تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 65 من أعمال هانس ليونهارد شويفلاين في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها هانس ليونهارد شويفلاين، تُعد Sanguine (so-called Female Head) (1511) هي الأشهر، وهي ضمن مجموعة متحف الفنون التاريخية في فيينا. تأتي بعدهما مباشرة كل من Melancholic (so-called Youthful Head) (1511) و Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha (1515). يضم كتالوجنا 65 من أعمال هانس ليونهارد شويفلاين؛ حيث احتفظ المعرض بـ 63 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
A single profile emerges from a void of near-blackness. The subject, a young person with features often debated as female, rests in a quiet, side-long gaze. Light falls from the upper left, tracing the soft curve of a nose and the gentle slope of a chin. The palette is a narrow, warm world of ochre, sienna, and cream. Every line feels deliberate, as if the artist sought to trap a…
The painting titled Melancholic (so-called Youthful Head) captures a single, quiet moment of introspection. Also known as Melancholic (Head of a Youth), this portrait focuses on the singular presence of a young person. The work was executed by the artist Hans Leonhard Schäufelein in 1511.
This Renaissance-era religious composition presents a complex, crowded scene of biblical narratives. On the left, a figure representing Christ, depicted in the Ecce Homo tradition, stands partially unclothed and wearing a crown of thorns. His gaze is cast downward with a somber expression. Beside him, a man in heavy, draped robes gestures toward a group of onlookers. The composition is structured across two main planes: a raised platform on the…
The Christgartner Altar: The Coronation of Mary emerges from the shadows of history as a profound expression of faith. This religious work, titled Christgartner Altar: The Coronation of Mary, carries the hand of Hans Leonhard Schäufelein. The artist, Hans Leonhard Schäufelein, brings a specific vision to this sacred scene, marking a significant moment in the development of the German Renaissance. He brings the weight of his Nuremberg, Germany origins to…
In this detailed panel from 1515, the viewer is placed directly upon the shores of the Sea of Galilee. The composition is divided with a quiet, deliberate logic, separating the terrestrial from the maritime. In the foreground, the weight of the moment is felt through the heavy folds of drapery as Jesus Christ stands upon the shore. He gestures toward Saint Peter, who is captured in the very act of…
The oil painting titled Christgartner Altar: Liberation of Peter and Paul from the Mamertine Prison was executed by the German Renaissance artist Hans Leonhard Schäufelein. Created in 1515, the work captures a specific moment of divine intervention. The scene focuses on the biblical liberation of Saints Peter and Paul from their confinement.
Hans Leonhard Schäufelein presents Head of Christ as a centered, frontal bust-length portrait. The composition is set against a flat, textured gold background, creating a shallow depth of field that focuses attention entirely on the subject. This arrangement emphasizes the religious nature of the work, offering a humanized depiction of Christ that prioritizes spiritual presence over environmental context.
The scene captures the heavy, chaotic tension of Christ falling at the Brook Cedron. Figures crowd the foreground, their bodies locked in a struggle that creates a sense of claustrophobia. Ropes and spears cut through the composition in sharp diagonals, directing the eye toward the central figure of Christ. The weight of the moment is felt through the tension in the limbs of the men pulling him, their faces etched…
The work titled Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923) is a religious art piece. It was painted by Hans Leonhard Schäufelein. The image captures a moment of profound human struggle through the lens of sacred history.
