تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 14 أعمال لـ ناليني مالاني في كتالوجنا
باختصار
تُعد The Teller of Tales (2019) اللوحة الأكثر جذباً للأنظار للفنان ناليني مالاني؛ والنسخة الأصلية محفوظة في Dr. Bhau Daji Lad Mumbai City Museum، Mumbai. بعد ذلك، تتجه العين إلى Dream Houses (Variation I) (1969) و Dream Houses (Variation I) (1969). من بين 14 من أعمال ناليني مالاني في كتالوجنا، تُعد هذه 14 الأعمال هي الأكثر شهرة، حيث تُعرض كل واحدة منها كعمل أصلي فريد مع سنة إنتاجها، والمتحف الذي تضمّه، والسبب وراء خلودها.
In the reverse painted triptych, The Teller of Tales, Malani has placed the female protagonist, the storyteller, in the lower part of the right panel, from here words about the fragility of life, sparks from her hands all over the painting in different shapes and forms. This is a narrative that works on three levels - from the 19th century Bengal peasant liberation movement, to the quote from the German…
In the evocative realm of Nalini Malani, the boundaries between reality and memory often dissolve into a hauntingly beautiful abstraction. Dream Houses (Variation I), a piece dating from 1969, serves as a profound window into this liminal space. At first glance, the viewer is met with a striking, almost visceral composition: a central figure, rendered with a deep blue tint that suggests both melancholy and nocturnal introspection, emerges against a…
In the quiet, contemplative space of Nalini Malani’s Dream Houses (Variation I), the viewer is invited into a realm where architecture and subconsciousness collide. Created in 1969, this piece serves as a profound exploration of geometric abstraction, stripping away the physical weight of the world to reveal the skeletal remains of memory and structure. The composition is striking in its starkness, presenting two distinct rectangular frames that act as windows…
Created in 2019, The Witness by Nalini Malani is a reverse painted triptych. The work addresses the complexities of identity, the progression of global events, and the sequence of life. Through its three panels, the artist explores the intersection of individual existence and collective history.
In the profound and hauntingly beautiful triptych known as The Witness, Nalini Malani invites viewers into a complex, layered reality where the boundaries between the personal and the global dissolve. Created in 2019, this masterpiece serves as a poignant metaphor for the unfolding sequence of world events, capturing a sense of perpetual observation. The painting presents a rich, dense composition where human figures, avian spirits, and various animals coexist in…
Dream Houses
In the intricate layers of Nalini Malani’s The Witness, Detail, we find ourselves peering into a fractured reality where time and memory converge. This evocative piece, part of a larger reverse-painted triptych, serves as a profound metaphor for the unfolding sequence of global events. At first glance, the composition draws the eye to a solitary woman seated in quiet contemplation, her legs crossed and an umbrella held close—a symbol of…
In 2013, the Museum had exhibited the work Listening to the Shades, in honour of Malani having received the prestigious Fukuoka Prize for Art and Culture 2013. It showcased 42 facsimile prints on archival paper, that the artist gifted the Museum.The dominant element in this series of paintings is the human brain. This organ appears in a conundrum of scenes, where it changes into boxing gloves, a rehearsal chamber acts…
In 2013, the Museum had exhibited the work Listening to the Shades, in honour of Malani having received the prestigious Fukuoka Prize for Art and Culture 2013. It showcased 42 facsimile prints on archival paper, that the artist gifted the Museum.The dominant element in this series of paintings is the human brain. This organ appears in a conundrum of scenes, where it changes into boxing gloves, a rehearsal chamber acts…
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 4 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال ناليني مالاني | لوحات من هذه القائمة |
|---|---|---|---|
 Dr. Bhau Daji Lad Mumbai City Museum |
Mumbai | 11 | The Teller of Tales, Dream Houses (Variation I), Dream Houses (Variation I) |
 بينالي سيدني |
سيدني | 1 | The tables have turned A shadow play |
 ILHAM Gallery |
كوالالمبور | 1 | Lohar Chawl |
 متحف فوكوكا للفن الآسيوي |
فوكوكا | 1 | Despoiled Shore |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
In the evocative realm of Nalini Malani, the boundaries between reality and memory often dissolve into a hauntingly beautiful abstraction. Dream Houses (Variation I), a piece dating from 1969, serves as a profound window into this liminal space. At first glance, the viewer is met with a striking, almost visceral composition: a central figure, rendered with a deep blue tint that suggests both melancholy and nocturnal introspection, emerges against a…
In the reverse painted triptych, The Teller of Tales, Malani has placed the female protagonist, the storyteller, in the lower part of the right panel, from here words about the fragility of life, sparks from her hands all over the painting in different shapes and forms. This is a narrative that works on three levels - from the 19th century Bengal peasant liberation movement, to the quote from the German…
The Teller of Tales (2019)، Dr. Bhau Daji Lad Mumbai City Museum, Mumbai. ويليها Dream Houses (Variation I) (1969) وDream Houses (Variation I) (1969).
عمر 73 عاماً: يعود تاريخ The Teller of Tales إلى 2019، وقد وُلد ناليني مالاني في 1946.
The Teller of Tales, Dream Houses (Variation I), Dream Houses (Variation I), The Witness, The Witness, Dream Houses (Variation I), Expropriation, The Witness, Detail, Listening to the Shades و Listening to the Shades. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 14 من أعمال ناليني مالاني، التي يعود تاريخها من 1969 إلى 2019.
توجد غالبيتها في Dr. Bhau Daji Lad Mumbai City Museum (Mumbai), بينالي سيدني (سيدني) و ILHAM Gallery (كوالالمبور). يدرج جدول المتاحف أعلاه جميعها.
في 2010s: تم إنجاز 8 من أصل 14 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها The Teller of Tales.
في هذه الصفحة، أقدم الأعمال يعود إلى Dream Houses (Variation I) (1969) وأحدثها يعود إلى The Teller of Tales (2019).
Identity (4), Displacement (3) و Partition (2)، عبر 14 من الأعمال في هذه الصفحة.
Digital Painting، لـ 2 من أصل 14 من الأعمال في هذه الصفحة.
Contemporary art، بناءً على الأعمال الأصلية في هذه الصفحة.
The Teller of Tales, Dream Houses (Variation I) و Dream Houses (Variation I): يضم Dr. Bhau Daji Lad Mumbai City Museum, Mumbai 11 من الأعمال المعروضة في هذه الصفحة.
