تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 176 أعمال لـ بونتورمو في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها بونتورمو، تُعد الإنزال من الصليب هي الأكثر شهرة. تأتي بعدهما مباشرة كل من الزيارة (1528) و حامل الرمح (1520). يضم كتالوجنا 176 من أعمال بونتورمو؛ حيث احتفظ المعرض بـ 100 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
أبدع الفنان بونتورمو لوحة الإنزال من الصليب في الفترة ما بين عامي 1525 و1528. وقد جاء هذا العمل بتكليف من لودوفيكو كابوني في عام 1526، ليتخذ من مصلى كابوني داخل كنيسة سانتا فيليتشيتا في فلورنسا مستقراً له. وتتمحور موضوعية العمل حول مشهد إنزال جسد المسيح بعد عملية الصلب.
أبدع الفنان جاكوبو كاروتشي، المعروف باسم بونتورمو، هذه اللوحة الجدارية الرائعة في عام 1528، حيث استطاع ببراعة فائقة أن يخلّد لحظة ذات دلالة دينية عميقة مستخدماً أسلوبه المانوي المميز. وتعد لوحة "الزيارة" شاهداً حياً على قدرة بونتورمو الفذة في إتقان التكوين واللون والعمق العاطفي، مما جعلها قطعة فنية منشودة لعشاق الفن وجامعي التحف على حد سواء.
Captivating Portrait of Strength and Individuality This striking artwork captures a commanding figure, embodying resilience, confidence, and cultural pride. The subject, a young man dressed in traditional attire and holding a halberd, exudes a sense of authority and dignity. His direct gaze engages viewers immediately, inviting them into a moment of introspection and admiration. The artist’s masterful portrayal emphasizes the subject’s physical presence and emotional depth, making it a compelling…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head tilted slightly as she looks toward the Christ Child. Her skin possesses a smooth, porcelain-like texture, illuminated by a focused light source that creates a sharp contrast against the shadows. She wears a deep crimson red garment, while a dark, midnight blue…
To gaze upon this study of a woman is to step directly into the charged atmosphere of mid-sixteenth-century Florence. It is not merely a portrait, but an intimate psychological excavation, capturing the ephemeral grace and profound introspection characteristic of the Italian Mannerist period. The subject, rendered with exquisite delicacy, possesses a serene yet enigmatic quality; her direct gaze seems to meet the viewer's own, inviting a silent communion across the…
Jacopo Pontormo's "Ten Thousand Martyrs," painted in 1529, is not merely a depiction of historical suffering; it’s a visceral plunge into the heart of religious trauma and defiant resistance. This monumental fresco, now rendered in exquisite detail as a hand-painted reproduction by WahooArt.com, captures a pivotal moment from early Christian history – the brutal execution of ten thousand soldiers who had converted to Christianity during the reign of Emperor Decius.…
The work before us is Supper at Emmaus, a significant oil on canvas painted by Pontormo in 1525. This piece captures the specific biblical moment of the apparition of Christ to the Apostles, a narrative drawn from the Gospel of Luke, specifically chapter 24, verses 13 through 35. It is a scene of profound recognition, documenting the instant the disciples realize the identity of the man they are dining with…
The year is 1520, and within the bustling artistic landscape of Florence, Jacopo Carucci Pontormo—a name now inextricably linked with both innovation and melancholy—crafted a portrait that transcends mere likeness. “Portrait of Francesco da Castiglione” isn’t simply a depiction of an elderly man; it's a carefully constructed meditation on age, wisdom, and the quiet dignity of a life well-lived. The painting immediately draws the eye with its rich, earthy palette…
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers on the interaction between a standing male figure in classical armor on the left and a winged youth on the right. The scene is set against a dark, void-like background that isolates the two subjects.
In this dramatic scene by Pontormo, the air crackles with the sudden, frantic energy of a chase reaching its breaking point. The painting, created about 1513, captures the very moment of metamorphosis from Ovid's myth. Apollo reaches out, his fingers straining to grasp the nymph, but his pursuit is met with a terrifying transformation. Daphne is no longer merely a fleeing woman; she is caught in the midst of becoming…
Two Male Figures Looking in a Mirror and a Putto.1518
12
Visitation1515
13
Saint Francis1517
14
Study of a seated man1518
15
Study of nude1518
16
Archangel Michael1519 · St Andreas Picture Gallery
17
St. Matthew the Evangelist1525
18
Annunciation1527
19
Portrait of a Young Man (Alessandro de Medici )1526
20
The Holy Family1525
21
Noli me tangere1531 · Casa Buonarroti
22
Portrait of Niccolò Ardinghelli1542
23
Porträt des Giovanni della Casa (1503-1556)1550
24
Christ seated, as a nude figure
25
Alessandro de' Medici1535 · معهد شيكاغو للفنون
26
Noli Me Tangere
27
Portrait of Two Friends
28
Madonna and Child1532 · Museum of John Paul II Collection
29
Portrait of Alessandro de' Medici1550 · المتحف الوطني للفنون القديمة
30
St. Sebastian1515 · Musée des Beaux-Arts de Dijon
31
Reclining Male Nude1540 · المعرض الوطني الكندي
32
Birth of John the Baptist1526 · معرض أوفيزي
33
Volta1515
34
Volta1515
35
Volta1515
36
Volta1515
37
Volta1515
38
Scene with cherubs on papal coat of arms1515
39
