تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 89 أعمال لـ ألكسندر رودشينكو في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها ألكسندر رودشينكو، تُعد Non-objective composition (1917) هي الأكثر شهرة. تأتي بعدهما مباشرة كل من Girl with a Leica و About That (1923). يضم كتالوجنا 89 من أعمال ألكسندر رودشينكو؛ حيث احتفظ المعرض بـ 88 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The scene unfolds through a silver gelatin print on photographic paper, capturing a fleeting moment of urban life. In this work, titled Girl with a Leica, the artist Aleksandr Rodchenko turns his lens toward a young woman. She leans out from a building, her body caught in a moment of purposeful motion. She holds a Leica camera, her focus directed toward the world beyond the frame, appearing as a participant…
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
The work titled Books was created by the artist Aleksandr Rodchenko. Produced in 1924, this piece functions as a graphic advertisement for the Lengiz Publishing House. It captures a specific moment of visual communication from the early Soviet era.
This photograph captures a slice of life from 1924, a time of profound transition. The formal attire and the structured seating reflect a world of social order, yet the candid nature of the shot hints at the shifting perspectives of the era. The interplay of light and shadow does more than just illuminate the subjects; it carves out their identities within a crowded room. There is a quiet gravity here,…
Monument to Pushkin1930
12
Radio listener1929
13
Park of Culture and Rest1932
14
Guard at the Shukhov Radio Tower, Moscow1929
15
Pioneer with a horn1930
16
Stairway1930
17
Assembling for a Demonstration1930
18
Girl with a FlowerMuseum of Fine Arts of Tatarstan
19
Abstraction (Rupture)1920
20
White circle1918
21
Girl with a Leica
22
A Pageant of Youth
23
Lilya Brik
24
Journalist
25
Construction1917
26
Composition1919 · Buffalo AKG Art Museum
27
Non-Objective Painting no. 80 (Black on Black)1918
28
Line Construction1920
29
Nonsense1921
30
Untitled1919
31
Composition (Winning Red)1918
32
Objectless composition1918
33
Variant cover design for Zaum'. Nestroch'e1921
34
Mandolin player1922
35
Watches1923
36
Cover of book ''About That''1923
37
Vladimir Mayakovsky1924
38
Dobroliot (Fly well)1923
39
Sifilis1926
40
For Sergey Esenin1926
41
Rubbers of Rezinotrest1925
42
Itogo. Stikhi1924
43
Syphilis1926
44
Mayakovsky smiles, laughs, mocks1923
45
Rubbers of Rezinotrest1924
46
Fly. Avia-poems.1923
47
Boats1926
48
Down with Bureaucracy1927 · المعرض الوطني الكندي
49
Sovetskoe foto, no. 101927
50
Razgovor s fininspektorom o poezii1926
51
Death Ray1925
52
Pine Trees, Pushkino1927
53
Rubbers of Rezinotrest1924
54
Parizh1925
55
Promotional poster for Mosselprom1923
56
Sergeiu Eseninu1926
57
Mess Mend ili Ianki v Petrograde, vol. 1 101924
58
Mess Mend ili Ianki v Petrograde, vol. 71924
59
Promotional poster for Rezinotrest1923
60
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 21928
61
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 11928
62
Battleship Potemkin1925
63
Katalog posmertnoi vystavki khudozhnika konstruktora L.S. Popovoi1924
64
Untitled1929
65
Quadriga of Apollo on the front of the Bolshoi Theatre1929
66
Lumber1930
67
Bug1929
68
There and back1930
69
Rechevik1929
70
Rechevik. Stikhi1929
71
Demonstration1932
72
The Fire's Man1929
73
The Stairs1930 · قاعة مانيج المركزية للمعارض
74
Realistic abstraction1940
75
Red and Yellow1918
76
Construction
77
Construction
78
Clerk
79
Dobroliot stamps
80
Construction
81
Construction
82
Construction
83
Dancer of the East
84
Dobroliot (Fly well)
85
Books propaganda poster
86
Construction
87
Dobroliot (Fly well)
88
Composition1917
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 4 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال ألكسندر رودشينكو | لوحات من هذه القائمة |
|---|---|---|---|
 Museum of Fine Arts of Tatarstan |
قازان | 1 | Girl with a Flower |
 Buffalo AKG Art Museum |
بافالو | 1 | Composition |
 المعرض الوطني الكندي |
أوتاوا | 1 | Down with Bureaucracy |
 قاعة مانيج المركزية للمعارض |
سانت بطرسبرغ | 1 | The Stairs |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
Non-objective composition (1917). يليه Girl with a Leica و About That (1923).
عمر 26 عاماً: يعود تاريخ Non-objective composition إلى 1917، وقد وُلد ألكسندر رودشينكو في 1891.
Non-objective composition, Girl with a Leica, About That, Books, Painter Alexander Shevchenko, Untitled (Female Athletes), Untitled (Self portrait with poster for Battleship Potemkin), Parade of the Dynamo Sports Club, 1928, And this is standing for centuries و Battleship Potemkin. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 89 من أعمال ألكسندر رودشينكو، التي يعود تاريخها من 1917 إلى 1940.
توجد غالبيتها في Museum of Fine Arts of Tatarstan (قازان), Buffalo AKG Art Museum (بافالو) و المعرض الوطني الكندي (أوتاوا). يدرج جدول المتاحف أعلاه جميعها.
في 1920s: تم إنجاز 50 من أصل 88 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها About That.
في هذه الصفحة، أقدم الأعمال يعود إلى Non-objective composition (1917) وأحدثها يعود إلى Realistic abstraction (1940).
Designs and sketches (11), Advertisments (11) و Covers (8)، عبر 88 من الأعمال في هذه الصفحة.
Painting، لـ 2 من أصل 88 من الأعمال في هذه الصفحة.
Constructivism، بناءً على الأعمال الأصلية في هذه الصفحة.
