تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 143 أعمال لـ جورج هايتر في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها جورج هايتر، تُعد Queen Victoria (1863) هي الأشهر، وهي ضمن مجموعة المعرض الوطني للصور في لندن. تأتي بعدهما مباشرة كل من Portrait of Sophia S. Kiselyova (1801-1875) (1831) و Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840). يضم كتالوجنا 143 من أعمال جورج هايتر؛ حيث احتفظ المعرض بـ 100 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work captures the sovereign in a moment of ceremonial dignity. It is an oil on canvas that seeks to document the presence of the Queen through the lens of official portraiture.
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a deep red bodice, laced tightly across the chest, which anchors the composition with a heavy, saturated weight. A golden shawl drapes over her shoulders, its silken sheen catching the directional light from the upper left. Around her head, a wreath of autumnal…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised grace, her presence anchored by a deep crimson dress that catches the light in its heavy folds. Beside her, the young Princess Adelaide offers a soft contrast, her small form draped in a gown of pure, luminous white. The two figures occupy…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850, long after the actual ceremony took place. The work focuses on the young Queen Victoria, draped in her heavy coronation regalia. She is a figure of quiet gravity amidst the weight of her ceremonial robes.
In this 1835 portrait, George Hayter presents Victoria, Duchess of Kent, within a setting that feels both intimate and grand. The subject is positioned slightly off-center, standing amidst a lush, natural landscape that provides a sense of serenity. There is a quiet dignity in her posture, a stillness that suggests the weight of her station without the need for overt displays of power. The composition relies on the fluid, organic…
The artwork, titled The Assumption of the Virgin, is an oil painting that presents a vertically oriented, hierarchical composition. The scene depicts the Virgin Mary ascending toward heaven, surrounded by angels, while a group of apostles or saints watches from below. The structure of the piece follows an ascending arrangement, utilizing a low-angle perspective that looks upward to enhance the sense of spiritual ascension.
In this intimate collection of preparatory sketches, titled Studies for the Duke of Wellington, we encounter the focused, academic mind of George Hayter. Created around 1820, these studies offer a rare glimpse into the artist's process as he prepared to capture a figure of significant historical weight. The work centers on a military or noble figure, most likely the Duke of Wellington, presented in a formal equestrian pose that suggests…
A single man occupies the center of this 1823 oil portrait, his presence anchored in a sea of deep umber and sienna. George Tierney sits in a three-quarter view, his gaze directed toward the left of the frame as if contemplating a thought just out of reach. The light is a sharp, deliberate tool, striking the pale curve of his forehead and the crisp white of his cravat. This chiaroscuro…
This oil on canvas work, titled Thomas Brunton, 1774-1833, was executed by the English painter George Hayter. The portrait, which dates to 1832, depicts the subject in a three-quarter length composition. The figure of Brunton is positioned seated and slightly off-center within the frame. He is situated in a scholarly or professional setting, indicated by the presence of books and papers resting on a table beside him.
George Hayter painted this portrait of Charles Wood, 1st Viscount Halifax, in 1838. The subject was a prominent British Whig politician and Member of Parliament. His political career included significant roles such as Chancellor of the Exchequer and First Lord of the Admiralty.
