تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 12 أعمال لـ Martin Knoller في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها Martin Knoller، تُعد Wolfgang Amadé Mozart (1773) هي الأشهر، وهي ضمن مجموعة متاحف موزارت التابعة لمؤسسة موزارتيم الدولية في سالزبورغ في سالزبورغ. تأتي بعدهما مباشرة كل من Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity (1764) و Danae (1764). يضم كتالوجنا 12 من أعمال Martin Knoller؛ حيث احتفظ المعرض بـ 12 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
In the quiet intimacy of Martin Knoller’s 1773 portrait, we encounter more than just the likeness of a man; we witness the captured essence of a legend. The subject, the incomparable Wolfgang Amadeus Mozart, is presented not as the mythic figure of later centuries, but as a vibrant, living presence. Through Knoller's masterful brushwork, the viewer is drawn into an 18th-century moment where the air seems to hum with the…
In this celestial oil painting, the heavens open to reveal a profound moment of divine intercession. Titled Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity, the work presents a vertical hierarchy of sacred figures. Martin Knoller captures a scene where the earthly and the divine meet through the mediation of the Virgin Mary. The composition draws the eye upward, following the spiritual ascent from the…
In this 1764 oil painting, titled Danae, Martin Knoller presents a mythological scene centered on a reclining nude woman. The figure of Danae is positioned diagonally across the frame, resting upon a collection of white pillows and drapery. Her skin is rendered in soft, luminous tones that contrast with the deep red fabrics surrounding her. To the right of the central figure, a second, smaller male figure appears, pulling back…
Martin Knoller executed Holy Trinity with the Holy Mary, Benedict and Scholastica as an oil painting. The work is dated to about 1770. This composition belongs to the artist's period of high productivity, reflecting the transition between Baroque and Neoclassical sensibilities.
The artwork titled The Painter Joseph Rosa is a portrait executed by the artist Martin Knoller. This oil painting on canvas depicts a man in a three-quarter view, positioned slightly off-center against a naturalistic background. The subject of the work is likely the painter Joseph Rosa, shown in a state of thoughtful repose. He is depicted holding a drawing tool over a sketchbook, a detail that suggests his professional identity.
Behold the breathtaking vision of the Assumption of the Virgin, a masterpiece that arrests the viewer in a moment of sublime transcendence. This painting captures the very essence of heavenly glory—the Virgin Mary being gently but powerfully lifted from the earthly realm into the celestial embrace. The composition is nothing short of dynamic; one feels the upward surge of divine energy as she ascends amidst a host of adoring angels.…
This captivating portrait offers us an intimate encounter with Giuseppe Piermarini, the visionary architect whose hand shaped much of Milan's grand architectural narrative during the late eighteenth century. Depicted by Martin Knoller in the years between 1775 and 1779, the painting transcends a mere likeness; it is a historical document imbued with the spirit of Enlightenment rationalism applied to stone and structure. Piermarini, whose genius was evident in his designs…
Wooded landscape with stream and ruins is an oil on canvas by Martin Knoller. Presented in a landscape format, the work captures a natural setting defined by architectural remnants and flowing water. The composition focuses on the interaction between the organic elements of the woods and the structural decay of the ruins.
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 7 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Martin Knoller | لوحات من هذه القائمة |
|---|---|---|---|
 مجموعات بافاريا الحكومية للرسم |
ميونخ | 4 | Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity, Danae, Holy Trinity with the Holy Mary, Benedict and Scholastica |
 متاحف موزارت التابعة لمؤسسة موزارتيم الدولية في سالزبورغ |
سالزبورغ | 1 | Wolfgang Amadé Mozart |
 متحف اللوفر |
باريس | 1 | Assumption of the Virgin |
 Teatro Alla Scala |
ميلانو | 1 | Portrait of architect Giuseppe\nPiermarini (1734-1808) |
 Villa Reale di Monza |
مونزا | 1 | Wooded landscape with stream and ruins |
 Veneranda Fabbrica del Duomo di Milano |
ميلانو | 1 | Saint Gotthard |
 Museo Diocesano Tridentino |
ترينتو | 1 | Resurrection of Christ |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
In this celestial oil painting, the heavens open to reveal a profound moment of divine intercession. Titled Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity, the work presents a vertical hierarchy of sacred figures. Martin Knoller captures a scene where the earthly and the divine meet through the mediation of the Virgin Mary. The composition draws the eye upward, following the spiritual ascent from the…
In the quiet intimacy of Martin Knoller’s 1773 portrait, we encounter more than just the likeness of a man; we witness the captured essence of a legend. The subject, the incomparable Wolfgang Amadeus Mozart, is presented not as the mythic figure of later centuries, but as a vibrant, living presence. Through Knoller's masterful brushwork, the viewer is drawn into an 18th-century moment where the air seems to hum with the…
The artwork titled The Painter Joseph Rosa is a portrait executed by the artist Martin Knoller. This oil painting on canvas depicts a man in a three-quarter view, positioned slightly off-center against a naturalistic background. The subject of the work is likely the painter Joseph Rosa, shown in a state of thoughtful repose. He is depicted holding a drawing tool over a sketchbook, a detail that suggests his professional identity.