The composition is densely packed with figures in the foreground, creating a sense of claustrophobia and tension. Christ falls on his way to Pilate, surrounded by tormentors and onlookers. The scene is rendered in a grayscale palette, emphasizing light and shadow rather than hue. Diagonal lines from raised weapons and limbs create dynamic movement, directing the eye toward the central figure. The lighting appears to come from the upper left,…
Christgartner Altar: Christ on the Cross (detached reverse of WAF 926)1515 · مجموعات بافاريا الحكومية للرسم
12
Saint Ulrich before the Abbot of St. Gallen1515 · مجموعات بافاريا الحكومية للرسم
13
Christgartner Altar: Death of Mary1515 · مجموعات بافاريا الحكومية للرسم
14
Christgartner Altar: Crucifixion of Peter1515 · مجموعات بافاريا الحكومية للرسم
15
Christgartner Altar: Christ before Pilate (detached reverse of WAF 924)1515 · مجموعات بافاريا الحكومية للرسم
16
The Flight into Egypt1503 · مجموعات بافاريا الحكومية للرسم
17
Ecce Homo (Shroud)1517 · مجموعات بافاريا الحكومية للرسم
18
Christgartner Altar: Burial of Mary Reverse: Fall of Christ onto the Cross1515 · مجموعات بافاريا الحكومية للرسم
19
Christgartner Altar: Fall of Christ during the Raising of the Cross (Detached Reverse Side of WAF 920)1515 · مجموعات بافاريا الحكومية للرسم
20
Christgartner Altar: An Angel Presents Mary with the Palm1515 · مجموعات بافاريا الحكومية للرسم
21
Wing of a Deacon's Altar: Saint Pope Callixtus Reverse: Saint Stephen1509 · مجموعات بافاريا الحكومية للرسم
22
Saint Ulrich Heals the Sick1515 · مجموعات بافاريا الحكومية للرسم
23
Wing of a Deacon's Altar: Saint Lawrence Reverse: Saint Vincent of Valencia1509 · مجموعات بافاريا الحكومية للرسم
24
Christgartner Altar: Crowning with Thorns of Christ (detached reverse side of WAF 922)1515 · مجموعات بافاريا الحكومية للرسم
25
Saint Ulrich is Ordained as Bishop1515 · مجموعات بافاريا الحكومية للرسم
26
Maihingen Altar: Saint Bridget of Sweden before the Crucifix Reverse: Family Tree of the Order Founders according to the Rule of Saint Augustine1515 · مجموعات بافاريا الحكومية للرسم
27
Christ Takes Leave of His Mother1504 · Gemäldegalerie
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The Last Supper1511 · Gemäldegalerie
29
Crucifixion of Christ1515 · Staatliche Kunsthalle Karlsruhe
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Christgarten Altar: Saint Onuphrius1515 · مجموعات بافاريا الحكومية للرسم
31
Fall of Christ during the Flagellation1515 · مجموعات بافاريا الحكومية للرسم
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Christ crowned with thorns1516 · مجموعات بافاريا الحكومية للرسم
33
Christgarten Altar: Saint John Chrysostom1515 · مجموعات بافاريا الحكومية للرسم
34
Christgarten Altar: Saint Jerome1515 · مجموعات بافاريا الحكومية للرسم
35
Portrait of a Young Man1504 · متحف إنديانابوليس للفنون
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Portrait of a man in a yellow jerkin.1507 · المتحف الوطني في وارسو
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Crowning with Thorns1506 · Gemäldegalerie
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The Flagellation of Christ1506 · Gemäldegalerie
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Portrait of a man in a yellow jacket1507 · المتحف الوطني في وارسو
40
Crucifixion of Christ with John the Baptist and King David (Allegory of Law and Grace)1520 · مجموعات بافاريا الحكومية للرسم
41
Christ in the Temple1520 · Shipley Art Gallery
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The Reviling of Christ1520 · Shipley Art Gallery
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Portrait of a Young Man1527 · Dayton Art Institute
44
Eitel Friedrich II of Hohenzollern by Hans Schäufelin1525 · Jagdschloss Grunewald
45
Lamentation1537 · Museum Catharijneconvent
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Portrait of a Man (Self-portrait?)1534 · Gemäldegalerie
47
Adoration of the Lamb1538 · Gemäldegalerie
48
Portrait of a Man1505 · غاليريا بورغيزي
49
The Choleric Temperament1511
50
The Agony in the Garden1516 · Alte Pinakothek
51
The Circumcision of Christ1505 · Christian Museum
52
History of Judithمجموعات بافاريا الحكومية للرسم
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Portrait of an old man in a black cloak and cap
54
The Birth of Christ1505 · Christian Museum
55
Christ Crowned with Thorns
56
Abt alexander hummelمجموعات بافاريا الحكومية للرسم
57
Communion
58
Portrait of a man in a yellow jerkin (detail).