Louise, Queen of the Belgians (1812-1850)1837 · Royal Collection
12
William Lamb, 2nd Viscount Melbourne (1799-1848)1837 · Royal Collection
13
Queen Victoria (1819-1901)1837 · Royal Collection
14
Leopold I, King of the Belgians (1790-1865)1837 · Royal Collection
15
William Lamb, 2nd Viscount Melbourne (1779-1848)1837 · Royal Collection
16
Queen Victoria (1819-1901) when Princess1832 · Royal Collection
17
Queen Victoria (1819–1901)1838 · جامعة كوينز بلفاست
18
Frederick William IV, King of Prussia (1795-1861)1843 · Royal Collection
19
Ernest I, Duke of Saxe-Coburg-Gotha (1784-1844)1840 · Royal Collection
20
Duke Ferdinand of Saxe-Coburg-Gotha and his sons, Prince Leopold and Prince Augustus1842 · Royal Collection
21
Prince Albert (1819-61)1840 · Royal Collection
22
The Christening of Albert Edward, Prince of Wales, later Edward VII (1841-1910) at St George's Chapel, Windsor, 25 January 18421842 · Royal Collection
23
Queen Victoria (1819-1901)1855 · قصر باكنغهام
24
The Martyrdom of Ridley and Latimer1855
25
Portrait Study of Martha, Lady Hayter1863 · Yale Center for British Art
26
Amy Emily Sarah Fitzroy1858
27
The Coronation of Queen Victoria, 28 June 18381838 · Royal Collection
28
The Homage at the Coronation of Queen Victoria (oil sketch)1838 · Royal Collection
29
After the Storm1833 · Walters Art Museum
30
A Fête at Sanssouci1844 · Royal Collection
31
The Marriage of Queen Victoria, 10 February 1840 (oil sketch)1840 · Royal Collection
32
Franz Liszt1841 · Royal College of Music Museum
33
Portrait of Countess Yelizaveta Vorontsova1832 · متحف الإرميتاج
34
Portrait of Richard Burke, Son of Edmund Burke, Parliamentary Agent of the Catholic Committee (1758-1794)National Gallery of Ireland
35
Henry Winston Barron, M.P.متحف الفنون الجميلة في هيوستن
36
Fitzstephen French, M.P.متحف الفنون الجميلة في هيوستن
37
Two Arab ServantsRoyal Collection
38
Sketch In Oils Of Lady Louisa Stuart
39
Portrait Of The Duke Of Wellington
40
Lord Richard CavendishHardwick Hall
41
Portrait Of A Gentleman
42
Sir John Rae Reid
43
Lewis Weston Dillwyn
44
The Honourable George Rice Trevor
45
William Cavendish
46
Sir Charles Cockerell
47
James Welbore Agar-ellisHardwick Hall
48
Frederick William John HerveyIckworth
49
Portrait Of John, 6th Duke Of Bedford
50
Lord John Russell
51
Francis Thornhill Baring
52
Matthew RussellDudmaston Hall
53
The First Reformed House Of Commons,
54
Study Of Edward Bolton King
55
Queen Victoria seated on the throne in the House of Lords
56
Study Of The Right Honourable Michael
57
Thomas Francis KennedyScottish National Portrait Gallery
58
Thomas Babington Macaulay
59
The Angels Ministering To Christ
60
Robert Ingham Esq.
61
Lady Jane Gordon
62
Sir Thomas Gladstone Of Fasque
63
Charles Stuart, 1st Baron Stuart De Rothesay
64
Latimer Preaching at Paul's Cross
65
John Thomas
66
Portrait Of A LadyChastleton House
67
Study Of Benjamin Lester Lester
68
Captain William Stanway ParkinsonNational Maritime Museum
69
Lieutenant Waghorne
70
Thomas GrahamScottish National Portrait Gallery
71
Thomas William Booker
72
Self Portrait
73
Self Portrait
74
Lady Belgrave
75
Queen Victoria (8)
76
Thomas Brunton
77
Louisa Barbara Catherine PhilipsShugborough Hall
78
Sir William Hotham
79
John Henry Ley
80
Duke Of Wellington
81
The Sitter,
82
Reverend John Jennings
83
William John BankesKingston Lacy
84
Portrait Of A Boy
85
Mrs Greenwood
86
Sir John Willes
87
Lieutenant Colonel Thomas Peers Williams
88
James Chadwick
89
Lady Stuart de Rothesay and her daughters
90
Sir John Campbell
91
John William Montagu
92
Self PortraitHatchlands Park
93
Alex Bannerman
94
William Wilberforce
95
Trial Of Queen Caroline
96
The Trial Of William Lord Russell
97
Philip Stanhope, 5th Earl Stanhopeالمعرض الوطني للصور
98
Alfred, Count D'orsayالمعرض الوطني للصور
99
Admiral Henry John Rous
100
Thomas Waghornالمعرض الوطني للصور
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال جورج هايتر | لوحات من هذه القائمة |
|---|---|---|---|
 Royal Collection |
لندن | 20 | The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850), William Lamb, 2nd Viscount Melbourne (1799-1848) |
 المعرض الوطني للصور |
لندن | 18 | Queen Victoria, Charles Wood, 1st Viscount Halifax, Philip Stanhope, 5th Earl Stanhope |
 قصر باكنغهام |
لندن | 5 | Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Victoria, Duchess of Kent (1786-1861), Queen Victoria (1819-1901) |
