تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 86 أعمال لـ جوزيف روديفر ديكامب في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Frederick Cheever Shattuck (1847-1929) (1912) أشهر لوحات جوزيف روديفر ديكامب، والتي تُعرض لوحتها الأصلية في متاحف هارفارد للفنون، كامبريدج. Frederic Bayard Winthrop (1868-1932) (1909) و The Seamstress (1916) يكملان الثلاثية التي تدركها كل عين. من بين 86 من أعمال جوزيف روديفر ديكامب في كتالوجنا، يعرض المعرض أدناه 69 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
The year 1912 finds the subject in a moment of profound stillness. There is no movement here, only the quiet gravity of a life lived. The composition relies on the tension between the dark, heavy clothing and the luminous, pale skin of the face. It is a study of permanence. The eye finds rest in the steady, unblinking stare of the sitter. The light fades into the shadows of the…
In this 1909 oil painting, we encounter Frederic Bayard Winthrop, a man whose presence commands a quiet, steady respect. The portrait is a study in academic realism, where the artist has focused intently on the weight of character and the subtle nuances of a human gaze. Winthrop is positioned in a classic three-quarter length pose, his body angled slightly away while his eyes meet the viewer with a direct, unblinking…
In the quietude of a sun-drenched room, Joseph Rodefer DeCamp captures a scene of profound serenity in his 1916 masterpiece, The Seamstress. The painting invites the viewer into an intimate, private world where time seems to slow to the rhythm of a needle passing through fabric. A young woman, her red hair catching the soft glow of the afternoon, sits in profile, her attention entirely consumed by her craft. Bathed…
A dignified, somber portrait of an elderly man, rendered in monochromatic tones. The subject is positioned in a three-quarter length view, facing toward the left while his gaze meets the viewer directly. His expression conveys wisdom and quiet contemplation. He wears heavy, dark academic or judicial robes that fall in organic, fluid folds, creating a sense of substantial volume. The lighting, originating from the upper left, casts one side of…
Portrait of a Boy (Ted) is an oil on canvas painting executed by the American artist Joseph DeCamp. The work was created in 1902. This portrait depicts a young boy positioned against a background containing visible trees. The subject is shown wearing a black shirt and has brown hair.
In this formal portrait of Sir Robert Laird Borden, Joseph DeCamp places the subject in a centered, three-quarter length pose. Seated within a chair, the man occupies the heart of the frame, meeting the viewer through an eye-level perspective that establishes an immediate, direct connection. The atmosphere feels heavy and scholarly, anchored by a somber color palette. Deep blues, blacks, and dark browns dominate the scene, wrapping the subject in…
In this 1892 portrait, we find ourselves in a quiet, intimate space, observing a woman captured in a moment of serene composure. She is presented in profile, facing left, her silhouette defined against a textured, deep ochre background that suggests the heavy folds of a draped fabric. The composition is deliberate, focusing our attention on the interplay between the warmth of her skin and the dark, structured elements of her…
A young woman sits centered against a mottled blue expanse. Her skin carries the warmth of peaches and pinks, a soft glow that pushes against the cool, textured background. She wears a gown of pale yellow or cream, the fabric suggesting the light weight of silk or chiffon. Her dark eyes meet the viewer with a calm, poised expression. The light enters from the front-left, carving the shape of her…
The oil portrait titled Our Nanny was executed by the American artist Joseph DeCamp. Dating to 1895, the work presents a single female figure positioned within a quiet, interior setting. The subject is a woman shown from the chest up, looking toward the left side of the frame. Her presence occupies the central space of the composition, appearing as a solitary figure against a dark, muted background.
There is a profound stillness in this 1904 oil portrait, a moment of suspended animation that feels almost private, as if we have stumbled upon a quiet thought in a crowded room. The subject, a young woman, is rendered with a soft-focus quality that blurs the boundary between her physical form and the surrounding atmosphere. She is positioned in a close-up composition, her head and shoulders emerging from a dark,…
Portrait of Frank Duveneck1911 · Cincinnati Art Museum
12
Sir General Arthur William Currie1920 · متحف سميثسونيان للفن الأمريكي
13
Pauline
14
Woman Drying Her HairCincinnati Art Museum
15
Josiah Dwight Whitney (1819-1896)متاحف هارفارد للفنون
16
Roses
17
Street Scene, in Venice1881 · Cincinnati Art Museum
18
Moorland Path, Cape Ann, Massachusetts1886
19
Magdalen1896 · Cincinnati Art Museum
20
Summer Landscape (also known as Summertime)1893
21
untitled (8353)
22
untitled (9989)
23
SallyWorcester Art Museum
24
Portrait of the Artist's Daughter
25
untitled (4947)
26
Mrs. Ernest MajorCincinnati Art Museum
27
Lambert Decamp
28
The Blue Cupمتحف الفنون الجميلة
29
