تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 12 أعمال لـ ديزيديريو دا سيتينيانو في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Virgin and Child (1450) أشهر لوحات ديزيديريو دا سيتينيانو، والتي تُعرض لوحتها الأصلية في Galleria Sabauda، تورين. Portrait of Marietta Strozzi (1460) و Meeting of Christ and St John the Baptist as Youth (1453) يكملان الثلاثية التي تدركها كل عين. من بين 12 من أعمال ديزيديريو دا سيتينيانو في كتالوجنا، يعرض المعرض أدناه 12 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
To gaze upon Desiderio da Settignano's Virgin and Child is to step directly into the luminous heart of the Italian Renaissance. This exquisite marble sculpture, dating from 1450, transcends mere artistry; it captures a moment of profound, quiet intimacy. The piece presents the Virgin Mary cradling the infant Jesus Christ, rendered with a breathtaking naturalism that seems to breathe life back into the cold stone. Desiderio’s mastery is evident in…
Desiderio da Settignano’s “Portrait of Marietta Strozzi” isn't merely a depiction of a young woman; it’s a carefully constructed window into the heart of 15th-century Florence. Completed around 1460, this exquisite marble bust transcends its material form to embody the ideals of beauty, intellect, and social standing that defined the era. The sculpture, now residing in the Staatliche Lindenau Museum in Berlin, immediately captivates with its serene composure – a…
Desiderio da Settignano's “Meeting of Christ and St John the Baptist as Youth,” created in 1453, stands as a cornerstone of Florentine Renaissance sculpture—a testament to humanist ideals fused with profound spiritual contemplation. Executed in grayscale marble, this circular relief captures a moment of serene intimacy between two youthful figures, embodying the burgeoning fascination with classical beauty and Christian piety that characterized the era.
A woman’s profile emerges from the cool, white marble, her features caught in a moment of quietude. The stone does not feel like rock; it feels like skin under a soft, diffused light. Her hair is a complex architecture of braids and curls, each strand rendered with a precision that suggests the artist’s chisel moved with the lightness of a brush. There is a profound stillness in her gaze, a…
In a recessed niche within the walls of Santa Trinità in Florence, a marble figure emerges from the stone. This high relief sculpture, carved in 1464, captures Mary Magdalene in a moment of quiet introspection. She is positioned centrally within an ornate architectural frame, her form integrated into the very fabric of the building. The figure holds a lamp aloft, a gesture that directs the viewer's attention toward the interplay…
Within the hushed reverence of a Florentine chapel, or perhaps now adorning a discerning collector's home, resides “The Christ Child” by Desiderio da Settignano – a sculpture that transcends mere representation to embody the very essence of nascent divinity. Crafted in the luminous embrace of white marble around 1460, this intimate portrait captures a moment suspended between earthly vulnerability and celestial grace. More than just a depiction of infancy, it’s…
Desiderio da Settignano's "A Little Boy," a marble bust sculpted around 1460, isn’t merely a portrait; it’s a poignant distillation of the Florentine Renaissance spirit – a fleeting capture of youthful beauty and an exploration of idealized innocence. This exquisite piece, currently housed at the National Gallery of Art in Washington D.C., offers a rare glimpse into the artistic sensibilities of a master sculptor who, despite his relatively short career,…
Desiderio da Settignano’s “Laughing Boy,” crafted around 1453, isn't merely a sculpture; it’s a frozen moment of pure, unadulterated delight. Housed within the Kunsthistorisches Museum in Vienna, this small marble bust transcends its modest size to deliver an astonishingly potent emotional experience – a testament to the artist’s remarkable ability to capture fleeting human expression. Born into a family steeped in Florentine stonemasonry, Desiderio emerged as a prodigious talent, quickly…
The marble tabernacle crafted by Desiderio da Settignano around 1460 stands as a remarkable exemplar of Florentine Renaissance sculpture—a testament not only to artistic skill but also to the profound influence of humanist ideals and religious devotion. More than just an architectural element, it embodies the meticulous attention to detail characteristic of the era, reflecting a desire for beauty and grandeur that permeated all aspects of artistic endeavor.