Study of a Boy Turning His Head1529 · معرض أوفيزي
40
VillaMedici - Salon1521
41
VillaMedici - Vertumnus and Pomona (detail)1521
42
Alessandro de' Medici1520 · متحف فيلادلفيا للفنون
43
Madonna and Child with Two Saints1520
44
Madonna and Child with the Young St John1520
45
Christ before Pilate1520
46
Supper at Emmaus1520
47
Supper at Emmaus1525 · معرض أوفيزي
48
Cosimo I de' Medici1537 · قصر بيتي
49
View on the Louvre and the Tour de Nesle form the Île de la Cité1662
50
Madonna with St. Francis and St. Jerome1522 · معرض أوفيزي
51
portrait of Francesca Capponi as Saint Mary Magdalene
52
autoportrait of Giovanni Antonio Lappoli
53
Bust of the Virginمتاحف هارفارد للفنون
54
Two nudes
55
Four Evangelists
56
Study for the Deluge
57
Christ the Judge with the Creation of Eve
58
Moses Receiving the Tables
59
Seated Male Nule
60
Compositional study for Moses Receiving the Tables of the Law
61
View of the Capponi Chapel
62
Study for Deluge
63
Male Nude
64
Figure study 1
65
Halberdier 1
66
Salon
67
Kicking player
68
Three Graces
69
Visitation 2
70
Annunciation 2
71
Venus and CupidRoyal Collection
72
Leda and the Swan
73
Figure study
74
Joseph's Broders beg for Help
75
Deposition (detail)3
76
Seated Nude with Raised Arm
77
Compositional study for Christ the Judge with the Creation of Eve
78
Joseph Revealing Himself to his Brothers
79
Adoration of the Magi
80
Salon 1
81
Saint Agustine
82
Adam and Eve at Work
83
Joseph Revealing Himself to his Brothers 1
84
Annunciation (detail)
85
Joseph with Jacob in Egypt
86
Portrait of Niccolò Ardinghelli
87
Madonna and Child with St. Anne and the Saints
88
Sacra Conversazione
89
Portrait of a Lady with Dog
90
The Resurrection of Christ
91
Saint Julian
92
St. Quentin
93
Annunciation 1
94
Madonna and Child with Angels
95
Portrait of Maria Salviati with little Cosimo de MediciWalters Art Museum
96
The Penitence of St. Jerome
97
Annunciation (detail)2
98
Female nude 2
99
Crucifixion with the virgin and St. John
100
St Luke
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال بونتورمو | لوحات من هذه القائمة |
|---|---|---|---|
 معرض أوفيزي |
فلورنسا | 10 | Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Birth of John the Baptist |
 قصر بيتي |
فلورنسا | 3 | Portrait of Francesco da Castiglione, Cosimo I de' Medici |
 متحف ج. بول غيتي |
لوس أنجلوس | 1 | حامل الرمح |
 معرض ييل الجامعي للفنون |
نيو هيفن | 1 | Virgin and Child, known as the Madonna del Libro |
 St Andreas Picture Gallery |
Empoli | 1 | Archangel Michael |
 Casa Buonarroti |
فلورنسا | 1 | Noli me tangere |
 معهد شيكاغو للفنون |
شيكاغو | 1 | Alessandro de' Medici |
 Museum of John Paul II Collection |
Warsaw | 1 | Madonna and Child |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers on the interaction between a standing male figure in classical armor on the left and a winged youth on the right. The scene is set against a dark, void-like background that isolates the two subjects.
أبدع الفنان جاكوبو كاروتشي، المعروف باسم بونتورمو، هذه اللوحة الجدارية الرائعة في عام 1528، حيث استطاع ببراعة فائقة أن يخلّد لحظة ذات دلالة دينية عميقة مستخدماً أسلوبه المانوي المميز. وتعد لوحة "الزيارة" شاهداً حياً على قدرة بونتورمو الفذة في إتقان التكوين واللون والعمق العاطفي، مما جعلها قطعة فنية منشودة لعشاق الفن وجامعي التحف على حد سواء.
The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels both physical and spiritual. A diagonal line of steps directs the viewer's gaze toward the central interaction, where the tension of the encounter is held in the hands of the subjects. Mary reaches out in a gesture of longing and devotion, while…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head tilted slightly as she looks toward the Christ Child. Her skin possesses a smooth, porcelain-like texture, illuminated by a focused light source that creates a sharp contrast against the shadows. She wears a deep crimson red garment, while a dark, midnight blue…
The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a three-quarter view, his body angled slightly away while his eyes remain fixed upon us, creating an immediate, silent dialogue. The light does not merely illuminate him; it carves him out of the darkness. A sharp, dramatic light strikes the side of his…
الإنزال من الصليب. يليه الزيارة (1528) و حامل الرمح (1520).
الإنزال من الصليب, الزيارة, حامل الرمح, Virgin and Child, known as the Madonna del Libro, Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Supper at Emmaus, Portrait of Francesco da Castiglione, Cupid and Apollo و Apollo and Daphne. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 176 من أعمال بونتورمو، التي يعود تاريخها من 1513 إلى 1550.
توجد غالبيتها في معرض أوفيزي (فلورنسا), قصر بيتي (فلورنسا) و متحف ج. بول غيتي (لوس أنجلوس). يدرج جدول المتاحف أعلاه جميعها.
في 1520s: تم إنجاز 19 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها الزيارة.
في هذه الصفحة، أقدم الأعمال يعود إلى Cupid and Apollo (1513) وأحدثها يعود إلى Porträt des Giovanni della Casa (1503-1556) (1550).
Man (11), Renaissance (9) و Saints (9)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Panel، لـ 11 من أصل 100 من الأعمال في هذه الصفحة.
المانييرية، بناءً على الأعمال الأصلية في هذه الصفحة.
Study of a Woman, possibly Maria Salviati, Ten thousand martyrs و Birth of John the Baptist: يضم معرض أوفيزي, فلورنسا 6 من الأعمال المعروضة في هذه الصفحة.
