تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 291 أعمال لـ جورج كلوسن في كتالوجنا
باختصار
من وجهة نظر المعرض، فإن أشهر لوحة للفنان جورج كلوسن هي Interior. Gleaners Coming Home (1904) و Agnes Mary Webster يكملان الثلاثية التي تدركها كل عين. من بين 291 من أعمال جورج كلوسن في كتالوجنا، يعرض المعرض أدناه 100 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
In the quietude of Interior, George Clausen invites us into a private, domestic moment. A woman sits near a table, her attention lost in the pages of a book, while the soft light from a large window spills across the room. Outside, a lush garden of greenery waits beyond the glass, creating a peaceful connection between the stillness of the home and the life of the outdoors. The scene feels…
In this 1904 work, we find ourselves in the soft, muted light of a rural landscape, perhaps at the cusp of dawn or dusk. A woman moves through the foreground, her body leaning into the weight of a large bundle of grain or hay carried over her shoulder. Her clothing is simple, the attire of one accustomed to the physical demands of the field. Behind her, other figures follow the…
This oil on canvas portrait by George Clausen depicts a young woman, identified as Agnes Mary Webster. The subject is positioned in a centered composition, shown from the collarbone upward. She faces the viewer directly with a steady gaze. The depiction follows a realistic style, focusing on the anatomical accuracy of the face and the subtle textures of the skin and hair.
There is a certain stillness in this portrait that invites a closer look. The subject, a young woman likely from a rural setting, gazes slightly off-center, her expression carrying a sense of quiet dignity and perhaps a hint of melancholy. It is an intimate depiction, focusing on her face and upper torso against a background that recedes into soft, blurred greens and browns. The composition is centered, drawing the eye…
The oil painting titled Sorting the catch, Volendam was created by the artist George Clausen. This work dates to about 1877. The scene depicts a group of women engaged in the labor of sorting a fresh catch of fish on a beach. The setting captures a moment of communal work within a coastal village, likely Volendam.
In A Morning Walk, George Clausen presents a vertically oriented portrait that captures a quiet moment of everyday life. The subject, a woman dressed in fashionable attire, occupies the center of the frame. She faces forward, meeting the viewer with a direct and steady gaze. Her posture remains relaxed yet carries a certain dignity, grounding the composition amidst a soft, atmospheric setting.
In this 1882 work, George Clausen turns his attention to the quiet rhythms of the English countryside. The painting, titled Gleaners, captures a group of figures engaged in the repetitive, essential task of collecting leftover grain. Within the expanse of a golden wheat field, several women and a young boy move through the stalks, focused on the remnants of the harvest. It is a scene of rural labor, documenting a…
A seated woman occupies the center of this 1882 oil on canvas, her chin resting heavily upon her hand in a gesture of profound introspection. She is positioned against a backdrop of blurred greenery, where the forms of trees and foliage dissolve into soft, organic shapes. The composition favors a shallow perspective, focusing the viewer's attention entirely on the figure and the immediate atmosphere of her surroundings. Muted tones of…
is an oil on canvas painted by George Clausen in 1883. The work captures a group of agricultural workers gathered within a wide field. These figures move through the rows of crops, engaged in the repetitive rhythms of harvest and labor. The scene focuses on the quiet, everyday lives of those who tend the land.
In George Clausen's Head of a Peasant Woman, the viewer meets an elderly subject whose presence fills the frame. The composition centers tightly on the woman’s head and upper torso, cropping the figure just below her chest to create an intimate proximity. She does not look directly at us; instead, her gaze drifts slightly off-center, lost in a moment of quiet contemplation. This subtle redirection of her eyes lends a…
Brown Eyes1891
12
Portrait of a Child, Rose Grimsdale1891
13
Little Rose1889
14
Head of a Young Girl1890
15
Farmer's Boy1884 · Ashmolean Museum
16
The Girl at the Gate1889
17
The Farmer’s Boy1895
18
Mrs Herbert Roberts1894
19
Harvesting the Sheaves1902
20
Mark Fisher1900
21
Building the Rick1907 · Birmingham Museum and Art Gallery
22
John Thomas Tweed, Town Clerk of Lincoln1906
23
Portrait Of Albert Toft (1862-1949)1913 · Birmingham Museum and Art Gallery
24
Returning to the Reconquered Land1918 · Canadian War Museum
25
Frieda1920 · المعرض الوطني الاسكتلندي
26
A view of the Tower of London
27
Cottages at Finchingfield
28
Still life with tulips
29
A Little Child1888 · Leeds Art Gallery
30
Contemplation1878
31
High Mass at a Fishing Village on the Zuyder Zee, Holland1876
32
December1882
33
A. G. Webster1881
34
Flora, The Gypsy Flower Seller1883
35
Gaywood Almshouses, Kings Lynn1881
36
Day Dreams1883
37
The Mowers1891
38
The Golden Barn1901 · Walker Art Gallery
39
A Farmyard1893
40
The Gap in the Hedge1900 · Leeds Art Gallery
41
Dusk1903 · Laing Art Gallery
42
A Frosty March Morning1904
43
Children and Roses1899
44
In the small hours1911 · Auckland Art Gallery Toi o Tāmaki
45
Study of Two Girls
46
Study of a young boy
47
Study of a child's head
48
Study of a woman's head in profile for 'Primavera'
49
Sketch of the head of an old man
50
Studies of hoeing figures
51
Study of a male figure in costume for 'The English People
52
Thomas Ashby
53
Study of a seated girl wearing a hat, looking down
54
Study for the male figure hacking a turnip in 'December'
55
