تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 13 أعمال لـ Shigeru Aoki في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها Shigeru Aoki، تُعد Yomotsuhirasaka,Escape from the Land of the Dead (1903) هي الأشهر، وهي ضمن مجموعة The University Art Museum, Tokyo University of the Arts في Tokyo. تأتي بعدهما مباشرة كل من The Tempyo Era (1904) و Enjoyment (1904). يضم كتالوجنا 13 من أعمال Shigeru Aoki؛ حيث احتفظ المعرض بـ 13 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
The watercolor captures a moment of suspension. A woman, stripped of clothing, hangs in the air with arms outstretched, her body caught between the heavy sand of the beach and the unseen sky. Two angels support her, their hands resting upon her shoulders to guide her upward. The scene is a quiet struggle against gravity, a transition from the terrestrial to the celestial. The light catches the pale skin of…
The Tempyo Era emerges from the brush of Shigeru Aoki, a painter who breathed life into the intersection of Japanese tradition and Western technique. This work, created about 1904, captures a moment of profound stillness and communal gathering. The figures within the frame exist in a state of repose, their forms woven into a dense, horizontal arrangement that pulls the viewer into their intimate, indoor world. Warm ochres and deep…
In "Enjoyment" by Shigeru Aoki, two female figures occupy the center of a vertical frame. They sit in an intimate, seated pose, their forms intertwined. This arrangement focuses the eye on the closeness of their bodies. The subjects are positioned in the foreground, creating a shallow sense of space. They exist within a quiet moment of leisure.
This oil painting, titled The Legendary Prince Yamato Takeru, was executed by Shigeru Aoki around 1906. It depicts the legendary Japanese figure, Prince Yamato Takeru, a semi-legendary prince of the imperial dynasty. The work emerged during a period when Aoki was a central figure in the yōga movement, a movement dedicated to integrating Western oil painting techniques with Japanese traditions.
Paradise Under the Sea, also known by its Japanese title Wadatsumi no Iroko no Miya, is an oil on canvas painting by the Japanese artist Shigeru Aoki. Created in 1907, the work is held within the collection of the Ishibashi Museum of Art. This specific piece is designated as a National Important Cultural Property by the Japanese government.
Shigeru Aoki’s Hot Spring presents a nude female figure positioned slightly off-center to the right within a vertical composition. The subject is situated in a bath or hot spring, captured from an eye-level perspective that establishes an intimate connection with the viewer. Depth is constructed through the deliberate layering of the figure in the foreground against a detailed, patterned background composed of tiles and various vessels.
In "Pray at Dawn" by Shigeru Aoki, a solitary female figure occupies the vertical frame. She is a nude woman shown in profile, kneeling upon the earth. Her body faces toward the right, caught in a moment of quiet devotion. Her hands are clasped together in front of her chest, held in a steady, prayerful gesture. The stillness of her posture anchors the composition against a soft, hazy landscape. Trees…
In this 1910 oil on canvas, a nude female figure is positioned slightly off-center to the right, her body oriented vertically. She reaches upward, creating a sense of movement within the frame. The subject is situated in a setting that suggests a hot spring or bath, characterized by a background of patterned tiles and decorative vessels. The color palette relies on earthy tones, specifically ochre, terracotta, cream, and muted browns.…
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 6 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Shigeru Aoki | لوحات من هذه القائمة |
|---|---|---|---|
 Artizon Museum |
طوكيو | 4 | The Tempyo Era, Paradise Under the Sea, Seascape, Mera |
 The University Art Museum, Tokyo University of the Arts |
Tokyo | 1 | Yomotsuhirasaka,Escape from the Land of the Dead |
 Ohara Museum of Art |
كوراشيكي | 1 | Enjoyment |
 متحف طوكيو الوطني |
طوكيو | 1 | The Legendary Prince Yamato Takeru |
 Shimane Art Museum |
ماتسو | 1 | Dog |
 Fukuoka Art Museum |
Fukuoka | 1 | Sound of Autumn |
لم يتجاوز الأمر عقداً من الزمان، من 1903 إلى 1910، منح العالم كل لوحة أصلية مؤرخة لـ Shigeru Aoki في هذه المجموعة: إليكم إياها، عاماً تلو الآخر.
اختر سنة لعرض أعمالها الأصلية.
The watercolor captures a moment of suspension. A woman, stripped of clothing, hangs in the air with arms outstretched, her body caught between the heavy sand of the beach and the unseen sky. Two angels support her, their hands resting upon her shoulders to guide her upward. The scene is a quiet struggle against gravity, a transition from the terrestrial to the celestial. The light catches the pale skin of…
The Tempyo Era emerges from the brush of Shigeru Aoki, a painter who breathed life into the intersection of Japanese tradition and Western technique. This work, created about 1904, captures a moment of profound stillness and communal gathering. The figures within the frame exist in a state of repose, their forms woven into a dense, horizontal arrangement that pulls the viewer into their intimate, indoor world. Warm ochres and deep…
المزيد من 1904
This oil painting, titled The Legendary Prince Yamato Takeru, was executed by Shigeru Aoki around 1906. It depicts the legendary Japanese figure, Prince Yamato Takeru, a semi-legendary prince of the imperial dynasty. The work emerged during a period when Aoki was a central figure in the yōga movement, a movement dedicated to integrating Western oil painting techniques with Japanese traditions.
Paradise Under the Sea, also known by its Japanese title Wadatsumi no Iroko no Miya, is an oil on canvas painting by the Japanese artist Shigeru Aoki. Created in 1907, the work is held within the collection of the Ishibashi Museum of Art. This specific piece is designated as a National Important Cultural Property by the Japanese government.
المزيد من 1907
Shigeru Aoki’s Hot Spring presents a nude female figure positioned slightly off-center to the right within a vertical composition. The subject is situated in a bath or hot spring, captured from an eye-level perspective that establishes an intimate connection with the viewer. Depth is constructed through the deliberate layering of the figure in the foreground against a detailed, patterned background composed of tiles and various vessels.
المزيد من 1910
Yomotsuhirasaka,Escape from the Land of the Dead (1903)، The University Art Museum, Tokyo University of the Arts, Tokyo. ويليها The Tempyo Era (1904) وEnjoyment (1904).
عمر 21 عاماً: يعود تاريخ Yomotsuhirasaka,Escape from the Land of the Dead إلى 1903، وقد وُلد Shigeru Aoki في 1882.
Yomotsuhirasaka,Escape from the Land of the Dead, The Tempyo Era, Enjoyment, The Legendary Prince Yamato Takeru, Paradise Under the Sea, Hot Spring, Pray at Dawn, Hot spring, Seascape, Mera و Boats Mooring under the Moon. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 13 من أعمال Shigeru Aoki، التي يعود تاريخها من 1903 إلى 1910.
توجد غالبيتها في Artizon Museum (طوكيو), The University Art Museum, Tokyo University of the Arts (Tokyo) و Ohara Museum of Art (كوراشيكي). يدرج جدول المتاحف أعلاه جميعها.
في 1904: تم إنجاز 3 من أصل 13 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها The Tempyo Era.
في هذه الصفحة، أقدم الأعمال يعود إلى Yomotsuhirasaka,Escape from the Land of the Dead (1903) وأحدثها يعود إلى Hot Spring (1910).
Woman (6), Nude (3) و Man (2)، عبر 13 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 5 من أصل 13 من الأعمال في هذه الصفحة.
The Tempyo Era, Paradise Under the Sea و Seascape, Mera: يضم Artizon Museum, طوكيو 4 من الأعمال المعروضة في هذه الصفحة.