59
Saint jeromeGemäldegalerie
60
Head of a bearded man
61
The dormition of the Virginمتحف المتروبوليتان للفنون
62
The Adoration of the Shepherdsمتحف كليفلاند للفنون
63
Christ carrying the cross
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
#8 Christgartner Altar: Fall of Christ at the Brook Cedron
#9 Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923)
#10 Christgartner Altar: Fall Christi on the Way to Pilatus (detached reverse side of WAF 921)
#11 Christgartner Altar: Christ on the Cross (detached reverse of WAF 926)
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتاحف | المدينة | أعمال هانس ليونهارد شويفلاين | لوحات من هذه القائمة |
|---|---|---|---|
 مجموعات بافاريا الحكومية للرسم |
ميونخ | 32 | Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary, Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish |
 Gemäldegalerie |
برلين | 7 | Christ Takes Leave of His Mother, The Last Supper, Crowning with Thorns |
 متحف الفنون التاريخية |
فيينا | 2 | Sanguine (so-called Female Head), Melancholic (so-called Youthful Head) |
 المتحف الوطني في وارسو |
وارسو | 2 | Portrait of a man in a yellow jerkin., Portrait of a man in a yellow jacket |
 Shipley Art Gallery |
Gateshead | 2 | Christ in the Temple, The Reviling of Christ |
 Christian Museum |
Eger | 2 | The Circumcision of Christ, The Birth of Christ |
 Staatliche Kunsthalle Karlsruhe |
كارلسروه | 1 | Crucifixion of Christ |
 متحف إنديانابوليس للفنون |
إنديانابوليس | 1 | Portrait of a Young Man |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The scene depicts three figures moving through a rugged, mountainous landscape. On the left, a man with a prominent beard and a tunic walks with a steady stride, pulling a donkey forward by a rope. The donkey carries a woman who sits upright, cradling an infant wrapped in swaddling clothes. A faint halo surrounds the woman's head. The terrain consists of rolling hills in the foreground and jagged, layered mountain…
A single profile emerges from a void of near-blackness. The subject, a young person with features often debated as female, rests in a quiet, side-long gaze. Light falls from the upper left, tracing the soft curve of a nose and the gentle slope of a chin. The palette is a narrow, warm world of ochre, sienna, and cream. Every line feels deliberate, as if the artist sought to trap a…
The painting titled Crucifixion of Christ with John the Baptist and King David (Allegory of Law and Grace) is a work of religious art. It was executed by the artist Hans Leonhard Schäufelein. This specific composition is dated 1520.
The painting presents a tightly packed group of figures gathered around the lifeless body of Jesus. The scene is set within a shallow pictorial space, where the vertical lines of a wooden cross and a ladder in the background provide a structural framework for the mourning figures. The central focus is the pale, luminous skin of Christ, which contrasts against the dark, saturated tones of the surrounding drapery. Deep crimsons,…
Sanguine (so-called Female Head) (1511)، متحف الفنون التاريخية, فيينا. ويليها Melancholic (so-called Youthful Head) (1511) وChristgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha (1515).
عمر 31 عاماً: يعود تاريخ Sanguine (so-called Female Head) إلى 1511، وقد وُلد هانس ليونهارد شويفلاين في 1480.
Sanguine (so-called Female Head), Melancholic (so-called Youthful Head), Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary, Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish, Christgartner Altar: Liberation of Peter and Paul from the Mamertine Prison, Head of Christ, Christgartner Altar: Fall of Christ at the Brook Cedron, Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923) و Christgartner Altar: Fall Christi on the Way to Pilatus (detached reverse side of WAF 921). يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 65 من أعمال هانس ليونهارد شويفلاين، التي يعود تاريخها من 1503 إلى 1538.
توجد غالبيتها في مجموعات بافاريا الحكومية للرسم (ميونخ), Gemäldegalerie (برلين) و متحف الفنون التاريخية (فيينا). يدرج جدول المتاحف أعلاه جميعها.
في 1510s: تم إنجاز 32 من أصل 63 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Sanguine (so-called Female Head).
في هذه الصفحة، أقدم الأعمال يعود إلى The Flight into Egypt (1503) وأحدثها يعود إلى Adoration of the Lamb (1538).
Man (25), Drapery (22) و People (18)، عبر 63 من الأعمال في هذه الصفحة.
Oil On Panel، لـ 36 من أصل 63 من الأعمال في هذه الصفحة.
Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary و Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish: يضم مجموعات بافاريا الحكومية للرسم, ميونخ 32 من الأعمال المعروضة في هذه الصفحة.
