تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 29 أعمال لـ Miguel Cabrera في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Saint Gertrude (1763) أشهر لوحات Miguel Cabrera، والتي تُعرض لوحتها الأصلية في متحف دالاس للفنون، دالاس. Don Juan Xavier Joachín Gutiérrez Altamirano Velasco (1752) و From Spaniard and Morisca, Albino Girl (1763) يكملان الثلاثية التي تدركها كل عين. من بين 29 من أعمال Miguel Cabrera في كتالوجنا، يعرض المعرض أدناه 29 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
The darkness of the background presses inward, a heavy, atmospheric void that forces the eye toward the center of the canvas. Within this gloom, Saint Gertrude emerges, her form defined by a soft, luminous glow. She wears a black and white habit, the heavy folds of her clothing catching a dim, unseen light. Her head is bowed in a quiet, inward gesture of prayer. At her chest, a miraculous presence…
The gaze of Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, Count of Santiago de Calimaya, meets the viewer through this commanding portrait. Painted by Miguel Cabrera about 1752, the work captures a man of significant social standing and political weight. As a Creole, or American-born Spaniard, the subject occupies a unique position within the colonial hierarchy. His presence carries the gravity of his lifetime appointment as the governor of the…
In this 1763 oil on canvas, three figures are arranged in a tight triangular composition against a dark, muted background. On the left, a man is depicted in a leather military uniform, shown in profile while smoking. Beside him, a woman wears a white blouse, an elaborate rebozo shawl with metallic threads and lace cuffs, and a skirt featuring a floral chintz pattern. Between them, a young child is presented…
In this oval-shaped oil painting, we find ourselves witnessing a moment of profound stillness. The scene depicts the marriage of Mary and Joseph, a ritual overseen by a high priest, all occurring under the watchful, luminous presence of the Holy Spirit. A burst of light descends from above, manifesting as a dove, which casts a celestial glow upon the central figures. This light finds its focus on the joining of…
The Virgin of Guadalupe emerges from the canvas in this oil on canvas painting by Miguel Cabrera. Created about 1750, the work presents a serene figure enveloped in a celestial glow. She stands with hands clasped in prayer, her presence defined by a radiating golden mandorla that seems to pulse with light. A teal-blue mantle, decorated with gold stars, drapes over a pinkish-red gown, while the surrounding space holds small…
The air feels heavy with the weight of a quiet exodus. Under a sky of swirling, atmospheric clouds, the Holy Family moves through a landscape of rolling hills. Mary sits atop a donkey, her form a steady pyramid of grace amidst the movement. She cradles the Christ Child, whose presence seems to pull the light from the very air around him. Beside them, Joseph leads the animal, his silhouette a…
The warmth of a father's embrace is captured within the small, reflective surface of an oil on copper panel. Saint Joseph cradles the Christ Child against a dark, indeterminate void, pulling the viewer into a private moment of tenderness. The light falls softly upon the infant's translucent garment, catching the fine, lace-like details of the fabric. A cluster of white lilies rests to the side, their organic forms offering a…
Portrait of Sor Juana Inés de la Cruz by Miguel Cabrera, executed about 1750, presents the subject as a Catholic nun and sister of the Hieronymite order in New Spain. The work was commissioned by Sor Juana Inés de la Cruz herself, acting as its patron.
The canvas presents Don Manuel Jose Rubio y Salinas, Archbishop of Mexico. Painted by Miguel Cabrera in 1754, the work captures a man of significant ecclesiastical weight. The subject occupies the space with a quiet, heavy presence, framed by the symbols of his high office. He remains a central figure in the history of the viceroyalty, rendered here with the precision of a man who understood the gravity of his…
The air in the room feels heavy with the weight of history as we gaze upon this 1763 oil painting. A family of three occupies the center of our vision, their presence immediate and commanding. A man, a woman, and a child are frozen in a moment of formal dignity, their bodies positioned from the waist up against a backdrop that splits the world in two. To the right, a…
Casta Painting, 2. Of Spaniard and Mestiza, Castiza1763 · Museum of the Americas
12
Doña María de la Luz Padilla y (Gómez de) Cervantes1760 · Brooklyn Museum
13
The Holy Trinity1758 · Tucson Museum of Art
14
The Virgin of the Apocalypse1760 · المتحف الوطني للفنون
15
Casta Painting, 4. From male Spaniard and Black female, Mulata1763
16
Casta Painting, 9. From male Black and female Amerindian, china cambuja (Zamba)1763 · Museum of the Americas
17
Casta Painting, 1. From male Spaniard and female Amerindian, Mestiza1763
18
De Español y Torna atrás; tente en el ayre1763 · Museum of the Americas
19
The Divine Shepherdess (La divina pastora)متحف لوس أنجلوس الإقليمي للفنون
20
Virgen of Guadalupe (Our Lady of Guadalupe)National Museum of Mexican Art
21
Saint Ignatius Loyolaالمتحف الوطني للفنون
22
Altarpiece of the Virgin of Guadalupe with Saint John the Baptist, Fray Juan de Zumárraga and Juan Diegoالمتحف الوطني للفنون
23
The Divine Shepherdessالمتحف الوطني للفنون
24
The Conversion of Saint Ignatius Loyolaالمتحف الوطني للفنون