Wolfgang Amadé Mozart (1773)، متاحف موزارت التابعة لمؤسسة موزارتيم الدولية في سالزبورغ, سالزبورغ. ويليها Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity (1764) وDanae (1764).
عمر 48 عاماً: يعود تاريخ Wolfgang Amadé Mozart إلى 1773، وقد وُلد Martin Knoller في 1725.
Wolfgang Amadé Mozart, Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity, Danae, Holy Trinity with the Holy Mary, Benedict and Scholastica, The Painter Joseph Rosa, Assumption of the Virgin, Portrait of architect Giuseppe\nPiermarini (1734-1808), Labeled Canvas for Inv. No. 14910, The Laying of the Foundation Stone of the Concordiatempel in Laxenburg و Wooded landscape with stream and ruins. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 12 من أعمال Martin Knoller، التي يعود تاريخها من 1764 إلى 1795.
توجد غالبيتها في مجموعات بافاريا الحكومية للرسم (ميونخ), متاحف موزارت التابعة لمؤسسة موزارتيم الدولية في سالزبورغ (سالزبورغ) و متحف اللوفر (باريس). يدرج جدول المتاحف أعلاه جميعها.
في 1770s: تم إنجاز 4 من أصل 12 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Wolfgang Amadé Mozart.
في هذه الصفحة، أقدم الأعمال يعود إلى Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity (1764) وأحدثها يعود إلى The Laying of the Foundation Stone of the Concordiatempel in Laxenburg (1795).
Man (4), Drapery (3) و Portrait (2)، عبر 12 من الأعمال في هذه الصفحة.
Oil، لـ 4 من أصل 12 من الأعمال في هذه الصفحة.
Neoclassicism، بناءً على الأعمال الأصلية في هذه الصفحة.
Saint Benedict and Scholastica are Recommended by the Virgin and the Holy Trinity, Danae و Holy Trinity with the Holy Mary, Benedict and Scholastica: يضم مجموعات بافاريا الحكومية للرسم, ميونخ 4 من الأعمال المعروضة في هذه الصفحة.
Martin Knoller (1725 – 1804) was an Austrian-Italian painter, primarily active in Italy, renowned for his fresco work. Born in Steineck im Brenner, near Innsbruck, Austria, he received his initial artistic training under the tutelage of Paul Troger and Michelangelo Unterberger in Salzburg and Vienna. These masters instilled in him a foundation in Baroque techniques that would later inform his distinctive style.
In 1755, Knoller journeyed to Rome, a pivotal moment in his artistic development. Exposure to the burgeoning Neoclassical movement profoundly influenced his work. He studied under Anton Raphael Mengs and engaged with the writings of Johann Joachim Winckelmann, absorbing their emphasis on classical ideals of form and composition. While retaining elements of Baroque drama, Knoller’s style increasingly incorporated clarity, balance, and a refined aesthetic sensibility.
Knoller's art occupies an interesting space between the Baroque and Rococo periods, with the latter often prevailing in his paintings rather than his frescoes. He specialized in both frescoes and altarpiece paintings. His compositions frequently feature groups of figures, always ensuring the principal subject is prominently located in the foreground. A hallmark of his work is the use of bright, vibrant colors, particularly in clothing, adding a sense of life and dynamism to his scenes.
Knoller’s breakthrough came with his completion of “The Glory of St Stephen” in 1754 at the parish church of Anras in East Tyrol. However, it was through the patronage of Karl Joseph von Firmian, the Imperial Governor of Lombardy under Maria Theresa, that Knoller achieved widespread recognition. Von Firmian commissioned him to paint frescoes for the Palazzo Firmian-Vigoni, a significant undertaking that showcased Knoller’s talent and cemented his reputation.
From 1793 until his death in 1804, Knoller served as a professor at the Brera Academy of Fine Arts in Milan. Among his pupils was Giuseppe Mazzola, who continued to propagate Knoller’s artistic principles. While not as widely celebrated as some of his contemporaries, Martin Knoller left behind a substantial body of work that reflects the transition between Baroque exuberance and Neoclassical restraint. His frescoes and altarpieces remain important examples of 18th-century Italian art.
Knoller’s significance lies in his ability to synthesize diverse artistic influences – Baroque, Rococo, and Neoclassicism – into a unique and compelling style. He represents a transitional figure whose work embodies the changing aesthetic sensibilities of his time. His emphasis on clarity, balance, and vibrant color continues to resonate with art enthusiasts today.