Figure study relating to 'The Shepherdess'
56
Study of a male figure in costume for 'The English People
57
Life drawing of a standing male nude
58
Study of a standing male figure for 'The Green Fields'
59
Design for a war medallion
60
Studies of Dutch women relating to 'A Dutch Village'
61
Study of a woman carrying a sack, relating to 'Returning to the Reconquered Land'
62
Sketch of a seated man in a hat for 'Interior of an Old Barn' 1
63
Sketch of a seated man in a hat for 'Interior of an Old Barn'
64
Drawing after 'Shepherd with a Lamb'
65
Study of the boy's face for 'The Gap in the Hedge'
66
Study of a woman's head for 'Returning to the Reconquered Land'
67
Sir George Clausen
68
Study of a woman holding a rake
69
Study of a young girl
70
Study for 'Night'
71
Untitled
72
Study of a girl holding a garland
73
Study for 'A Little Child'
74
Night
75
Study of a group of field workers
76
Study of a young girl 1
77
Harvesting
78
Drawing after 'Crow Starving'
79
Study of a girl and a boy leaning against a tree branch
80
Preparatory study for 'Stonepickers'
81
Portrait of a woman
82
Study of a boy wearing Dutch costume
83
Study of a man ploughing a field with two plough horses
84
Study of a bending male figure for 'Winter Work'
85
Weed burning, October
86
The Road, Winter Morning
87
Compositional study for 'The Student'
88
Drawing after 'Boy Trimming a Hedge'
89
Study of a man wearing a hat and carrying a winnowing fan
90
Portrait of Agnes Mary Webster
91
Ploughing
92
the hedger cookham dean
93
Study of a young Dutch boy
94
Study of a church in Samer, northern France
95
Reconstruction of Belgium
96
In the Street
97
Study of a young girl carrying a pole
98
Study of a Dutch woman washing fish in a tub
99
Study of a boy balancing a sack
100
Compositional study featuring children in procession
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال جورج كلوسن | لوحات من هذه القائمة |
|---|---|---|---|
 Leeds Art Gallery |
ليدز | 6 | A Little Child, The Gap in the Hedge |
 Birmingham Museum and Art Gallery |
برمنغهام | 2 | Building the Rick, Portrait Of Albert Toft (1862-1949) |
 Walker Art Gallery |
ليفربول | 3 | The Golden Barn |
 المعرض الوطني الاسكتلندي |
إدنبرة | 2 | Frieda |
 Ashmolean Museum |
أكسفورد | 1 | Farmer's Boy |
 Canadian War Museum |
أوتاوا | 1 | Returning to the Reconquered Land |
 Laing Art Gallery |
New South Wales | 1 | Dusk |
 Auckland Art Gallery Toi o Tāmaki |
أوكلاند | 1 | In the small hours |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The oil painting titled Sorting the catch, Volendam was created by the artist George Clausen. This work dates to about 1877. The scene depicts a group of women engaged in the labor of sorting a fresh catch of fish on a beach. The setting captures a moment of communal work within a coastal village, likely Volendam.
In A Morning Walk, George Clausen presents a vertically oriented portrait that captures a quiet moment of everyday life. The subject, a woman dressed in fashionable attire, occupies the center of the frame. She faces forward, meeting the viewer with a direct and steady gaze. Her posture remains relaxed yet carries a certain dignity, grounding the composition amidst a soft, atmospheric setting.
A young girl sits at the center of a soft, breathing landscape. Her reddish-brown hair catches a diffused light, framing a face marked by the pale glow of fair skin and the gentle flush of rosy cheeks. She wears a high-necked white blouse, its fabric rendered with thick, textured strokes that suggest the weight of heavy linen. Her eyes, dark and steady, meet the viewer directly from a straight-on, eye-level…
In this 1904 work, we find ourselves in the soft, muted light of a rural landscape, perhaps at the cusp of dawn or dusk. A woman moves through the foreground, her body leaning into the weight of a large bundle of grain or hay carried over her shoulder. Her clothing is simple, the attire of one accustomed to the physical demands of the field. Behind her, other figures follow the…
A young man is captured in a close-up bust portrait, his gaze directed toward the right of the frame. The composition places him slightly off-center, creating a sense of poised, contemplative stillness. Soft lighting originates from the upper left, casting gentle shadows across the right side of his face and neck. This directional light defines the three-dimensional modeling of his features, emphasizing the structure of the jawline and the subtle…
George Clausen presents Frieda in a close-up bust portrait, executed about 1920. The subject is positioned slightly off-center, facing toward the viewer's left. This orientation creates an intimate connection, though the subject does not meet the observer's gaze. Instead, her large, dark eyes look away, directed toward an unseen point beyond the frame.
Interior. يليه Gleaners Coming Home (1904) و Agnes Mary Webster.
Interior, Gleaners Coming Home, Agnes Mary Webster, A Village Maiden, Sorting the catch, Volendam, A Morning Walk, Gleaners, A Moment s Rest, A Field Gang و Head of a Peasant Woman. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 291 من أعمال جورج كلوسن، التي يعود تاريخها من 1876 إلى 1920.
توجد غالبيتها في Leeds Art Gallery (ليدز), Birmingham Museum and Art Gallery (برمنغهام) و Walker Art Gallery (ليفربول). يدرج جدول المتاحف أعلاه جميعها.
في 1880s: تم إنجاز 14 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها A Morning Walk.
في هذه الصفحة، أقدم الأعمال يعود إلى High Mass at a Fishing Village on the Zuyder Zee, Holland (1876) وأحدثها يعود إلى Frieda (1920).
Woman (11), Men (11) و Portrait (9)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 22 من أصل 100 من الأعمال في هذه الصفحة.
Realism و Impressionism، بناءً على الأعمال الأصلية في هذه الصفحة.
A Little Child و The Gap in the Hedge: يضم Leeds Art Gallery, ليدز 2 من الأعمال المعروضة في هذه الصفحة.