 Yale Center for British Art |
نيو هيفن | 3 | Queen Victoria Taking the Coronation Oath, June 28, 1838, Studies for the Duke of Wellington, Portrait Study of Martha, Lady Hayter |
 متحف الإرميتاج |
سانت بطرسبرغ | 2 | Portrait of Sophia S. Kiselyova (1801-1875), Portrait of Countess Yelizaveta Vorontsova |
 National Gallery of Ireland |
مدينة دبلن | 2 | Portrait of George Tierney (1761-1830), MP and English Statesman, Portrait of Richard Burke, Son of Edmund Burke, Parliamentary Agent of the Catholic Committee (1758-1794) |
 National Maritime Museum |
لندن | 2 | Thomas Brunton, 1774-1833, Captain William Stanway Parkinson |
 متحف الفنون الجميلة في هيوستن |
هيوستن | 2 | Henry Winston Barron, M.P., Fitzstephen French, M.P. |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The artwork, titled The Assumption of the Virgin, is an oil painting that presents a vertically oriented, hierarchical composition. The scene depicts the Virgin Mary ascending toward heaven, surrounded by angels, while a group of apostles or saints watches from below. The structure of the piece follows an ascending arrangement, utilizing a low-angle perspective that looks upward to enhance the sense of spiritual ascension.
In this intimate collection of preparatory sketches, titled Studies for the Duke of Wellington, we encounter the focused, academic mind of George Hayter. Created around 1820, these studies offer a rare glimpse into the artist's process as he prepared to capture a figure of significant historical weight. The work centers on a military or noble figure, most likely the Duke of Wellington, presented in a formal equestrian pose that suggests…
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a deep red bodice, laced tightly across the chest, which anchors the composition with a heavy, saturated weight. A golden shawl drapes over her shoulders, its silken sheen catching the directional light from the upper left. Around her head, a wreath of autumnal…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised grace, her presence anchored by a deep crimson dress that catches the light in its heavy folds. Beside her, the young Princess Adelaide offers a soft contrast, her small form draped in a gown of pure, luminous white. The two figures occupy…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850, long after the actual ceremony took place. The work focuses on the young Queen Victoria, draped in her heavy coronation regalia. She is a figure of quiet gravity amidst the weight of her ceremonial robes.
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work captures the sovereign in a moment of ceremonial dignity. It is an oil on canvas that seeks to document the presence of the Queen through the lens of official portraiture.
Queen Victoria (1863)، المعرض الوطني للصور, لندن. ويليها Portrait of Sophia S. Kiselyova (1801-1875) (1831) وFeodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840).
عمر 71 عاماً: يعود تاريخ Queen Victoria إلى 1863، وقد وُلد جورج هايتر في 1792.
Queen Victoria, Portrait of Sophia S. Kiselyova (1801-1875), Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Queen Victoria Taking the Coronation Oath, June 28, 1838, Victoria, Duchess of Kent (1786-1861), The Assumption of the Virgin, Studies for the Duke of Wellington, Portrait of George Tierney (1761-1830), MP and English Statesman, Thomas Brunton, 1774-1833 و Charles Wood, 1st Viscount Halifax. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 143 من أعمال جورج هايتر، التي يعود تاريخها من 1818 إلى 1863.
توجد غالبيتها في Royal Collection (لندن), المعرض الوطني للصور (لندن) و قصر باكنغهام (لندن). يدرج جدول المتاحف أعلاه جميعها.
في 1830s: تم إنجاز 15 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of Sophia S. Kiselyova (1801-1875).
في هذه الصفحة، أقدم الأعمال يعود إلى The Assumption of the Virgin (1818) وأحدثها يعود إلى Queen Victoria (1863).
Portrait (20), Victorian era (15) و Woman (12)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 18 من أصل 100 من الأعمال في هذه الصفحة.
Neoclassicism، بناءً على الأعمال الأصلية في هذه الصفحة.
The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850) و William Lamb, 2nd Viscount Melbourne (1799-1848): يضم Royal Collection, لندن 17 من الأعمال المعروضة في هذه الصفحة.