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال ديزيديريو دا سيتينيانو | لوحات من هذه القائمة |
|---|---|---|---|
 سان لورينزو |
فلورنسا | 3 | Tabernacle (detail), Tabernacle, Tabernacle (detail) |
 المعرض الوطني للفنون |
واشنطن | 2 | The Christ Child (.), A Little Boy |
 سانتا كروتشي |
فلورنسا | 2 | Tomb of Carlo Marsuppini (detail), Tomb of Carlo Marsuppini |
 Galleria Sabauda |
تورين | 1 | Virgin and Child |
 Staatliche Museen zu Berlin |
برلين | 1 | Portrait of Marietta Strozzi |
 متحف اللوفر |
باريس | 1 | Meeting of Christ and St John the Baptist as Youth |
 سانتا ترينيتا |
فلورنسا | 1 | Mary Magdalene |
 متحف الفنون التاريخية |
فيينا | 1 | Laughing Boy |
تمتد مسيرة ديزيديريو دا سيتينيانو الفنية في هذه الصفحة على مدار 15 سنوات، من 1450 إلى 1464: حيث يظهر كل عام هنا مع أشهر أعماله الأصلية.
اختر سنة لعرض أعمالها الأصلية.
To gaze upon Desiderio da Settignano's Virgin and Child is to step directly into the luminous heart of the Italian Renaissance. This exquisite marble sculpture, dating from 1450, transcends mere artistry; it captures a moment of profound, quiet intimacy. The piece presents the Virgin Mary cradling the infant Jesus Christ, rendered with a breathtaking naturalism that seems to breathe life back into the cold stone. Desiderio’s mastery is evident in…
Desiderio da Settignano's “Meeting of Christ and St John the Baptist as Youth,” created in 1453, stands as a cornerstone of Florentine Renaissance sculpture—a testament to humanist ideals fused with profound spiritual contemplation. Executed in grayscale marble, this circular relief captures a moment of serene intimacy between two youthful figures, embodying the burgeoning fascination with classical beauty and Christian piety that characterized the era.
المزيد من 1453
Desiderio da Settignano’s “Portrait of Marietta Strozzi” isn't merely a depiction of a young woman; it’s a carefully constructed window into the heart of 15th-century Florence. Completed around 1460, this exquisite marble bust transcends its material form to embody the ideals of beauty, intellect, and social standing that defined the era. The sculpture, now residing in the Staatliche Lindenau Museum in Berlin, immediately captivates with its serene composure – a…
المزيد من 1460
A woman’s profile emerges from the cool, white marble, her features caught in a moment of quietude. The stone does not feel like rock; it feels like skin under a soft, diffused light. Her hair is a complex architecture of braids and curls, each strand rendered with a precision that suggests the artist’s chisel moved with the lightness of a brush. There is a profound stillness in her gaze, a…
In a recessed niche within the walls of Santa Trinità in Florence, a marble figure emerges from the stone. This high relief sculpture, carved in 1464, captures Mary Magdalene in a moment of quiet introspection. She is positioned centrally within an ornate architectural frame, her form integrated into the very fabric of the building. The figure holds a lamp aloft, a gesture that directs the viewer's attention toward the interplay…
Virgin and Child (1450)، Galleria Sabauda, تورين. ويليها Portrait of Marietta Strozzi (1460) وMeeting of Christ and St John the Baptist as Youth (1453).
عمر 20 عاماً: يعود تاريخ Virgin and Child إلى 1450، وقد وُلد ديزيديريو دا سيتينيانو في 1430.
Virgin and Child, Portrait of Marietta Strozzi, Meeting of Christ and St John the Baptist as Youth, Tabernacle (detail), Mary Magdalene, The Christ Child (.), A Little Boy, Laughing Boy, Tabernacle و Tomb of Carlo Marsuppini (detail). يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 12 من أعمال ديزيديريو دا سيتينيانو، التي يعود تاريخها من 1450 إلى 1464.
توجد غالبيتها في سان لورينزو (فلورنسا), المعرض الوطني للفنون (واشنطن) و سانتا كروتشي (فلورنسا). يدرج جدول المتاحف أعلاه جميعها.
في 1460: تم إنجاز 5 من أصل 12 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of Marietta Strozzi.
في هذه الصفحة، أقدم الأعمال يعود إلى Virgin and Child (1450) وأحدثها يعود إلى Mary Magdalene (1464).
Marble (5), Marble sculpture (4) و Sculpture (4)، عبر 12 من الأعمال في هذه الصفحة.
Marble، لـ 6 من أصل 12 من الأعمال في هذه الصفحة.
Renaissance و Early renaissance، بناءً على الأعمال الأصلية في هذه الصفحة.
Tabernacle (detail), Tabernacle و Tabernacle (detail): يضم سان لورينزو, فلورنسا 3 من الأعمال المعروضة في هذه الصفحة.
