تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 74 أعمال لـ أوتو فان فيين في كتالوجنا
باختصار
تُعد The Last Supper (1592) اللوحة الأكثر جذباً للأنظار للفنان أوتو فان فيين؛ والنسخة الأصلية محفوظة في Onze-Lieve Vrouwekathedraal، Antwerp. بعد ذلك، تتجه العين إلى Portrait of Alessandro Farnese (1545-1592) (1585) و Portrait of Alexander Farnese (1545-1592) (1592). من بين 74 من أعمال أوتو فان فيين في كتالوجنا، تُعد هذه 73 الأعمال هي الأكثر شهرة، حيث تُعرض كل واحدة منها كعمل أصلي فريد مع سنة إنتاجها، والمتحف الذي تضمّه، والسبب وراء خلودها.
To stand before this monumental depiction of The Last Supper is to be enveloped in an atmosphere thick with profound significance and hushed drama. It is more than merely a painting; it is a frozen moment of ultimate human reckoning, a tableau vivant capturing the solemnity of Christ’s final meal with his apostles. The sheer scale of the work, measuring an imposing 350 by 2247 centimeters, speaks to its monumental…
The portrait of Alessandro Farnese is a highly ornate Mannerist miniature, rendered in oil heightened with gold on a copper support. The composition is hierarchical and symmetrical, centering an oval portrait of the subject within an elaborate, sculptural golden frame. Alessandro is depicted in a three-quarter view, wearing a white ruff collar and detailed armor. Behind him, a dark background is speckled with golden stars, suggesting a celestial or divine…
Alexander Farnese, Duke of Parma, is captured in a formal bust-length portrait that emphasizes his status through the language of military regalia. He faces the viewer's right but directs his gaze forward, establishing a direct connection with the observer. The composition relies on the sharp contrast between a dark, indistinct background and the luminous details of his attire. A bright white lace ruff frames the face, while a crimson silk…
In The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, Otto van Veen captures a pivotal moment of insurrection. The scene depicts the revolt of the Batavians against the Romans during AD 69 and 70. Here, Claudius Civilis is gathered with his supporters around a meal in the forest under the cover of night. It is a moment of quiet tension, where the oath of Civilis is taken…
After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners by Otto van Veen, executed about 1606, belongs to the series De Bataafse Opstand. This collection of twelve paintings was commissioned by the Dutch parliament, the States General, in 1613. The work functions as a visual record of the Batavian revolt against Roman forces during AD 69 and 70.
The oil on panel painting titled Saint Paul before proconsul Felix of Caesarea was executed by the artist Otto van Veen. This work dates to 1602. The composition is presented on a vertical plane with dimensions measuring 253 × 101 cm. The physical surface of the panel supports the layers of pigment that form the figures and the architectural setting.
The Charity of Saint Nicholas of Myra is an oil painting by Otto van Veen. Created around 1606, the work captures a moment of divine intervention during a period of scarcity. The scene depicts the saint performing a miracle to aid a suffering population. Specifically, it portrays St. Nicholas miraculously multiplying corn-sacks unloaded from boats in the harbor to provide for the people of Myra during a famine.
The oil on panel work titled Amazones and Skythians was executed by Otto van Veen. Born in 1556 in Leiden, Netherlands, the artist lived until 1629. This piece captures a gathering of figures defined by their strength. The subject matter focuses on strong women, specifically the alleged Amazons and Spartans.
In "The Calling of Zacchaeus who is Sitting in a Fig Tree" by Otto van Veen, a profound spiritual encounter unfolds amidst a dense, moving crowd. Painted about 1606, the scene captures the exact moment of divine calling, freezing a pivotal instant of recognition and redemption. The biblical narrative of Zacchaeus comes alive as the viewer witnesses the intersection of the earthly and the divine. High above the bustling assembly,…
A single light source strikes the subject from the upper left, carving a face out of the surrounding gloom. Jan Miraeus sits in a quiet, heavy stillness. His skin possesses the pale, matte texture of fine porcelain, contrasting sharply against the deep, velvety burgundy of his clerical attire. The shadows cling to the right side of his features, tracing the lines of a life spent in contemplation and command. There…
Portrait of Albrecht VII, Archduke of Austria (1559-1621)1596 · متحف الفنون التاريخية
12
The Mystic Marriage of St. Catherine1589 · المتاحف الملكية للفنون الجميلة في بلجيكا
13
