بورتريه لـ David Martin

لوحات David Martin: أشهر 37 لوحة، بعيون معرض فني

تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 38 أعمال لـ David Martin في كتالوجنا

باختصار

من وجهة نظر المعرض، تُعد Self-portrait (1760) أشهر لوحات David Martin، والتي تُعرض لوحتها الأصلية في المعرض الوطني الاسكتلندي، إدنبرة. David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) و Alexander Udney, older brother to George (1757) يكملان الثلاثية التي تدركها كل عين. من بين 38 من أعمال David Martin في كتالوجنا، يعرض المعرض أدناه 37 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.

1737 – 1797, Anstruther أكبر مجموعة أعمال: Scottish National Portrait Gallery

أفضل 10 لوحات لـ David Martin في المعرض

لوحات David Martin، مرتبة من 11 إلى 37

11Sir Hector Munro (1785) للفنان David MartinSir Hector Munro1785 · المعرض الوطني للصور 12William Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice (1777) للفنان David MartinWilliam Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice1777 13Willielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge (1780) للفنان David MartinWillielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge1780 · Scottish National Portrait Gallery 14Parrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published (1777) للفنان David MartinParrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published1777 15Lilias Seton, Lady Steuart of Allanton (died 1821) (1789) للفنان David MartinLilias Seton, Lady Steuart of Allanton (died 1821)1789 · المعرض الوطني الاسكتلندي 16Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794) للفنان David MartinHenry Home, Lord Kames, 1696 - 1782. Scottish judge and author1794 · Scottish National Portrait Gallery 17Alexander Murray, Lord Henderland, 1736 - 1795 (1787) للفنان David MartinAlexander Murray, Lord Henderland, 1736 - 17951787 · Scottish National Portrait Gallery 18William Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh (1788) للفنان David MartinWilliam Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh1788 · Scottish National Portrait Gallery 19Mary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh (1788) للفنان David MartinMary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh1788 · Scottish National Portrait Gallery 20Captain Patrick Hunter (1786) للفنان David MartinCaptain Patrick Hunter1786 21Mary Martin, Mrs Alexander Gowan (1716 - 1795) للفنان David MartinMary Martin, Mrs Alexander Gowan (1716 - 1795)المعرض الوطني الاسكتلندي 22Rev. Alexander Webster, 1707 - 1784. Moderator of the General Assembly للفنان David MartinRev. Alexander Webster, 1707 - 1784. Moderator of the General AssemblyScottish National Portrait Gallery 23Thomas Hay, 9th Earl of Kinnoull, 1710 - 1787. Statesman للفنان David MartinThomas Hay, 9th Earl of Kinnoull, 1710 - 1787. StatesmanScottish National Portrait Gallery 24John Hume of Ninewells, 1709 - 1786. Brother of David Hume للفنان David MartinJohn Hume of Ninewells, 1709 - 1786. Brother of David HumeScottish National Portrait Gallery 25Mary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physician للفنان David MartinMary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physicianScottish National Portrait Gallery 26Hoopoe Starling للفنان David MartinHoopoe Starling 27Oye De Guinée للفنان David MartinOye De Guinée 28Peruche de Gingi للفنان David MartinPeruche de Gingi 29Ara Rouge للفنان David MartinAra Rouge 30Psittacula Eques للفنان David MartinPsittacula Eques 31Mascarinus للفنان David MartinMascarinus 32Ara Guadeloupensis للفنان David MartinAra Guadeloupensis 33Reunion Parakeet للفنان David MartinReunion Parakeet 34Cuban Macaw للفنان David MartinCuban Macaw 35White-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill للفنان David MartinWhite-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill 36Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray (1778) للفنان David MartinPortrait of Dido Elizabeth Belle and Lady Elizabeth Murray1778 37Portrait of Benjamin Franklin (1767) للفنان David MartinPortrait of Benjamin Franklin1767

المواضيع التي استأثرت باهتمام David Martin

المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.