25
Allegory of the Virgin Patroness of the Dominicansالمتحف الوطني للفنون
26
Santa Rita de Casiaالمتحف الوطني للفنون
27
Saint Francis Xavierالمتحف الوطني للفنون
28
The Holy Family during the Journey into EgyptPatrick and Beatrice Haggerty Museum of Art
29
The pontifical proclamation of the patronage of the Virgin of Guadalupe1756
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Miguel Cabrera | لوحات من هذه القائمة |
|---|---|---|---|
 المتحف الوطني للفنون |
مدينة مكسيكو | 8 | The Virgin of the Apocalypse, Saint Ignatius Loyola, Altarpiece of the Virgin of Guadalupe with Saint John the Baptist, Fray Juan de Zumárraga and Juan Diego |
 Museum of the Americas |
Madrid | 4 | 10. Of Chinese Cambujo and Indian, She-wolf., Casta Painting, 2. Of Spaniard and Mestiza, Castiza, Casta Painting, 9. From male Black and female Amerindian, china cambuja (Zamba) |
 Brooklyn Museum |
بروكلين | 2 | Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, Doña María de la Luz Padilla y (Gómez de) Cervantes |
 متحف لوس أنجلوس الإقليمي للفنون |
لوس أنجلوس | 2 | From Spaniard and Morisca, Albino Girl, The Divine Shepherdess (La divina pastora) |
 متحف دالاس للفنون |
دالاس | 1 | Saint Gertrude |
 متحف الفنون الجميلة |
بوسطن | 1 | Don Manuel Jose Rubio y Salinas, Archbishop of Mexico |
 Tucson Museum of Art |
Tucson | 1 | The Holy Trinity |
 National Museum of Mexican Art |
Chicago | 1 | Virgen of Guadalupe (Our Lady of Guadalupe) |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
In this oval-shaped oil painting, we find ourselves witnessing a moment of profound stillness. The scene depicts the marriage of Mary and Joseph, a ritual overseen by a high priest, all occurring under the watchful, luminous presence of the Holy Spirit. A burst of light descends from above, manifesting as a dove, which casts a celestial glow upon the central figures. This light finds its focus on the joining of…
The gaze of Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, Count of Santiago de Calimaya, meets the viewer through this commanding portrait. Painted by Miguel Cabrera about 1752, the work captures a man of significant social standing and political weight. As a Creole, or American-born Spaniard, the subject occupies a unique position within the colonial hierarchy. His presence carries the gravity of his lifetime appointment as the governor of the…
The darkness of the background presses inward, a heavy, atmospheric void that forces the eye toward the center of the canvas. Within this gloom, Saint Gertrude emerges, her form defined by a soft, luminous glow. She wears a black and white habit, the heavy folds of her clothing catching a dim, unseen light. Her head is bowed in a quiet, inward gesture of prayer. At her chest, a miraculous presence…
Saint Gertrude (1763)، متحف دالاس للفنون, دالاس. ويليها Don Juan Xavier Joachín Gutiérrez Altamirano Velasco (1752) وFrom Spaniard and Morisca, Albino Girl (1763).
عمر 68 عاماً: يعود تاريخ Saint Gertrude إلى 1763، وقد وُلد Miguel Cabrera في 1695.
Saint Gertrude, Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, From Spaniard and Morisca, Albino Girl, The Marriage of the Virgin, Virgin of Guadalupe, The Flight into Egypt, Saint Joseph and the Child Jesus, Portrait of Sor Juana Inés de la Cruz, Don Manuel Jose Rubio y Salinas, Archbishop of Mexico و 10. Of Chinese Cambujo and Indian, She-wolf.. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 29 من أعمال Miguel Cabrera، التي يعود تاريخها من 1737 إلى 1763.
توجد غالبيتها في المتحف الوطني للفنون (مدينة مكسيكو), Museum of the Americas (Madrid) و Brooklyn Museum (بروكلين). يدرج جدول المتاحف أعلاه جميعها.
في 1760s: تم إنجاز 10 من أصل 29 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Saint Gertrude.
في هذه الصفحة، أقدم الأعمال يعود إلى The Marriage of the Virgin (1737) وأحدثها يعود إلى Saint Gertrude (1763).
Woman (14), Man (12) و Child (11)، عبر 29 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 14 من أصل 29 من الأعمال في هذه الصفحة.
Baroque، بناءً على الأعمال الأصلية في هذه الصفحة.
The Virgin of the Apocalypse, Saint Ignatius Loyola و Altarpiece of the Virgin of Guadalupe with Saint John the Baptist, Fray Juan de Zumárraga and Juan Diego: يضم المتحف الوطني للفنون, مدينة مكسيكو 8 من الأعمال المعروضة في هذه الصفحة.
Miguel Cabrera lived during a period when the Mexican Baroque shaped the visual identity of a colonial society. Born in 1695, he became a figure of great importance to both the religious orders and the wealthy elite of his time. His hands were busy with more than just paint; he was also a designer who understood how to decorate the spaces where people gathered for prayer and social prestige.
His work reflected the needs of a changing landscape. He moved between the quiet, solemn requirements of the church and the more personal, grander tastes of the colonial upper class. This duality allowed him to become one of the most sought-after artists in his region.
Cabrera's influence was felt through the many commissions he accepted throughout his career. He did not work in isolation but rather as a central part of the artistic fabric of his era. His ability to satisfy different patrons meant that his style touched both sacred and secular environments.
By the time he passed away in 1768, he had left behind a legacy that helped define the Mexican Baroque. His career was built on a steady demand for his specific skill set, making him a cornerstone of the local art scene during the mid-eighteenth century.