Carrying of the Cross1592 · مجموعات بافاريا الحكومية للرسم
14
Christ on the Mount of Olives1592 · مجموعات بافاريا الحكومية للرسم
15
Presentation of Jesus in the Temple1592 · مجموعات بافاريا الحكومية للرسم
16
Triumph of the Catholic Church1592 · مجموعات بافاريا الحكومية للرسم
17
Justitia and Pax1592 · مجموعات بافاريا الحكومية للرسم
18
Flagellation1592 · مجموعات بافاريا الحكومية للرسم
19
Birth of Christ1592 · مجموعات بافاريا الحكومية للرسم
20
Assumption of Mary1592 · مجموعات بافاريا الحكومية للرسم
21
Visitation of Mary1592 · مجموعات بافاريا الحكومية للرسم
22
Pentecost1592 · مجموعات بافاريا الحكومية للرسم
23
Crowning with Thorns1592 · مجموعات بافاريا الحكومية للرسم
24
Martyrdom of Saint Andrew1592 · مجموعات بافاريا الحكومية للرسم
25
Triumph of the Catholic Church1592 · مجموعات بافاريا الحكومية للرسم
26
Triumph of the Catholic Church1592 · مجموعات بافاريا الحكومية للرسم
27
Triumph of the Catholic Church1592 · مجموعات بافاريا الحكومية للرسم
28
Triumph of the Catholic Church1592 · مجموعات بافاريا الحكومية للرسم
29
Coronation of Mary1592 · مجموعات بافاريا الحكومية للرسم
30
Ascension of Christ1592 · مجموعات بافاريا الحكومية للرسم
31
Christ on the Cross1592 · مجموعات بافاريا الحكومية للرسم
32
The Twelve-Year-Old Jesus in the Temple1592 · مجموعات بافاريا الحكومية للرسم
33
Triumph of the Catholic Church1592 · مجموعات بافاريا الحكومية للرسم
34
The Resurrection1592 · مجموعات بافاريا الحكومية للرسم
35
The Lamentation over Christ1590
36
The Last Supper1592 · أكاديمية سان فرناندو للفنون الجميلة
37
The Lamentation of Christ with Angels1589 · Augustiner Museum
38
During a Famine in Myra Saint Nicholas Saves the People1606 · المتحف الملكي للفنون الجميلة في أنتويرب
39
The Judgement of Zaleucus1607 · معهد شيكاغو للفنون
40
Allegory of the Temptations of Youth1595 · المتحف الوطني
41
Xantippe Dousing Socrates1607
42
Lycurgus Demonstrares the Importance of Education1607
43
Portrait of "Count Hendrik van den Bergh (1573-1638)" on canvas by Otto van Veen, circa 16181618
44
Brinno Raised upon the Shield, Otto van Veen, 1600 - 16131613 · Rijksmuseum
45
The Batavians Surround the Romans at Vetera, Otto van Veen, 1600 - 16131613 · Rijksmuseum
46
The Batavians Defeating the Romans on the Rhine, Otto van Veen, 1600 - 16131613 · Rijksmuseum
47
The Peace Negotiations between Julius Civilis and the Roman General Cerialis, Otto van Veen, 1600 - 16131613 · Rijksmuseum
48
The Adoration of the Magi and The Presentation in the Temple1624
49
The Persian women1629 · متحف الفنون التاريخية
50
The Artist Painting, Surrounded by his Family1584 · متحف اللوفر
51
The Last Supper1670 · مجموعات بافاريا الحكومية للرسم
52
The Calling of Matthew1606 · المتحف الملكي للفنون الجميلة في أنتويرب
53
Emblem1607 · Koninklijke Bibliotheek
54
Distribution of Herring and White Bread during the Siege of Leiden1574 · Rijksmuseum
55
The Conference of the Gauls at Reims, Otto van Veen, 1600 - 16131613 · Rijksmuseum
56
Valentinus Taken Prisoner, Otto van Veen, 1600 - 16131613 · Rijksmuseum
57
A Nocturnal Banquet, Otto van Veen, 1600 - 16131613 · Rijksmuseum
58
The Batavians Besiege the Roman Army Regiments at Vetera, Otto van Veen, 1600 - 16131613 · Rijksmuseum
59
The Romans nearly Overpower the Army of Julius Civilis through the Treachery of a Batavian, Otto van Veen, 1600 - 16131613 · Rijksmuseum
60
The Beheading of Claudius Paulus and the Capture of Julius Civilis, Otto van Veen, 1600 - 16131613 · Rijksmuseum
61
An unknown Flemish Family1625
62
Zijluiken van het altaarstuk van de meerseniersالمتحف الملكي للفنون الجميلة في أنتويرب
63
Gemeine Jeuchts Beeldt. Allegori på ungdommens fristelserStatens Museum For Kunst
64
Alonso de Idiaquez, 1st Duke of Ciudad Real
65
Juana de Robles, Duchess of Ciudad Real
66
Allégorie (le Temps )
67
Dispute d'Athéna et de Poséïdon
68
The Dead Christ Supported by Angels
69
On the Disposal of Wealth Illustration to Horace, Carmina IIIFitzwilliam Museum
70
Putti Enacting a Bacchanalian SceneHam House
71
Christ in the House of Mary and Martha
72
Portrait of Nicolaas RockoxRubens House
73
Allégorie du Temps1607
#2 Portrait of Alessandro Farnese (1545-1592)
#3 Portrait of Alexander Farnese (1545-1592)
#4 The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos
#5 After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners
#6 Saint Paul before proconsul Felix of Caesarea
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال أوتو فان فيين | لوحات من هذه القائمة |
|---|---|---|---|
 مجموعات بافاريا الحكومية للرسم |
ميونخ | 23 | Carrying of the Cross, Christ on the Mount of Olives, Presentation of Jesus in the Temple |
 Rijksmuseum |
أمستردام | 13 | The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners, Brinno Raised upon the Shield, Otto van Veen, 1600 - 1613 |