المتاحف التي تحتفظ بالأعمال الأصلية لـ David Martin

المتاحف الـ 6 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال David Martin لوحات من هذه القائمة
Scottish National Portrait Gallery, إدنبرةScottish National Portrait Gallery إدنبرة 15 David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian
المعرض الوطني الاسكتلندي, إدنبرةالمعرض الوطني الاسكتلندي إدنبرة 3 Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795)
أكاديمية بنسلفانيا للفنون الجميلة, فيلادلفياأكاديمية بنسلفانيا للفنون الجميلة فيلادلفيا 1 Benjamin Franklin
Balliol College, أكسفوردBalliol College أكسفورد 1 Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778)
Basildon ParkBasildon Park 1 Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813)
المعرض الوطني للصور, لندنالمعرض الوطني للصور لندن 1 Sir Hector Munro

David Martin، لوحة أيقونية واحدة لكل عقد

الأعمال حسب العقد

اختر عقداً لتشاهد العمل الأصلي الذي يجسده.

لوحات David Martin: إجابات المعرض

ما هي اللوحة الأكثر شهرة لـ David Martin على الإطلاق؟اكتشف الإجابة

Self-portrait (1760)، المعرض الوطني الاسكتلندي, إدنبرة. ويليها David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) وAlexander Udney, older brother to George (1757).

كم كان عمر David Martin عند إكمال Self-portrait؟اكتشف الإجابة

عمر 23 عاماً: يعود تاريخ Self-portrait إلى 1760، وقد وُلد David Martin في 1737.

ما هي أفضل 10 لوحات لـ David Martin؟اكتشف الإجابة

Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) و Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813). يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.

كم عدد الأعمال التي أبدعها David Martin؟اكتشف الإجابة

يضم كتالوجنا 38 من أعمال David Martin، التي يعود تاريخها من 1757 إلى 1794.

أين تُعرض أشهر الأعمال الأصلية لـ David Martin؟اكتشف الإجابة

توجد غالبيتها في Scottish National Portrait Gallery (إدنبرة), المعرض الوطني الاسكتلندي (إدنبرة) و أكاديمية بنسلفانيا للفنون الجميلة (فيلادلفيا). يدرج جدول المتاحف أعلاه جميعها.

متى أبدع David Martin أشهر لوحاته؟اكتشف الإجابة

في 1770s: تم إنجاز 8 من أصل 37 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Rev. Robert Henry, 1718 - 1790. Historian.

ما هي أشهر أعمال David Martin المبكرة والأخيرة؟اكتشف الإجابة

في هذه الصفحة، أقدم الأعمال يعود إلى Alexander Udney, older brother to George (1757) وأحدثها يعود إلى Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794).

ما هي الأعمال الأصلية لـ David Martin التي تمتلكها Scottish National Portrait Gallery؟اكتشف الإجابة

David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George و Rev. Robert Henry, 1718 - 1790. Historian: يضم Scottish National Portrait Gallery, إدنبرة 15 من الأعمال المعروضة في هذه الصفحة.

David Martin: الفنان

A Life Dedicated to the Winged World

François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.

His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.

The Art of Observation: Technique and Style

What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.

He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.

  • Color Techniques: While Martinet primarily worked in monochrome engravings, his illustrations were often hand-colored by skilled artisans, adding layers of vibrant hues that brought the birds to life.
  • Compositional Choices: He favored dynamic compositions, placing birds within their natural settings and capturing them in active poses.
  • Attention to Detail: Martinet’s illustrations are renowned for their meticulous rendering of feathers, scales, and other anatomical features.

Collaborations and Major Works

Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.

His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.

Notable Works:
  • Histoire Naturelle des Oiseaux (Natural History of Birds) by Georges-Louis Leclerc, Comte de Buffon
  • Illustrations for Mathurin Jacques Brisson’s *Ornithologia*
  • Engravings for the Encyclopédie méthodique

Legacy and Historical Significance

François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.

His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.