Portrait of the Artist's Wive Edity
30
The Blue Mandarin Coat (Aka The Blue Kimono)High Museum of Art
31
The Pink Feather (Aka The Brown Veil)
32
The Cellist1908
33
The Guitar Player1913
34
Portrait in Red and Gold of Miss Pearson1921
35
Red Comunion1919
36
The Guitar Player1908 · متحف الفنون الجميلة
37
Girl With A Green Shawl
38
Jetty at Low Tide (also known as The Water Pier)1901
39
untitled (6833)Cincinnati Art Museum
40
De camp joseph sally
41
The Steward (Aka Lewis Of The Porcellian)
42
untitled (5568)
43
The Fur Jacket
44
In The Studio
45
Venice (Aka Becalmed)
46
At Gloucester (Aka Gloucester Harbor)
47
Summer In The Country
48
A Murky Day
49
Miss Alice BoitNew Britain Museum of American Art
50
Blue Bird
51
June Sunlight
52
The Violinist (Aka The Violin. Girl With A Violin Iii)
53
Reflections (Aka Arrangement In Pink And Blue)
54
phlox
55
Portrait of Albert H. Chatfield, Sr
56
The Heliotrope Gown
57
Red And Gold (Aka Portrait Of Miss Pearson)
58
Seascape
59
The Pear Orchard
60
The Music Lesson
61
The Little Hotel
62
La Penserosa
63
The Hammock
64
R woman drying her hair
65
The Kreutzer Sonata (Aka Violinist Ii)
66
Trees Along The Coast (Aka Road To The Sea)
67
The Guitar Player
68
September Afternoon
69
The Window Blind
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال جوزيف روديفر ديكامب | لوحات من هذه القائمة |
|---|---|---|---|
 Cincinnati Art Museum |
سينسيناتي | 6 | Portrait of Frank Duveneck, Woman Drying Her Hair, Street Scene, in Venice |
 متاحف هارفارد للفنون |
كامبريدج | 4 | Frederick Cheever Shattuck (1847-1929), Frederic Bayard Winthrop (1868-1932), Nathaniel Southgate Shaler (1841-1906) |
 متحف سميثسونيان للفن الأمريكي |
واشنطن العاصمة | 2 | Sir Robert Laird Borden, Sir General Arthur William Currie |
 متحف الفنون الجميلة |
بوسطن | 2 | The Blue Cup, The Guitar Player |
 المعرض الوطني للفنون |
واشنطن | 1 | The Seamstress |
 Currier Gallery of Art |
Manchester | 1 | Carnation and Black |
 Worcester Art Museum |
وورستر | 1 | Sally |
 High Museum of Art |
أتلانتا | 1 | The Blue Mandarin Coat (Aka The Blue Kimono) |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
In this 1892 portrait, we find ourselves in a quiet, intimate space, observing a woman captured in a moment of serene composure. She is presented in profile, facing left, her silhouette defined against a textured, deep ochre background that suggests the heavy folds of a draped fabric. The composition is deliberate, focusing our attention on the interplay between the warmth of her skin and the dark, structured elements of her…
In this 1909 oil painting, we encounter Frederic Bayard Winthrop, a man whose presence commands a quiet, steady respect. The portrait is a study in academic realism, where the artist has focused intently on the weight of character and the subtle nuances of a human gaze. Winthrop is positioned in a classic three-quarter length pose, his body angled slightly away while his eyes meet the viewer with a direct, unblinking…
The year 1912 finds the subject in a moment of profound stillness. There is no movement here, only the quiet gravity of a life lived. The composition relies on the tension between the dark, heavy clothing and the luminous, pale skin of the face. It is a study of permanence. The eye finds rest in the steady, unblinking stare of the sitter. The light fades into the shadows of the…
In this formal portrait of Sir Robert Laird Borden, Joseph DeCamp places the subject in a centered, three-quarter length pose. Seated within a chair, the man occupies the heart of the frame, meeting the viewer through an eye-level perspective that establishes an immediate, direct connection. The atmosphere feels heavy and scholarly, anchored by a somber color palette. Deep blues, blacks, and dark browns dominate the scene, wrapping the subject in…
Frederick Cheever Shattuck (1847-1929) (1912)، متاحف هارفارد للفنون, كامبريدج. ويليها Frederic Bayard Winthrop (1868-1932) (1909) وThe Seamstress (1916).
عمر 54 عاماً: يعود تاريخ Frederick Cheever Shattuck (1847-1929) إلى 1912، وقد وُلد جوزيف روديفر ديكامب في 1858.
Frederick Cheever Shattuck (1847-1929), Frederic Bayard Winthrop (1868-1932), The Seamstress, Nathaniel Southgate Shaler (1841-1906), Portrait of a Boy (Ted), Sir Robert Laird Borden, Carnation and Black, Portrait of a Young Lady, Our Nanny و The Listener (Woman at the Theatre). يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 86 من أعمال جوزيف روديفر ديكامب، التي يعود تاريخها من 1881 إلى 1921.
توجد غالبيتها في Cincinnati Art Museum (سينسيناتي), متاحف هارفارد للفنون (كامبريدج) و متحف سميثسونيان للفن الأمريكي (واشنطن العاصمة). يدرج جدول المتاحف أعلاه جميعها.
في 1900s: تم إنجاز 7 من أصل 69 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Frederic Bayard Winthrop (1868-1932).
في هذه الصفحة، أقدم الأعمال يعود إلى Street Scene, in Venice (1881) وأحدثها يعود إلى Portrait in Red and Gold of Miss Pearson (1921).
Portrait (11), Girls (10) و Man (7)، عبر 69 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 14 من أصل 69 من الأعمال في هذه الصفحة.
Impressionism و American impressionism، بناءً على الأعمال الأصلية في هذه الصفحة.
Portrait of Frank Duveneck, Woman Drying Her Hair و Street Scene, in Venice: يضم Cincinnati Art Museum, سينسيناتي 6 من الأعمال المعروضة في هذه الصفحة.