 المتحف الملكي للفنون الجميلة في أنتويرب |
أنتويرب | 7 | Saint Paul before proconsul Felix of Caesarea, The Charity of Saint Nicholas of Myra, The Calling of Zacchaeus who is Sitting in a Fig Tree |
 متحف الفنون التاريخية |
فيينا | 3 | Amazones and Skythians, Portrait of Albrecht VII, Archduke of Austria (1559-1621), The Persian women |
 المتاحف الملكية للفنون الجميلة في بلجيكا |
بروكسل | 2 | Portrait of Alexander Farnese (1545-1592), The Mystic Marriage of St. Catherine |
 Onze-Lieve Vrouwekathedraal |
Antwerp | 1 | The Last Supper |
 متحف لوس أنجلوس الإقليمي للفنون |
لوس أنجلوس | 1 | Portrait of Alessandro Farnese (1545-1592) |
 أكاديمية سان فرناندو للفنون الجميلة |
مدريد | 1 | The Last Supper |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
Otto van Veen's "Distribution of Herring and White Bread during the Siege of Leiden," painted in 1574, isn’t merely a historical depiction; it’s a poignant tableau of human endurance amidst chaos. The scene unfolds within the besieged city of Leiden, a microcosm of the turbulent religious conflicts gripping the Netherlands at the time. Van Veen masterfully captures a pivotal moment – the arrival of relief supplies, specifically herring and white…
The portrait of Alessandro Farnese is a highly ornate Mannerist miniature, rendered in oil heightened with gold on a copper support. The composition is hierarchical and symmetrical, centering an oval portrait of the subject within an elaborate, sculptural golden frame. Alessandro is depicted in a three-quarter view, wearing a white ruff collar and detailed armor. Behind him, a dark background is speckled with golden stars, suggesting a celestial or divine…
To stand before this monumental depiction of The Last Supper is to be enveloped in an atmosphere thick with profound significance and hushed drama. It is more than merely a painting; it is a frozen moment of ultimate human reckoning, a tableau vivant capturing the solemnity of Christ’s final meal with his apostles. The sheer scale of the work, measuring an imposing 350 by 2247 centimeters, speaks to its monumental…
In The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, Otto van Veen captures a pivotal moment of insurrection. The scene depicts the revolt of the Batavians against the Romans during AD 69 and 70. Here, Claudius Civilis is gathered with his supporters around a meal in the forest under the cover of night. It is a moment of quiet tension, where the oath of Civilis is taken…
A single light source strikes the subject from the upper left, carving a face out of the surrounding gloom. Jan Miraeus sits in a quiet, heavy stillness. His skin possesses the pale, matte texture of fine porcelain, contrasting sharply against the deep, velvety burgundy of his clerical attire. The shadows cling to the right side of his features, tracing the lines of a life spent in contemplation and command. There…
The oil on panel work titled Amazones and Skythians was executed by Otto van Veen. Born in 1556 in Leiden, Netherlands, the artist lived until 1629. This piece captures a gathering of figures defined by their strength. The subject matter focuses on strong women, specifically the alleged Amazons and Spartans.
The Last Supper (1592)، Onze-Lieve Vrouwekathedraal, Antwerp. ويليها Portrait of Alessandro Farnese (1545-1592) (1585) وPortrait of Alexander Farnese (1545-1592) (1592).
عمر 36 عاماً: يعود تاريخ The Last Supper إلى 1592، وقد وُلد أوتو فان فيين في 1556.
The Last Supper, Portrait of Alessandro Farnese (1545-1592), Portrait of Alexander Farnese (1545-1592), The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners, Saint Paul before proconsul Felix of Caesarea, The Charity of Saint Nicholas of Myra, Amazones and Skythians, The Calling of Zacchaeus who is Sitting in a Fig Tree و Jan Miraeus, Bishop of Antwerp. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 74 من أعمال أوتو فان فيين، التي يعود تاريخها من 1574 إلى 1629.
توجد غالبيتها في مجموعات بافاريا الحكومية للرسم (ميونخ), Rijksmuseum (أمستردام) و المتحف الملكي للفنون الجميلة في أنتويرب (أنتويرب). يدرج جدول المتاحف أعلاه جميعها.
في 1590s: تم إنجاز 28 من أصل 73 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها The Last Supper.
في هذه الصفحة، أقدم الأعمال يعود إلى Distribution of Herring and White Bread during the Siege of Leiden (1574) وأحدثها يعود إلى Amazones and Skythians (1629).
People (27), Man (18) و Woman (16)، عبر 73 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 20 من أصل 73 من الأعمال في هذه الصفحة.
Baroque و Mannerism، بناءً على الأعمال الأصلية في هذه الصفحة.
Carrying of the Cross, Christ on the Mount of Olives و Presentation of Jesus in the Temple: يضم مجموعات بافاريا الحكومية للرسم, ميونخ 23 من الأعمال المعروضة في هذه الصفحة.
