود إلى Self-Portrait (1818).
Man (21), Woman (17) و Horse (7)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 33 من أصل 100 من الأعمال في هذه الصفحة.
Neoclassical art، بناءً على الأعمال الأصلية في هذه الصفحة.
Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael و The Death of Chatham: يضم Yale Center for British Art, نيو هيفن 13 من الأعمال المعروضة في هذه الصفحة.
نعم، كنسخة طبق الأصل: تظل اللوحة الأصلية في متحفها، ولكن يمكن رسم أي لوحة في هذه الصفحة يدوياً من أجلك، وتُنفذ حسب الطلب قطعة بقطعة، وذلك من خلال صفحة اللوحة نفسها.
